EVERY FRIDAY • 1:30pm
Hawai‘i State Art Museum

Don’t miss gallery tours with HT22 associate curator Drew Kahu‘āina Broderick. Join him every Friday, from 1:30pm until pau. Tours will run through Dec. 2; they’re FREE and open to the public. No registration required. Meet in the Sculpture Lobby, 2nd Floor.

WEDNESDAY • April 27, 2022
4:15pm PDT | 1:15pm HST
with Richard Bell (HT22 artist) and Zoë de Luca

via Zoom

The Pacific Basin Institute Lecture Series invites artists, curators, scholars, and activists to present bodies of work featured in the international exhibition, Hawai‘i Triennial 2022, Pacific Century – E Ho‘omau no Moananuiākea, which foregrounds the Hawaiian archipelago’s location at the confluence of Asia-Pacific and Oceania. Touching on the exhibition’s intersecting themes of history, place, and identity, guest speakers consider the question: how can local cultural rights and sovereignty struggles be articulated in a global exhibition platform?

EVERY FRIDAY • 1:30pm
Hawai‘i State Art Museum

Don’t miss gallery tours with HT22 associate curator Drew Kahu‘āina Broderick. Join him every Friday, from 1:30pm until pau. Tours will run through Dec. 2; they’re FREE and open to the public. No registration required. Meet in the Sculpture Lobby, 2nd Floor.

SAT • April 16, 2022
4:20pm • Panel
5:30pm–til late • Pop-up & Party
Kaimana Beach Hotel

In celebration of Kaimana Beach Hotel’s inaugural artist residency with TOQA, on the occasion of Hawai‘i Triennial 2022, join us for a sunset backdrop banger and late night special surprise.

SAT • April 16, 2022
1pm–4pm
Hawai‘i State Art Museum

Join our community partner Aupuni Space as they celebrate the collaborative, overlapping projects of HT22 artists ʻAi Pōhaku Press and Tropic Editions, as well as ULU KUPU, whose work is on view at Hawai‘i State Art Museum.

EVERY FRIDAY • 1:30pm
Hawai‘i State Art Museum

Don’t miss gallery tours with HT22 associate curator Drew Kahu‘āina Broderick. Join him every Friday, from 1:30pm until pau. Tours will run through Dec. 2; they’re FREE and open to the public. No registration required. Meet in the Sculpture Lobby, 2nd Floor.

FRIDAY • April 15
9am–12pm and 1pm–4pm

Iolani Palace
364 South King Street
Honolulu, HI 96813

On the occasion of Hawai‘i Triennial 2022, The Gathering Project reclaims the nature of gathering, in a Hawaiian way, at Iolani Palace, which once stood as the thriving heart of Hawaiian Kingdom.

MONDAY • April 11, 2022
4:15pm PDT | 1:15pm HST
with Bernice Akamine (HB19 artist)

via Zoom

The Pacific Basin Institute Lecture Series invites artists, curators, scholars, and activists to present bodies of work featured in the international exhibition, Hawai‘i Triennial 2022, Pacific Century – E Ho‘omau no Moananuiākea, which foregrounds the Hawaiian archipelago’s location at the confluence of Asia-Pacific and Oceania. Touching on the exhibition’s intersecting themes of history, place, and identity, guest speakers consider the question: how can local cultural rights and sovereignty struggles be articulated in a global exhibition platform?

FRI • APRIL 8, 2022
6pm–7pm
Bishop Museum

Join us as Hawai‘i Triennial 2022 (HT22) artist Michael Joo will be in conversation with Marques Hanalei Marzan, The Wayne Pitluck & Judith Pyle Curator for Cultural Resilience, Bishop Museum.

EVERY FRIDAY • 1:30pm
Hawai‘i State Art Museum

Don’t miss gallery tours with HT22 associate curator Drew Kahu‘āina Broderick. Join him every Friday, from 1:30pm until pau. Tours will run through Dec. 2; they’re FREE and open to the public. No registration required. Meet in the Sculpture Lobby, 2nd Floor.

EVERY FRIDAY • 1:30pm
Hawai‘i State Art Museum

Don’t miss gallery tours with HT22 associate curator Drew Kahu‘āina Broderick. Join him every Friday, from 1:30pm until pau. Tours will run through Dec. 2; they’re FREE and open to the public. No registration required. Meet in the Sculpture Lobby, 2nd Floor.

MONDAY • March 28, 2022
4:15pm PDT | 1:15pm HST
with Joan Lander, Nā Maka o ka ‘Āina

via Zoom

The Pacific Basin Institute Lecture Series invites artists, curators, scholars, and activists to present bodies of work featured in the international exhibition, Hawai‘i Triennial 2022, Pacific Century – E Ho‘omau no Moananuiākea, which foregrounds the Hawaiian archipelago’s location at the confluence of Asia-Pacific and Oceania. Touching on the exhibition’s intersecting themes of history, place, and identity, guest speakers consider the question: how can local cultural rights and sovereignty struggles be articulated in a global exhibition platform?

SAT • March 26, 2022
4:30pm | 5:45pm
Kailua / Coconut Grove

Join EATING IN PUBLIC for a demonstration and tasting event featuring amaranth, whose tender leaves, stalks, and stems are great in stir-fry, soups, and more. A brief show-and-tell will be followed by a tasting of three different preparations of amaranth.

EVERY FRIDAY • 1:30pm
Hawai‘i State Art Museum

Don’t miss gallery tours with HT22 associate curator Drew Kahu‘āina Broderick. Join him every Friday, from 1:30pm until pau. Tours will run through Dec. 2; they’re FREE and open to the public. No registration required. Meet in the Sculpture Lobby, 2nd Floor.

HT22 Art in Conversation
SAT • MARCH 19 • 2pm
Hawai‘i State Art Museum
Diamond Head Gallery

Discussing “Narrative” with Lawrence Seward.

Join us every third Saturday for HT22 Art in Conversation, featuring artists from Hawaiʻi Triennial 2022. Prompted by a single word, participating artists are invited to introduce their works and engage in conversation with each other and the audience. This Saturday, Hawai‘i artist Lawrence Seward will discuss “Narrative.”

OPENING Reception • MARCH 12, 1pm–3pm
On view • MARCH 12–19, 2022
Kapolei Hale
1000 Ulu'ōhi'a Street
Kapolei, Hawai'i 96707

Imagined Futures invites students from West O‘ahu to present artwork around the idea of looking at history to heal the past and envision pathways forward. Specifically, the project encourages students to imagine how the decommissioned military bunkers at Pu‘uokapolei—a culturally significant place in the ahupua‘a of Honouliuli—could be fully realized as a place for community and contemporary art.

Every Saturday in March 2022
Noon - 2pm
In front of Regal Kapolei 12

Free and all ages welcome!
We're rethinking the possibilities of our waste with upcycling – the process of transforming our perceived trash into useful items.

In addition to encouraging creativity through crafting, our free, upcycling workshops will teach budding artists about the value of a variety of materials they see in their everyday lives.

Our artist-teachers will guide participants of all ages to repurpose various materials, including bottle caps, plastic water bottles, milk cartons, unwanted T-shirts, paper, and more!

Saturday March 12
Kapolei Regional Park (entrance off Fort Barrette Road)
Tour 1: 4 - 5pm
Tour 2: 5 - 6pm

The Ulu A‘e Learning Center through the Adopt A Park program with the City and County of Honolulu stewards the site of Puʻuokapolei. Join the Ulu A'e Learning Center for a guided afternoon visit to Pu'uokapolei and visit the former military bunkers of Fort Barrette. This a culturally significant place in Kapolei, could be realized as a community space as a part of future Hawai‘i Contemporary art initiatives.

Join us for a morning talk with Tokyo photographer and HT22 artist Ai Iwane, and catch up with her busy and successful career following the 2018 exhibition Island in My Mind, Fukushima at MACC, in Schaefer International Gallery. Ai will share a new video No Man Ever Steps in the Same River Twice, her latest work Kipuka and A New River, currently in HT22, at Honolulu Museum of Art (HoMA).

For Spring 2022, the Pacific Basin Institute Lecture Series invites artists, curators, scholars, and activists to present bodies of work featured in the international exhibition The Pacific Century - E Ho‘omau no Moananuiākea, the 2022 Hawai‘i Triennial, which foregrounds the Hawaiian archipelago’s location at the confluence of Asia-Pacific and Oceania. Touching on the exhibition’s intersecting themes of History, Place, and Identity, our guests will consider the question: how can local cultural rights and sovereignty struggles be articulated in a global exhibition platform?