hawai‘i triennial 2022

@ ROYAL HAWAIIAN CENTER

Justine Youssef

B. 1992, DHARUG LAND, SYDNEY
LIVES AND WORKS ACROSS WANGAL AND DHARUG LANDS

 

Justine Youssef, With the toughest care, The most economical tenderness, 2022, wall decal, website, mailing boxes, scented oil, and scent cards. Courtesy of the artist.

 
 

With the toughest care, The most economical tenderness is an artwork shipped to the viewer, where audiences can register to receive a package containing a vial of scented oil.

Distilled by hand using a process which Justine Youssef inherited matrilineally, the scented oil is made of the Blessed Milk Thistle (Silybum marianum), a therapeutic plant native to Lebanon that becomes invasive under certain climates. First introduced by settlers to Maui, Hawai’i for medicinal use, the plant quickly eluded cultivation and its presence is now considered highly noxious in the Makawao area. 

The work is in dialogue with the scent-related artefacts that have been uprooted from Greater Syria and housed at the Shangri La Museum of Islamic Art, Culture & Design in Honolulu. The scent of Blessed Milk Thistle unfolds both a space to interrogate histories of settler relationships to land, and a portal to access traces of the plant’s restorative properties, knowledge of which has become erased through displacement. 

With the toughest care, The most economical tenderness moves through routes similar to early colonial ships, via ruptured supply chains from Dharug Land in Sydney, Australia, where the plant was harvested and is equally invasive. It takes its name from Judith Wright’s The Eucalypt and the National Character, a poem that co-opts a native plant and likens it to the settler Australian identity.


HT22 Closing Weekend: Artist Talk with HT22 associate curator Miwako Tezuka (left) and Justine Youssef (right), Royal Hawaiian Center, HT22, Waikīkī, May 8, 2022. Photo: Kat Wade.

 

Justine Youssef. Photo: Hyun Lee.

Justine Youssef works across mediums from scent to video, having recently exhibited Under the table I learnt how to feed you at the Museum of Contemporary Art, Sydney (2022); Lovesick Puppy with Utp (2021); and All Blessings, All Curses at 4A Centre for Contemporary Asian Art, Sydney (2018). They have exhibited widely, with spaces such as CARPARK, Brisbane (2021); PHOTO 2020, Melbourne (2020); and Salamanca Arts Centre, Hobart (2020). Their work has been published with IchikawaEdward & no more poetry, Cordite Poetry Review, and 4A Papers, among others.

They live across unceded Wangal and Dharug Lands in Sydney, Australia, where they were a Parramatta Artist Studios resident from 2019-2021 and the 2019 recipient of the Copyright Agency’s John Fries Award. They were co-director at Firstdraft, co-founded the artist-run space Pari, and have organized various educational programs for the National Association for the Visual Arts. With the toughest care, The most economical tenderness was created for the Hawai‘i Triennial 2022, and marks Youssef’s first work made in response to a site they have never visited overseas.