HT25 CURATORS

Hawai‘i Triennial 2025 (HT25) is curated by Wassan Al-Khudhairi, Binna Choi, and Noelle M.K.Y. Kahanu, the first curatorial team for the Triennial composed of women of color. Hailing from different backgrounds, the three curators are working collaboratively in a non-hierarchical arrangement to deliver HT25.


Wassan Al-Khudhairi is an independent curator and curatorial advisor for the Contemporary Art Museum St. Louis. Her upcoming projects include exhibitions and accompanying publications with artists Hajra Waheed and Dominic Chambers. She is also co-curating a group exhibition at the Misk Art Institute in Riyadh, Saudi Arabia, opening in spring 2023. Most recently, Al-Khudhairi held the position of Ferring Family Foundation Chief Curator at the Contemporary Art Museum St. Louis, where she organized exhibitions and new commissions with artists Gala Porras-Kim, Martine Gutierrez, Derek Fordjour, Stephanie Syjuco, Paul Mpagi Sepuya, Bethany Collins, Lawrence Abu Hamdan, Guan Xiao, Hayv Kahraman, among others. She was co-curator for the 6th Asian Art Biennial in Taiwan in 2017 and co-artistic director for the 9th Gwangju Biennale in South Korea in 2012. She served as the Hugh Kaul curator of modern and contemporary art at Birmingham Museum of Art and, as founding director of Mathaf: Arab Museum of Modern Art in Qatar, Al-Khudhairi oversaw the opening of the Museum in 2010 and co-curated the exhibition Sajjil: A Century of Modern Art and curated Cai Guo-Qiang: Saraab.  


Binna Choi has served as the director at Casco Art Institute: Working for the Commons, Utrecht, in the Netherlands since June 2008. Under her directorship, Casco has been exploring the commons as an alternative to binary worldviews and systems through and for art, taking it for their organizing guideline. Her key curatorial-collaborative projects at Casco include Grand Domestic Revolution (2009–2012), Site for Unlearning (Art Organization) (2014–2018), Travelling Farm Museum of Forgotten Skills (2018–ongoing), alongside engagement with networks like Arts Collaboratory and Cluster. Choi served as co-artistic director for Singapore Biennale 2022, named Natasha, and curator for the 11th Gwangju Biennale, titled The Eighth Climate (What does art do?). As a member of Academy of the Arts of the World in Cologne, Germany, she curated the exhibition project Gwangju Lessons (2020), which traveled to the Asia Culture Center in Gwangju, South Korea. Choi is also part of the faculty of Dutch Art Institute and an advisor for Afield.


Noelle M.K.Y. Kahanu (Kanaka ʻŌiwi/Native Hawaiian) is a 15-year veteran of Bishop Museum in Honolulu, where she developed scores of exhibitions and programs. She worked on the major renovations of Hawaiian Hall (2009) and Pacific Hall (2013), as well as the landmark E Kū Ana Ka Paia: Unification, Responsibility and the Kū Images exhibition (2010). She has a law degree from the University of Hawaiʻi at Mānoa and previously served as Counsel to the U.S. Senate Committee on Indian Affairs in Washington, D.C., where she worked on issues affecting Native Hawaiians, American Indians, and Alaska Natives. She is currently an associate specialist in Public Humanities and Native Hawaiian Programs in the American Studies Department at University of Hawai‘i at Mānoa. Her current research and practice explore the liberating and generative opportunities when museums “seed” rather than cede authority.


Download the press release to read more about the curators for HT25.

Photos: Bryan Berkowitz, Orlando V. Thompson, and Brandyn Liu.