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      <image:title>Programs - Curator-Led Tour at Capitol Modern - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Tour at Capitol Modern - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2025/10/20/ht25-art-in-conversation-the-legacy-of-the-late-rocky-kaiouliokahihikoloehu-jensen</loc>
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      <image:title>Programs - HT25 Art in Conversation | The Legacy of the Late Rocky KaʻiouliokahihikoloʻEhu Jensen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2025/9/29/hawaii-triennial-2025-film-night</loc>
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    <lastmod>2025-09-30</lastmod>
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      <image:title>Programs - Hawai‘i Triennial 2025 Film Night - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Hawai‘i Triennial 2025 Film Night - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2025/7/10/curator-led-tour-at-capitol-modern-zp4dz-lyade</loc>
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    <lastmod>2025-09-29</lastmod>
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      <image:title>Programs - Curator-Led Tour at Capitol Modern - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-07-11</lastmod>
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      <image:title>Programs - Curator-Led Tour at Capitol Modern - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/11/8/artist-talk-al-lagunero</loc>
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    <lastmod>2024-11-12</lastmod>
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      <image:title>Programs - ARtist Talk » » AL LAGUNERO - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - ARtist Talk » » AL LAGUNERO - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Film Screening + Artist Talk » » Futoshi Miyagi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/9/19/yy048ce74eqmniabpu8drficu5relb</loc>
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    <lastmod>2024-09-19</lastmod>
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      <image:title>Programs - Art in Conversation » » wendelien van oldenborgh x sung hwan kim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/7/2/jsomwoqvets3ugqu0rfowu21n7weit-nbnfa-6ab8j</loc>
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    <lastmod>2024-07-30</lastmod>
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      <image:title>Programs - Sketching session » » Hayv Kahraman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/7/2/jsomwoqvets3ugqu0rfowu21n7weit-nbnfa</loc>
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    <lastmod>2024-07-26</lastmod>
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      <image:title>Programs - artist talk » » Stephanie Syjuco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2024-07-16</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - artist talk » » salote tawale - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/5/15/9e3tx6vvdv75sn0p91uu0fex1en931-s77z9-3zw6z-knzrx</loc>
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    <lastmod>2024-05-16</lastmod>
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      <image:title>Programs - Art Summit 2024 | day THREE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/5/15/9e3tx6vvdv75sn0p91uu0fex1en931-s77z9-3zw6z</loc>
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      <image:title>Programs - Art Summit 2024 | day TWO - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/5/15/9e3tx6vvdv75sn0p91uu0fex1en931-s77z9</loc>
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      <image:title>Programs - Art Summit 2024 | day ONE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/5/15/9e3tx6vvdv75sn0p91uu0fex1en931</loc>
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      <image:title>Programs - Art Summit 2024 | day zero | sunset Gathering - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/4/9/art-at-the-capitol</loc>
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    <lastmod>2024-04-10</lastmod>
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      <image:title>Programs - ARt at the Capitol - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2024/1/26/o5eylk9jgthocz5erpomy19sqe5ffc</loc>
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    <lastmod>2024-01-31</lastmod>
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      <image:title>Programs - HAWAI‘I TRIENNIAL 2025 TITLE UNVEILING | FIRST FRIDAY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1706328295434-IV785ICNT25ZYSC5KG2X/image_123650291.JPG</image:loc>
      <image:title>Programs - HAWAI‘I TRIENNIAL 2025 TITLE UNVEILING | FIRST FRIDAY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/337c735c-30ed-4113-ab79-ea21457e34c4/IMG_3404.jpeg</image:loc>
      <image:title>Programs - HAWAI‘I TRIENNIAL 2025 TITLE UNVEILING | FIRST FRIDAY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d1dbc0c2-520f-4432-808a-2ee0b3c56c0d/02FEB_FirstFriday_1.png</image:loc>
      <image:title>Programs - HAWAI‘I TRIENNIAL 2025 TITLE UNVEILING | FIRST FRIDAY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/7/12/hawaii-contemporary-at-hui-noeau-xc3fa</loc>
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    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
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      <image:title>Programs - Hawai‘i Contemporary at Hale Hō‘ike‘ike • Town Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/3e314942-0b5a-4328-abda-43b8d911905c/Wailuku_town-hall_ig.png</image:loc>
      <image:title>Programs - Hawai‘i Contemporary at Hale Hō‘ike‘ike • Town Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Programs - Hawai‘i Contemporary at Hale Hō‘ike‘ike • Town Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/7/12/hawaii-contemporary-at-hui-noeau</loc>
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    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c16e59d0-8028-4855-a596-04541e4d1f5b/Hui+No%27eau+Logo+%283%29.png</image:loc>
      <image:title>Programs - Hawai‘i Contemporary at Hui No‘eau • Town Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/18449be5-08b5-4843-8435-af5480f1ae23/Makawao-Wailuku.jpg</image:loc>
      <image:title>Programs - Hawai‘i Contemporary at Hui No‘eau • Town Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/5a4b1f0a-4ec1-495a-8a7a-41c29ada7b04/Hawaii-Contemporary-Logo-FULL_extrasm.png</image:loc>
      <image:title>Programs - Hawai‘i Contemporary at Hui No‘eau • Town Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/7/14/chinatown-town-hall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
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      <image:title>Programs - Chinatown Town Hall • with Ht25 curators - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/0f7dbb84-f735-42b8-a2c0-951afb701257/HT25_chinatown-townhall.png</image:loc>
      <image:title>Programs - Chinatown Town Hall • with Ht25 curators - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-public-viewing-y2r2n-pg4xr-t87ew-9g834-y4sy6-nsx3z-cpcrk</loc>
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    <lastmod>2024-01-22</lastmod>
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      <image:title>Programs - artXchange • Public Viewing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-closing-celebration</loc>
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    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
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      <image:title>Programs - artXchange • Public Viewing • Closing Celebration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-public-viewing-y2r2n-pg4xr-t87ew-9g834-y4sy6</loc>
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      <image:title>Programs - artXchange • Public Viewing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-public-viewing-y2r2n-pg4xr-t87ew-9g834</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-public-viewing-y2r2n-pg4xr-t87ew</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-on-leaving-hawaii</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - artXchange • Benefit Experience - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/888a0f54-6a46-45f3-9940-89c259592e08/artXchange_calendar4.png</image:loc>
      <image:title>Programs - artXchange • Benefit Experience - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/4/19/artxchange-art-auction-bidding-opens</loc>
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      <image:title>Programs - artXchange • Art Auction • Bidding Opens - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2023/3/21/art-at-the-capitol-art-in-conversation-contemporary-art-in-society</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Gallery Tour at HiSAM with Hawai'i Contemporary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Gallery Tour at HiSAM with Hawai'i Contemporary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Gallery Tour at HiSAM with Hawai'i Contemporary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/10/4/art-in-conversation-art-activism</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
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      <image:title>Programs - Gallery Tour at HiSAM with Hawai'i Contemporary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/10/26/moveable-feast-with-eating-in-public</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Photos: Shirley Lam</image:caption>
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      <image:title>Programs - Gallery Tour at HiSAM with Hawai'i Contemporary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Gallery Tour at HiSAM with Hawai'i Contemporary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Art in Conversation • Filmmaking in Hawai'i - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Art in Conversation • Filmmaking in Hawai'i - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>(From left) Justyn Ah Chong, ‘Āina Paikai, Sancia Miala Shiba Nash, and Richard Hamasaki</image:caption>
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      <image:title>Programs - Art in Conversation • Filmmaking in Hawai'i - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Art in Conversation • Filmmaking in Hawai'i - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy-3rpc6-8chf9-7z28f-nzp9r-mxfh5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/26/art-in-the-garden-evening-tours-at-foster-botanical-garden-ka5b7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651028199290-2DBTFH9JHVIO405ISIBA/HT22_Art+in+the+Garden-01.png</image:loc>
      <image:title>Programs - Art in the Garden • Evening Tours at Foster Botanical Garden - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/26/art-in-the-garden-evening-tours-at-foster-botanical-garden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651028199290-2DBTFH9JHVIO405ISIBA/HT22_Art+in+the+Garden-01.png</image:loc>
      <image:title>Programs - Art in the Garden • Evening Tours at Foster Botanical Garden - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy-3rpc6-8chf9-7z28f-nzp9r-2rf44</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/22/navigating-the-in-between-oceania-in-the-pacific-century</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1650669144942-3DGDZX78DOPA11LO4SM3/MAY+9+EWC_HKBhabha-01.png</image:loc>
      <image:title>Programs - Navigating the In-Between: Oceania in the Pacific Century - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/29/v14uv2g683999ka83qselxup3r30qq</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654900747051-3CVZYKGMSX19UQTDRCZD/HT22+Artist+Talks-01.png</image:loc>
      <image:title>Programs - HT22 ARTIST TALKS • JUSTINE YOUSSEF • HERMAN PI‘IKEA CLARK - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651232872540-2FIBR4NTFSLN1GVLKZLC/HT22_Final+Install_Herman+Pi%CA%BBikea+Clark_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1943.jpg</image:loc>
      <image:title>Programs - HT22 ARTIST TALKS • JUSTINE YOUSSEF • HERMAN PI‘IKEA CLARK - Make it stand out</image:title>
      <image:caption>Herman Pi‘ikea Clark, Po‘o ‘Ole, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651232624605-RSW7V1EBE6SM0JEBR452/HT22_JustineYoussef-01.png</image:loc>
      <image:title>Programs - HT22 ARTIST TALKS • JUSTINE YOUSSEF • HERMAN PI‘IKEA CLARK - Make it stand out</image:title>
      <image:caption>Justine Youssef, With the toughest care, The most economical tenderness, 2022.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/8/homi-k-bhabha-melissa-chiu-in-conversation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649461341418-T4WO7779ZV0BP2KL9V3S/HT22_UHP_HBhabha_Talk-01.png</image:loc>
      <image:title>Programs - Homi K. Bhabha + Melissa Chiu in Conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649462541292-Z2O1FE2X2YQD8DUUJ4O6/HT22_catalogue-01.jpg</image:loc>
      <image:title>Programs - Homi K. Bhabha + Melissa Chiu in Conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649462689443-9NU1KSKP8TZEKR83O259/logos-02-01.png</image:loc>
      <image:title>Programs - Homi K. Bhabha + Melissa Chiu in Conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/22/contemporary-art-now-centering-the-asia-pacific</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1650634049832-PIBCO38N8U5M9I5C1UDE/HT22xHoMA_Zheng-Chiu-01.png</image:loc>
      <image:title>Programs - Contemporary Art Now: Centering the Asia-Pacific - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/5/3/richard-bells-embassy-panel-discussion-on-the-role-native-hawaiian-women-play-in-not-for-profit-organizations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651796628032-D16FJFS2V7UH8U4OCD4X/HT22_panelists-01.png</image:loc>
      <image:title>Programs - Richard Bell's Embassy • Panel Discussion on the Role Native Hawaiian Women Play in Not-for-Profit Organizations - Make it stand out</image:title>
      <image:caption>Vicky Holt Takamine, Maile Meyer, and Puni Jackson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651630162756-S5CAKDDJYPCVHXPQTB8T/puuhonua-master-logo-typemark-inline_Gold2.png</image:loc>
      <image:title>Programs - Richard Bell's Embassy • Panel Discussion on the Role Native Hawaiian Women Play in Not-for-Profit Organizations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651611056032-NGQI7IE2N9P78CNDY1VW/RB_2013_EmbassyMCA3_sm.png</image:loc>
      <image:title>Programs - Richard Bell's Embassy • Panel Discussion on the Role Native Hawaiian Women Play in Not-for-Profit Organizations - Make it stand out</image:title>
      <image:caption>Installation view: Richard Bell, Embassy, 2013–, canvas tent with annex, aluminum frame, rope, synthetic polymer paint on board, digital video, color, sound; archive. Museum of Contemporary Art, Sydney. Museum of Contemporary Art and Tate, with support from the Qantas Foundation in 2015, purchased 2017. Courtesy of the artist and Milani Gallery, Brisbane. © Richard Bell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/26/closing-celebration-first-friday-at-hisam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1650969231756-YWEIX9W5QZM2KZRHQZN7/logos-01.png</image:loc>
      <image:title>Programs - HT22 Closing Celebration • First Friday at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1650967994028-VXJGHXKX4L8TXU9FNU7B/may_6_ff_fb_r3_1.jpg</image:loc>
      <image:title>Programs - HT22 Closing Celebration • First Friday at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy-3rpc6-8chf9-7z28f-nzp9r</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/13/moveable-feast-with-eating-in-public-amaranth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649927083939-VKCZ18RVXH4MFR87IN10/EIP_may1_amaranth_web-01.png</image:loc>
      <image:title>Programs - Moveable Feast with EATING IN PUBLIC • Amaranth - Make it stand out</image:title>
      <image:caption>Courtesy of the artists. Photo: Shirley Lam</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy-3rpc6-8chf9-7z28f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/21/the-hawaii-triennial-history-place-identity-n-maka-o-ka-ina-w9g28-46a8y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647951073903-H3Y58WAJW22IAV4FOELR/HT22_PomonaCollege_series_RBell-01.jpg</image:loc>
      <image:title>Programs - The Hawai‘i Triennial: History, Place, Identity • Richard Bell and Zoë de Luca - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy-3rpc6-8chf9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/29/midnight-smoothie-magic-nbsptoqa-at-kaimana-beach-hotel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648628295237-PS47BVLUME7LDQMJXRF8/toqa_kaimana_web-01-01.png</image:loc>
      <image:title>Programs - Midnight Smoothie Magic • TOQA • Kaimana Beach hotel Artist in Residence - Make it stand out</image:title>
      <image:caption>TOQA, Midnight Smoothie, 2021–22; Isabel Sicat by Cenon at Mav; Aiala by Cenon at Mav. Courtesy of the artists. © TOQA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648629092119-H8IRT7XGQYFVSIX61W6X/toqa+event+logos-01.png</image:loc>
      <image:title>Programs - Midnight Smoothie Magic • TOQA • Kaimana Beach hotel Artist in Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/8/ht22-artists-ai-phaku-press-tropic-editions-with-aupuni-space-and-ulu-kupu-at-hisam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649464059153-GT60ZD18QIVJNE3ZDVRR/HT22_Aupuni-HiSAM_web-01.jpg</image:loc>
      <image:title>Programs - HT22 Artists 'Ai Pōhaku Press + Tropic Editions with Aupuni Space and ULU KUPU at Hawai'i State Art Museum - Make it stand out</image:title>
      <image:caption>Installation view: ‘Ai Pōhaku Press, HiSAM, HT22. Courtesy of the artists and Hawai‘i Contemporary. Photo: Christopher Rohrer. // Installation view: Tropic Editions, CAFE, 2022, HiSAM, HT22. Courtesy of the artist. Photo: Vincent Bercasio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy-3rpc6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/15/the-gathering-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647923023711-S5W2VL6KAIWHSD23U99T/TheGatheringProject_logos-01.png</image:loc>
      <image:title>Programs - The Gathering Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647918946957-68LNIQ8ZNYQNXKWJJGYX/image2.png</image:loc>
      <image:title>Programs - The Gathering Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/21/the-hawaii-triennial-history-place-identity-n-maka-o-ka-ina-w9g28</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647950169771-7VM82JMPUQ0ADY762BM0/HT22_PomonaCollege_series_BAkamine-01.jpg</image:loc>
      <image:title>Programs - The Hawai‘i Triennial: History, Place, Identity • Bernice Akamine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/4/1/art-in-conversation-ht22-artist-michael-joo-marques-hanalei-marzan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648858755154-MYP1DOGDAWFCW9QJ98R6/Marques.jpg</image:loc>
      <image:title>Programs - Art in Conversation • HT22 Artist Michael Joo + Marques Hanalei Marzan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648858626494-5C6CXLXT4GC2EUFJZGGY/JooPortrait_20-21+copy.jpg</image:loc>
      <image:title>Programs - Art in Conversation • HT22 Artist Michael Joo + Marques Hanalei Marzan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648857858457-CE7T0JGLLVOCLGKWM5LW/HT22_Bishop_MJoo_Talk-01.png</image:loc>
      <image:title>Programs - Art in Conversation • HT22 Artist Michael Joo + Marques Hanalei Marzan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp-6ptcy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam-nftfp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/21/the-hawaii-triennial-history-place-identity-n-maka-o-ka-ina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647922086753-NSNFIFX6088HDC56IDV7/HT22_PomonaCollege_series_NMOKA2.jpg</image:loc>
      <image:title>Programs - The Hawai‘i Triennial: History, Place, Identity • Nā Maka o ka ‘Āina - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/11/moveable-feast-eating-in-public-tasting-amaranth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647004448668-U0B7EVPQSKW7QVL3Z08E/EIP_mar26_amaranth-01.jpg</image:loc>
      <image:title>Programs - Moveable Feast • EATING IN PUBLIC • Amaranth Tasting - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/25/curator-led-gallery-tour-at-hisam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647948722681-U3BLMFK12L2EC0NCD6CD/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288.jpg</image:loc>
      <image:title>Programs - Curator-Led Gallery Tour at HiSAM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/19/ht22-art-in-conversation-lawrence-seward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647567963009-ZJ34B8QCINHDPEGAISIR/art_in_conversation_flyer_fb_r1_1.jpg</image:loc>
      <image:title>Programs - HT22 Art in Conversation • Lawrence Seward - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/imagined-futures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1646862698554-GEG1H41JXQYHOVN4RCIP/Imagined-Futures_kapolei-01.png</image:loc>
      <image:title>Programs - Imagined Futures  •  A student exhibition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/1/a4tq5fhvns282skkeqz673okhyz6j0</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/66aa641a-f978-42f9-adbc-22316f09f448/image001.png</image:loc>
      <image:title>Programs - Re-Create Workshops at Kapolei Commons - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/2/tours-of-puuokapolei-with-ulu-ae-learning-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2b265865-7237-4eaf-88c6-04db8ffdc549/2021-06-08+FOSTER+AND+KAPOLEI-50.jpg</image:loc>
      <image:title>Programs - Tours at Pu'uokapolei with Ulu A'e Learning Center - Make it stand out</image:title>
      <image:caption>FORT BARRETTE BUNKERS at PU’UOKAPOLEI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/3/1/a-talk-with-ht22-artist-ai-iwane</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1646182106002-TU2C455328PLKGAJPOMD/Screen+Shot+2022-03-01+at+7.27.31+PM.png</image:loc>
      <image:title>Programs - A Talk with HT22 Artist Ai Iwane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/pacificbasininstitute</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1646074695873-M0HBNPQTK43EUTHWG949/Pacific+Basin.jpg</image:loc>
      <image:title>Programs - Pacific Basin Institute Presents: The Hawai‘i Triennial: History, Place, Identity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/2/3/ht22-opening-reception-at-royal-hawaiian-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/f52d0c3a-0ad9-4251-a04a-9aadbb76e228/HT22_at_RHC-01.png</image:loc>
      <image:title>Programs - HT22: Opening Reception at Royal Hawaiian Center - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/1/7/ht22-royal-hawaiian-center-artist-conversations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/67327cd0-1357-4cbe-9751-5d79f05601f3/Momoyo+Torimitsu_Somehow+I+Don%27t+Feel+Comfortable.jpg</image:loc>
      <image:title>Programs - HT22: ART In Conversation at Royal Hawaiian Center - Make it stand out</image:title>
      <image:caption>Installation view: Momoyo Torimitsu, Somehow I Don’t Feel Comfortable, 2007, nylon, dimensions variable, Hå Gamle Prestegård, Stavanger, Norway, 2007. Courtesy of the artist. © Momoyo Torimitsu.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/2/3/double-projects-global-free-store</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/03fd5fd7-dbfc-4188-93fd-3687bda05885/Screen+Shot+2022-02-03+at+2.45.58+PM.png</image:loc>
      <image:title>Programs - HT22: Double A Projects Global Free Store - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/2/1/ht22-foster-botanical</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643965411679-EXIDVX0M3MJEI1TMLRTR/HT22_at_Foster-01.png</image:loc>
      <image:title>Programs - HT22: Foster Botanical Garden Opening Day - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/ht22-homa-family-sunday-opening-weekend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/5f8b72e9-0031-406a-a80e-8f15d5acc5b1/FAMSUN_DEC21_PrimaryBanner_1536x864.jpg</image:loc>
      <image:title>Programs - HT22: HoMA Family Sunday, Opening Weekend - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/1/28/aue-away-a-performance-by-ht22-artist-dan-taulapapa-mcmullin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643415118494-K0FCYXH69R8S5S3ESQ66/Aue+Away+in+Central+Park+NYC+2017.jpeg</image:loc>
      <image:title>Programs - Auē Away • A Performance by HT22 Artist Dan Taulapapa McMullin - Make it stand out</image:title>
      <image:caption>Installation view: Dan Taulapapa McMullin, Aue Away, 2016, artificial flowers on bodysuits, 195.6cm x 101.6cm x 101.6cm each. The Metropolitan Museum of Art performance by Dan Taulapapa McMullin and Rosanna Raymond, Central Park, New York, 2017. Courtesy of the artist. Photo: Salvador Brown.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/ht22-hisam-super-saturday-feb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641415333370-MPK2T61YQ6ICR4R910VH/HT22_at_HiSAM.png</image:loc>
      <image:title>Programs - HT22: HiSAM Super Saturday, Opening Weekend - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/1/12/ht22-bishop-museum-public-opening</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643080314970-FG8IX54V6NLVY9NZ4A1R/HT22_at_Bishop+Museum-01.png</image:loc>
      <image:title>Programs - HT22: Bishop Museum Opening Day - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/ht22-richard-bell-embassy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641414418119-E8EPJBJ4SBKMSSCXT8ZQ/RB_2013_EmbassyMCA3_sm.png</image:loc>
      <image:title>Programs - HT22: Richard Bell "Embassy" Conversations - Make it stand out</image:title>
      <image:caption>Installation view: Richard Bell, Embassy, 2013-ongoing. Canvas tent with annex, aluminum frame, rope, synthetic polymer paint on board, digital video, color, sound; archive. Museum of Contemporary Art, Sydney. Museum of Contemporary Art and Tate, with support from the Qantas Foundation in 2015, purchased 2017. Image courtesy the artist and Milani Gallery, Brisbane.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/1/7/ht22-88-block-walks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/94958b7c-f165-4d10-abf3-771891061112/ade-web-2+copy.jpg</image:loc>
      <image:title>Programs - HT22: 88 Block Walks - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/ht22-iolani-palace-tour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/987daa6a-ef38-4a29-a98a-1c683c7aae34/HT22_at_IolaniPalace.jpg</image:loc>
      <image:title>Programs - Special Evenings at Iolani Palace - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2022/2/16/aha-hoolana-a-personal-procession-around-apahua-iolani-palace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1645052293986-ASCZZ583LI7VRYZFWRQ1/IMG_7490.JPG</image:loc>
      <image:title>Programs - 'Aha Ho'olana - A Personal Procession Around Apahu'a (Iolani Palace) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/ht22-lauhala-weaving-lesson-at-royal-hawaiian-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/5b821dbb-9f72-43e1-8448-d1bb629c38bf/fine-weave-matiing_1_1_3.jpg</image:loc>
      <image:title>Programs - HT22: Lauhala Weaving Lesson at Royal Hawaiian Center - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/hawaii-symphony-orchestra-pacific-century-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1639045827902-MU22BBDCHIQRHZ5VGTPF/HSOxHC_web.png</image:loc>
      <image:title>Programs - HT22: Hawaiʻi Symphony Orchestra: Pacific Century Series - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2021/7/21/hawaii-contemporary-using-art-to-explore-social-injustice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1626899371524-RKEWKJHYT9WJ4PIN0JRP/USJCxHC.jpg</image:loc>
      <image:title>Programs - Using Art to Explore Social (in)Justice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2021/4/21/biennials-and-triennials-in-the-21st-century-biennials-and-triennials-in-the-21st-century-locally-resonant-globally-relevant</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1619074268698-B1LX346HE5YTIETKK80E/Art-in-Conversation_May18.jpg</image:loc>
      <image:title>Programs - Biennials and Triennials in the 21st Century</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2021/2/7/mind-your-business-workshops</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2020/11/20/art-in-conversation-with-miwako-tezuka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1605952276161-QSDS044WWWTO2YYIQS0M/GUD_teamLab+flowers.jpg</image:loc>
      <image:title>Programs - Art in Conversation with Miwako Tezuka</image:title>
      <image:caption>teamLab, Flowers and People—Gold and Dark, 2014, interactive digital installation, sound by Hideaki Takahashi, Installation view from exhibition Garden of Unearthly Delights: Ikeda, Tenmyouya &amp; teamLab, Japan Society, NY, Oct 2014 - Jan 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1605952288542-795IJ9799UPENSHV41I3/AIKO_Sunrise_2013.jpg</image:loc>
      <image:title>Programs - Art in Conversation with Miwako Tezuka</image:title>
      <image:caption>AIKO, Sunrise, 2013, spray paint and acrylic, Installation view from exhibition Edo Pop: The Graphic Impact of Japanese Prints, Japan Society, NY, Mar - Jun 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1605952294973-5BI44PPS0WYSOOAIUXFU/Maya+Lin_The+Hudson+Bight_2018.jpg</image:loc>
      <image:title>Programs - Art in Conversation with Miwako Tezuka</image:title>
      <image:caption>Maya Lin, The Hudson Bight, 2018, aluminum, 14 ft. 9 in. x 30 ft. x 12 ft., Installation view from exhibition Maya Lin: A River Is a Drawing, Hudson River Museum, Oct 2018 - Jan 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1605958396412-8NWGTIXV7RR5AITUGUI2/Miwako+Tezuka_%28August2020%29.jpg</image:loc>
      <image:title>Programs - Art in Conversation with Miwako Tezuka</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2020/10/19/art-in-conversation-the-spirit-of-creative-resistance-within-the-filipino-artistic-diaspora</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1603165404693-RHYF1M0OMHR93GWHIFZC/consulate-talk-5.jpg</image:loc>
      <image:title>Programs - Art in Conversation: The Spirit of Creative Resistance within the Filipino Artistic Diaspora</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2020/9/22/artist-professional-development-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600910041620-K9B2JQ4K6GV4D3FDCQ0V/ProDev_image.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600834560781-ZXLWBTNB3WKUVGVWUSPS/image5%2B%25281%2529.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
      <image:caption>Sara Raza is a curator and writer specializing in contemporary global art and visual cultures. She was the Guggenheim UBS MAP curator for the Middle East and North Africa, and has curated exhibitions for biennials, festivals, and museums, including the Rubin Museum of Art, New York; Mathaf: Modern Arab Art Museum, Doha, Qatar; and the Tashkent Biennale, Uzbekistan. She runs the independent curatorial studio Punk Orientalism and is a faculty member at the School of Visual Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600840151028-Q56QLEXI5O2H0ZQ4B9RJ/Yayoi%2BShionoiri.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
      <image:caption>Yayoi Shionoiri serves as executive director to the Estate of Chris Burden and the Studio of Nancy Rubins, where she is responsible for stewarding Burden’s art historical legacy and promoting Rubins’ artistic practice. As a published specialist on art law, she is respected for her application of intellectual property law to art issues. She also serves as Vice-Chair to the board of Recess Art, and an Advisory Panelist to the Serpentine Gallery’s Legal Lab. // Photo credit: Cary Fagan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600908959792-ASGNIFM53CAOUPDJTSIC/Leslee_Michelsen.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
      <image:caption>Leslee Katrina Michelsen is the Curator of Collections and Exhibitions at the Shangri La Museum of Islamic Art, Culture &amp; Design. Previously, she consulted on the curation of the Bamiyan Cultural Centre for UNESCO Afghanistan and was the chief curator at the Museum of Islamic Art, Doha. She has taught at Parsons Paris, Dickinson College, and the Turquoise Mountain Foundation, and has guest lectured around the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600841533669-6G06MJ1EKL48NNUMMWOK/Yvette_Lee.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
      <image:caption>Yvette Y. Lee is an art historian, curator, and senior nonprofit executive with more than 25 years of experience collaborating with museums, foundations, galleries, artists, corporate sponsors, donors, and boards. She is currently the executive director of Faou Foundation, a nonprofit organization established in 2010 by artist Mariko Mori.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600841178240-PSM2LPP0066M9DMG8JD4/JiaJiaFei-MichaelAvedon-2019.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
      <image:caption>JiaJia Fei is a digital strategist with more than a decade of experience leading digital teams within cultural institutions, including the Solomon R. Guggenheim Museum and The Jewish Museum in New York City. As founder of the first digital agency for art, her new practice is centered around the mission of making art more accessible through technology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1600909387257-BFO31VH5HP0INTZ2RBRR/Sarah-Schiavetti.jpg</image:loc>
      <image:title>Programs - Professional Development Program for Artists</image:title>
      <image:caption>Sarah Schiavetti is a senior nonproﬁt, fundraising and management professional with almost 20 years of experience partnering with organizations for transformational change and revenue growth. She serves nonprofit clients ranging from start-up to multi-million dollar budgets. She plays an integral role in expanding and deepening donor relationships, philanthropic strategies, and development operations.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/2020/9/24/art-in-conversation-with-guest-host-josh-tengan-and-drew-broderick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1601002730896-0J4A96U91CAKF7V4GBPD/Josh_Tengan.jpg</image:loc>
      <image:title>Programs - Art in Conversation with Guest Host Josh Tengan and Drew Broderick</image:title>
      <image:caption>Josh Tengan is a Honolulu-born and based curator and arts project manager. Since 2015, he has worked with local and Native Hawaiian artists, through the arts nonprofit Puʻuhonua Society, to deliver Hawaiʻi’s largest annual thematic contemporary art exhibition, CONTACT, which offers a critical and comprehensive survey of local contemporary visual culture. He recently served as Assistant Curator of the 2019 Honolulu Biennial. He is a professional arts manager at Nā Mea Hawai‘i, managing public art installations in Honolulu for the past four years. He holds a Curatorial Studies MA with Distinction from Newcastle University (UK) and a BA in Fine Art from Westmont College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1601002004496-2FESN60PJEO547O6XRLM/8.+GROUP+AT+MOAULAIKI.JPG</image:loc>
      <image:title>Programs - Art in Conversation with Guest Host Josh Tengan and Drew Broderick</image:title>
      <image:caption>During a moment of rest and reflection we position ourselves in relation, Moaʻulaiki, Kahoʻolawe, Hawaiʻi, Moananuiākea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1601002586996-PIFJDF97X5F0E8CKC5E2/Drew_K_Broderick_HT22_bw.jpg</image:loc>
      <image:title>Programs - Art in Conversation with Guest Host Josh Tengan and Drew Broderick</image:title>
      <image:caption>Drew Kahuʻāina Broderick is an artist, independent curator, and educator from Mōkapu, Kailua, Koʻolaupoko, Oʻahu. Currently, he serves as director of Koa Gallery at Kapiʻolani Community College. Recently, he completed an MA from the Center for Curatorial Studies at Bard College (2019). Previously, he worked in the Hawai‘i-based art collective PARADISE COVE (2015–2018), operated an artist-run venue SPF Projects (2012–2016), and co-founded an annual open-call, thematic exhibition, CONTACT (2014–2019), with community arts organizer Maile Meyer. Collaborative curatorial projects in development include ʻAi Pōhaku and I OLA KANALOA, with Josh Tengan (Assistant Curator HB19), and Revisiting Kealakekua Bay, Reworking the Captain Cook Monument as part of a hui of Hawaiʻi-based artist practitioners.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/mariannenicolson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1598233017847-IUD7WBHLE76YM7TBCBB8/MARIANNE+NICOLSON.jpg</image:loc>
      <image:title>Programs - Artist Talk: Marianne Nicolson</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/sistersstarsandsavages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1598232463912-C4GUGRW04C4USWZVXN7C/Rosanna+Raymond%2C+Shark+of+the+Sea+.jpg</image:loc>
      <image:title>Programs - Sisters Stars and Savages</image:title>
      <image:caption>Rosanna Raymond, Shark of the Sea, FABrication, 2017, Courtesy of the Artist, Photo by Jermaine Dean.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/chentalauryworkshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/natalierobertson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1598231827620-IG913RN9PF92DFAEV4XQ/Natalie+Robertson%2C+Pohautea+1-4.+1995%3A2015.+3.25m+x+1.2m.jpg</image:loc>
      <image:title>Programs - Artist Talk: Natalie Robertson</image:title>
      <image:caption>Natalie Robertson, Pohautea 1-4. 1995/2015. 3.25m x 1.2m.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/visionsofthefuture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1598231569564-O0HR514QHE6522N6MY5S/Flooded+NMG.jpg</image:loc>
      <image:title>Programs - Visions of the Future</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/island-hopping</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1598228301378-2XYD7IBZLJ3RMOS5B7OC/Mariquita+Micki+Davis%2C+Magellan+Doesn%27t+Live+Here+%28still%29%2C+2012-2017.+Image+courtesy+of+the+artist..jpg</image:loc>
      <image:title>Programs - Island Hopping</image:title>
      <image:caption>Mariquita Micki Davis, Magellan Doesn't Live Here (still), 2012-2017. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/publicprograms-details/impact art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1598227888622-IF2I3WWIDU652WDGPNT7/insta%252Bimpactart.jpg</image:loc>
      <image:title>Programs - Impact Art Honolulu</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/about-us</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c890ee26-4e39-4a9e-981f-ca2047d8adad/ProDev_gathering_23-bw.jpg</image:loc>
      <image:title>About Us - Make it stand out</image:title>
      <image:caption>The Hawai‘i Contemporary team gathers with participants of the fall 2023 Professional Development Program for Artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1629427457481-8S8IGM12TILKTBRJHVLC/C+Drew+Broderick_crop.jpg</image:loc>
      <image:title>About Us - Make it stand out</image:title>
      <image:caption>Drew Kahu‘āina Broderick, Billboard I. (The sovereignty of the land is perpetuated in righteousness), 2017. Installation view at Honolulu Biennial 2017. Image courtesy of the artist and Honolulu Biennial Foundation. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/416404fc-4a67-451d-af91-e3fc510cdf4c/HB19+Opening+Reception+%28135%29.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1591770094395-4PBAZHFVLDT8LHUXLK1D/teamlab.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/visit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550638255513-AQIF1TKTLKGA6T2410PK/John_Young_Museum.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>John Young Museum of Art (UH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1552801517486-Z3CBNJTDYYMJG0K93NM6/Screen%2BShot%2B2019-03-16%2Bat%2B7.43.10%2BPM.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1552801174825-YA94X89TQL6M7ZZB6T82/Arakawa_IMG_6560_SM.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550627668652-FKSMEDOW2VKBPKXZW1Y6/foster%2Bbotanical.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Foster Botanical Garden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550638740943-L7L3ASHR2XZJF8XWAORP/mccoy%2Bpavilion.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>McCoy Pavilion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1552801119655-XR0V69MGZEX5D8H80SQV/Arakawa_IMG_6555_SM.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550651988192-HLG5B3QQZFT7DYOO93IA/allegra-ravizza-hawaii-1.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Chinatown, Honolulu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1551122384214-009CL4GBZB0Q8ZZ0DJNU/1_HiSAM_building_exterior.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Hawaiʻi State Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550617002260-VBX52B6RD9MVYRR63FHE/exterior_hawaiian_hall_.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Bishop Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550616995418-40X4HCVKAR5QU4NJZNZ8/Aliiolani_Hale_2011_by_D_Ramey_Logan.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Aliʻiolani Hale</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550616977228-49G06VVJMP5AUKF0IH1P/image002.png</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Located at Ward Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550636487401-WP3O6CN71ZUZM2X2WNAC/honolulu+museum+of+art.jpeg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Honolulu Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550639426917-2V9X0GOAR6CTIOJQ8KAN/YWCA%252BLaniakea%252B7%252B%252BLoggia.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>YWCA Laniākea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550616995418-40X4HCVKAR5QU4NJZNZ8/Aliiolani_Hale_2011_by_D_Ramey_Logan.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Aliʻiolani Hale</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550636487401-WP3O6CN71ZUZM2X2WNAC/honolulu+museum+of+art.jpeg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Honolulu Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1552801119655-XR0V69MGZEX5D8H80SQV/Arakawa_IMG_6555_SM.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550617002260-VBX52B6RD9MVYRR63FHE/exterior_hawaiian_hall_.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Bishop Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1551122384214-009CL4GBZB0Q8ZZ0DJNU/1_HiSAM_building_exterior.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Hawaiʻi State Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550639426917-2V9X0GOAR6CTIOJQ8KAN/YWCA%252BLaniakea%252B7%252B%252BLoggia.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>YWCA Laniākea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550627668652-FKSMEDOW2VKBPKXZW1Y6/foster%2Bbotanical.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Foster Botanical Garden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1552801517486-Z3CBNJTDYYMJG0K93NM6/Screen%2BShot%2B2019-03-16%2Bat%2B7.43.10%2BPM.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550616977228-49G06VVJMP5AUKF0IH1P/image002.png</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Located at Ward Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550638740943-L7L3ASHR2XZJF8XWAORP/mccoy%2Bpavilion.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>McCoy Pavilion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550651988192-HLG5B3QQZFT7DYOO93IA/allegra-ravizza-hawaii-1.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>Chinatown, Honolulu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1550638255513-AQIF1TKTLKGA6T2410PK/John_Young_Museum.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
      <image:caption>John Young Museum of Art (UH)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1552801174825-YA94X89TQL6M7ZZB6T82/Arakawa_IMG_6560_SM.jpg</image:loc>
      <image:title>HB19 VISIT</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/manifesto</loc>
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      <image:title>HB19</image:title>
      <image:caption>Chenta Laury</image:caption>
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  <url>
    <loc>https://hawaiicontemporary.org/hb17</loc>
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    <priority>0.75</priority>
    <lastmod>2024-01-24</lastmod>
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      <image:title>HB17</image:title>
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      <image:title>HB17</image:title>
      <image:caption>Alfredo and Isabel Aquilizan, Crossings Project Another Country, detail view, 2017. Photograph by Christopher Rohrer. Courtesy of the Honolulu Biennial Foundation.</image:caption>
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      <image:title>HB17</image:title>
      <image:caption>Yuki KIHARA, Nose Width with Vernier Caliper, 2015. From the series A Study of a Samoan Savage. Image courtesy of Milford Galleries, Dunedin, and the artist.</image:caption>
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      <image:title>HB17</image:title>
      <image:caption>Les FILTER FEEDERS, NEVER TURN YOUR BACK TO THE OCEAN, 2017. From the series Local Knowledge Image courtesy of the artists.</image:caption>
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      <image:title>HB17</image:title>
      <image:caption>Alfredo and Isabel Aquilizan, Crossings Project Another Country, detail view, 2017. Photograph by Christopher Rohrer. Courtesy of the Honolulu Biennial Foundation.</image:caption>
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      <image:title>HB17</image:title>
      <image:caption>Les FILTER FEEDERS, NEVER TURN YOUR BACK TO THE OCEAN, 2017. From the series Local Knowledge Image courtesy of the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1597558637805-DI543RDKC6BCMVCSHNR0/Yuki+KIHARA%2C+Nose+Width+with+Vernier+Caliper%2C+2015.+From+the+series+A+Study+of+a+Samoan+Savage.+Image+courtesy+of+Milford+Galleries%2C+Dunedin%2C+and+the+artist..jpg</image:loc>
      <image:title>HB17</image:title>
      <image:caption>Yuki KIHARA, Nose Width with Vernier Caliper, 2015. From the series A Study of a Samoan Savage. Image courtesy of Milford Galleries, Dunedin, and the artist.</image:caption>
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      <image:title>HB17</image:title>
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      <image:title>HB17</image:title>
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  </url>
  <url>
    <loc>https://hawaiicontemporary.org/press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/80c2df34-44b9-4f07-8b9e-5066a030f58d/k-artnow_.png</image:loc>
      <image:title>Press + Media - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/a20b7e6a-54b8-46aa-bc43-d6af17206052/Hyperallergic+2.png</image:loc>
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  </url>
  <url>
    <loc>https://hawaiicontemporary.org/disclosures</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/chain-of-fire</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-22</lastmod>
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      <image:title>Chain of Fire</image:title>
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      <image:title>Chain of Fire</image:title>
      <image:caption>SAMA ALSHAIBI. Birket Siwa from Project Silsila, 2014, Diasec. Photo courtesy of the artist and Ayyam Gallery.</image:caption>
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      <image:title>Chain of Fire</image:title>
      <image:caption>SAMA ALSHAIBI. Birket Siwa from Project Silsila, 2014, Diasec. Photo courtesy of the artist and Ayyam Gallery.</image:caption>
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      <image:title>Chain of Fire</image:title>
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  </url>
  <url>
    <loc>https://hawaiicontemporary.org/bios-advisors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/art-summit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607138940659-5LC4AJJR7LI4CI0B5RDE/Mika_Tajima_03.jpg</image:loc>
      <image:title>Art Summit 2021</image:title>
      <image:caption>Mika Tajima, New Humans, 2019. Ferrofluid, custom electromagnet matrix, custom PCB control system, computer, steel, wood, aluminum. Developed with support from \Art, Cornell Tech and Ferrotec. Photo by Yasushi Ichikawa. Image courtesy the artist, Taro Nasu, Tokyo; and Ishikawa Foundation, Japan.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1640869379960-0X9MUMXQTNTRZGOPQYYS/HC_Art-SUMMIT_logo.png</image:loc>
      <image:title>Art Summit 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607139162041-CASZAKN286Y6N2YJGM1N/Mark+Hamasaki+Triennial+Ua+Ili+Na+Pua+Kukui+No+Ka+Ua+Koko+4.12.92.jpg</image:loc>
      <image:title>Art Summit 2021</image:title>
      <image:caption>Piliāmoʻo (Mark Hamasaki and Kapulani Landgraf). Ua Ili Na Pua Kukui No Ka Ua Koko, April 12, 1992, silver gelatin print. Photo courtesy of the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1640869379960-0X9MUMXQTNTRZGOPQYYS/HC_Art-SUMMIT_logo.png</image:loc>
      <image:title>Art Summit 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607139162041-CASZAKN286Y6N2YJGM1N/Mark+Hamasaki+Triennial+Ua+Ili+Na+Pua+Kukui+No+Ka+Ua+Koko+4.12.92.jpg</image:loc>
      <image:title>Art Summit 2021</image:title>
      <image:caption>Piliāmoʻo (Mark Hamasaki and Kapulani Landgraf). Ua Ili Na Pua Kukui No Ka Ua Koko, April 12, 1992, silver gelatin print. Photo courtesy of the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607138940659-5LC4AJJR7LI4CI0B5RDE/Mika_Tajima_03.jpg</image:loc>
      <image:title>Art Summit 2021</image:title>
      <image:caption>Mika Tajima, New Humans, 2019. Ferrofluid, custom electromagnet matrix, custom PCB control system, computer, steel, wood, aluminum. Developed with support from \Art, Cornell Tech and Ferrotec. Photo by Yasushi Ichikawa. Image courtesy the artist, Taro Nasu, Tokyo; and Ishikawa Foundation, Japan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/participants</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607250641358-DX7B6LSM8HENUH9Z3XL5/031516_Bhabha_Homi_Photo+by+Stephanie+Mitchell_4x6.jpg</image:loc>
      <image:title>Participants - homi k. bhabha</image:title>
      <image:caption>Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities in the English and Comparative Literature Departments at Harvard University. He was founding director of the Mahindra Humanities Center at Harvard University from 2011-2019 and director of the Harvard Humanities Center from 2005-2011. From 2008-2019, he held the inaugural position of Senior Adviser on the Humanities to the President and Provost at Harvard University and from 2005-2008 served as Senior Adviser in the Humanities at the Radcliffe Institute for Advanced Study. He is a Corresponding Fellow of the British Academy. Bhabha is the author of numerous works exploring postcolonial theory, cultural change and power, contemporary art, and cosmopolitanism. His works include Nation and Narration and The Location of Culture, which was reprinted as a Routledge Classic in 2004. His next book will be published by the University of Chicago Press. Bhabha has written on contemporary art for Artforum and has written a range of essays on William Kentridge, Anish Kapoor, Taryn Simon, and Mathew Barney, amongst others. He is a member of the Academic Committee for the Shanghai Power Station of Art, advisor on the Contemporary and Modern Art Perspectives (CMAP) project at the Museum of Modern Art New York, and Curator in Residence of the Boston Museum of Fine Arts. Bhabha served on jury for  the 53rd Venice Biennale in 2009 and the 2018 Sharjah Biennial. In 2019, he was honored by the Institute of Contemporary Art in London for his influential work in studies of colonialism, postcolonialism, and globalization. With the support of the Volkswagen and Mellon Foundations, Bhabha is leading a research project on the Global Humanities. In 1997 he was profiled by Newsweek as one of “100 Americans for the Next Century.” He holds honorary degrees from Université Paris 8, University College London, and the Free University Berlin. In 2012 he was awarded the Government of India’s Padma Bhushan Presidential Award in the field of literature and education and received the Humboldt Research Prize in 2015. In 2018 Bhabha received an honorary doctorate at Stellenbosch University in Cape Town, South Africa. Photo by Stephanie Mitchel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607253901204-IUIUTVN9G380E4L5UUQY/Theaster-Gates.jpg</image:loc>
      <image:title>Participants - theaster gates</image:title>
      <image:caption>Theaster Gates lives and works in Chicago. Gates creates works that engage with space theory and land development, sculpture and performance. Drawing on his interest and training in urban planning and preservation, Gates redeems spaces that have been left behind. Known for his recirculation of art — world capital, Gates creates work that focuses on the possibility of the “life within things.” His work contends with the notion of Black space as a formal exercise — one defined by collective desire, artistic agency, and the tactics of a pragmatist. In 2010, Gates created the Rebuild Foundation, a nonprofit platform for art, cultural development, and neighborhood transformation that supports artists and strengthens communities through free arts programming and innovative cultural amenities on Chicago’s South Side. Gates has exhibited and performed at Tate Liverpool, UK (2020); Haus der Kunst, Munich (2020); Walker Art Centre, Minneapolis (2019); Palais de Tokyo Paris, France (2019); Sprengel Museum Hannover, Germany (2018); Kunstmuseum Basel, Switzerland (2018); National Gallery of Art, Washington D.C., USA (2017); Art Gallery of Ontario, Canada (2016); Fondazione Prada, Milan, Italy (2016); Whitechapel Gallery, London, UK (2013); Punta della Dogana, Venice, Italy (2013) and dOCUMENTA (13), Kassel, Germany (2012). He was the winner of the Artes Mundi 6 prize and a recipient of the Légion d’Honneur in 2017. In 2018, he was awarded the Nasher Prize for Sculpture, and the Urban Land Institute, J.C. Nichols Prize for Visionaries in Urban Development. Gates received the 2020 Crystal Award for his leadership in creating sustainable communities. Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College. Photo Credit: John R. Boehm</image:caption>
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      <image:title>Participants - léuli eshraghi</image:title>
      <image:caption>Léuli Eshrāghi (Sāmoan, Persian, Cantonese) works across visual arts, curatorial practice and university research. Ia intervenes in display territories to centre Indigenous kin constellations, sensual and spoken languages, and ceremonial-political practices. Through performance, moving image, writing and installation, ia engages with Indigenous futurities as haunted by ongoing militourist and missionary violences that once erased faʻafafine-faʻatama people from kinship and knowledge structures. Ia contributes to growing international critical practice across the Great Ocean and North America through residencies, exhibitions, publications, teaching and rights advocacy. Eshrāghi is board secretary of the Indigenous Curatorial Collective, the inaugural Horizon/Indigenous Futures postdoctoral fellow at Concordia University, a member of The Space Between Us SSHRC research partnership (2020-28) led by Dr Julie Nagam, an affiliate member of the Wominjeka Djeembana research lab at Monash University led by Dr Brian Martin, and a member of the Asia Pacific Artistic Research Network led by Dr Danny Butt at University of Melbourne and Kurniawan Adi Saputro at Indonesian Institute of the Arts Yogyakarta. Photography by Rhett Hammerton</image:caption>
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      <image:title>Participants - kawika pegram</image:title>
      <image:caption>Kawika Pegram is a 19-year-old, first-year student at American University. He is also the Executive Director of the Hawai‘i Youth Climate Coalition. In his spare time, he enjoys working on his aquariums and different social justice projects. Photo courtesy of Kawika Pegram.</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Xiaoyu Weng is the Robert H. N. Ho Family Foundation Associate Curator at the Solomon R. Guggenheim Museum, New York. Weng was appointed to spearhead The Robert H. N. Ho Family Foundation Chinese Art Initiative in 2015. At the Guggenheim, she has co-curated the exhibitions Tales of Our Time (2016–17) and One Hand Clapping (2018). Featuring newly commissioned artworks by thirteen artists and artist collectives, the exhibitions challenge myths of identity and nation-state constructions. In recent years, Weng’s curatorial, research, and writing projects have been focusing on the exploration of decolonial frameworks by rediscovering cultural technics and notions of cosmologies from historically marginalized practices. In close collaborations with artists, researchers and philosophers, her work intends to create syncretic, interpenetrating and hybrid contexts and platforms to foreground these practices.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607255379394-BFOWEZGTS7Q8JJ5CBWPR/Navid-Najafi_aka+illnomadic_photo+courtesy+of+the+artist_next+door.jpg</image:loc>
      <image:title>Participants - navid najafi</image:title>
      <image:caption>A founding member of the conscious rap collective Super Groupers and a two-time Nā Hōkū Hanohano Award winner for Hip Hop Album of the Year, Navid Najafi (illnomadic) was born in Tehran, Iran, but, at the age of 8, fled with his family to New York at the height of the Iran-Iraq war. After several relocations and years of feeling unrooted, Illnomadic finally found home when he moved to Hawai‘i at the age of 19. He is now one of the most respected and highly regarded emcees and hip hop educators in Hawai‘i. An accomplished artist, organizer, activist, and volunteer in his community, Illnomadic considers himself a deep ally of Native Hawaiians, Hawaiian Kingdom nationals, and all indigenous people around the world. He strives to represent Aloha 'Āina, the core principles of Hawaiian natural and cultural stewardship. Along with the Super Groupers, he founded and regularly conducts Soundshop, a hip hop education workshop program with high school students at the Honolulu Museum of Art. He is currently the Learning Programs Coordinator at the Shangri La Museum of Islamic Art, Culture and Design. He is also a poet facilitator and youth mentor for the nonprofit poetry education organization Pacific Tongues, for which he ran a weekly writing workshop on the University of Hawai‘i campus. His latest solo album, Second Language, was also nominated for 2019 Hawai‘i Hip Hop Album of the Year. Photo courtesy of the artist</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Dr. Akiemi Glenn is a Honolulu-based scholar and culture worker. She is a linguist who works in Indigenous language revitalization and a filmmaker, artist, and cultural practitioner. Akiemi is also the founder and executive director of the Pōpolo Project, an organization whose mission is to redefine what it means to be Black in Hawai‘i and in the world through cultivating connection between individuals, our communities, our ancestors, and the land, changing what we commonly think of as Local and highlighting the vivid, complex diversity of Black cultures and identities.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1609915916588-22ML41OE84AFAEKE4U7W/201030_r01_mia_a7siii_dsc00022.jpg</image:loc>
      <image:title>Participants - nikkya taliaferro</image:title>
      <image:caption>Nikkya Taliaferro is a 17-year-old Moanalua High School student. She is the executive director of Hawai'i for Black Lives, a teen advocacy group protesting racial injustice. She hopes to inspire young people to become active in their community.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1611646746414-44J1V6OOBUXQXN5R1ZVV/Hanaku_0395.jpg</image:loc>
      <image:title>Participants</image:title>
      <image:caption>Mark “Gooch” Noguchi cooks from an ‘āina-based perspective, connecting food to its source to build community. An approach he learned from hula Halau o Kekuhi, it’s defined his innovative restaurant offerings like He`eia Kea Pier, MISSION Social Hall &amp; Cafe, and his current Pili Group, a non-traditional food concept interweaving community, education and food. A graduate of the Culinary Institute of America, 2019 Omidyar Fellow, Mark is now a Food &amp; Sustainability Curriculum Specialist at Punahou School. Photo courtesy of Mark Noguchi</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Fumio Nanjo is the esteemed Senior Advisor of the Mori Art Museum in Tokyo, where he served as Director from 2006 - 2019. Among his many distinguished roles in the arts, he has served as Director of the Institute of Contemporary Arts in Nagoya (1996-1990), commissioner of the Japan Pavilion at the Venice Biennale (1997), commissioner at the Taipei Biennale (1998), member of jury committee of the Turner Prize (1998), co-curator of the 3rd Asia-Pacific Triennial of Contemporary Art (1999), artistic director of the Yokohama Triennale (2001), jury member of the Golden Lion Prize of the Venice Biennale (2005) and artistic director of the Singapore Biennale (2006, 2008). He also served as curatorial director for the Honolulu Biennial (2017) and is currently an artistic director emeritus for Hawai‘i Contemporary.</image:caption>
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      <image:caption>Dr. Louise Bernard is the founding Director of the Obama Presidential Center Museum. As a Senior Content Developer and Interpretive Planner in the New York office of the museum design firm Ralph Appelbaum Associates, she worked on the design team that developed the National Museum of African American History and Culture, Smithsonian Institution, along with other national and international projects. She previously served as Director of Exhibitions at the New York Public Library, as Curator of Prose and Drama for the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University, and as Assistant Professor of English at Georgetown University. She received her Ph.D. in African American Studies and American Studies from Yale; an M.A. in Theatre History and an M.A. in English Literature from Indiana University, Bloomington; and a B.A. Hons in Drama from the University of Manchester. Her current research engages with the literary archive, material culture, museology, public history, and interpretive planning and design. She serves on the Advisory Council for the Johnson Publishing Company Archive.</image:caption>
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      <image:title>Participants - ‘elepaio press</image:title>
      <image:caption>’Elepaio Press (Mark Hamasaki and Richard Hamasaki). Richard Hamasaki was born on a U.S. Army base in Sapporo, Japan, in 1952. Itinerate due to his Paʻauilo-born father’s career, he and his two siblings travelled and lived abroad primarily on military bases in the U.S. and Japan, returning to Hawai‘i frequently to visit family. For three years, he attended a mostly segregated public high school in Northern Virginia that was forced to integrate in 1968. He began writing poetry in the 10th grade, as well as playing bass guitar in an underground rock band (1967-70). By the time he graduated, all traces of his high school existence were erased in his senior year book. At Boston University (1970-74), he earned a degree in English literature and a teaching certificate after student teaching at South Boston High School in 1973. After college, he returned to Honolulu and co-founded ʻElepaio Press (1976–present) and on a shoestring, independently published an art and literary journal Seaweeds and Constructions (1976-1984). After the untimely death of his friend and mentor Wayne Kaumualii Westlake (1947-84), he earned his M.A. in Pacific Islands Studies with a focus on Hawaiʻi and Pacific literatures at the University of Hawaiʻi at Mānoa (1985-89). He has been active in Hawai‘i’s literary arts, collaborating with poets, musicians, visual artists, photographers, filmmakers, teachers, and scholars locally, regionally, and internationally for over 45 years. In 2001, the University of Hawai‘i Press published Hamasaki’s collection of poetry, From the Spider Bone Diaries: Poems and Songs, first published by Kalamakū Press in 2000. In 2009, the University of Hawai‘i Press published Westlake, Poems by Wayne Kaumualii Westlake (1947-1984), which he co-edited with Westlake’s former partner, Mei-Li Siy. Westlake is now in its second printing. Hamasaki’s teaching career spanned 40 years including 28 years as a high school English teacher at Kamehameha Schools, Kapālama campus (1987-2015). In 2018, he was the Executive Producer of a 20-minute narrative film, Down on the Sidewalk in Waikīkī that was directed by one of his former students, filmmaker Justyn Ah Chong (Kamehameha Schools, Kapālama, c/o 2007). Inspired by Westlake’s poems, film director ʻĀina Paikai wrote the screenplay and was the principal actor in this award-winning film. He continues to work independently and collaboratively, publishing his poetry, recordings, and film. Photo by Mark Hamasaki</image:caption>
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      <image:caption>Jaimey Hamilton Faris teaches critical theory and the history of contemporary art. She writes and speaks about art and visual culture at the intersection of globalization and climate change, especially in the Asia-Pacific region. She has published articles in Art Journal, October, Invisible Culture, Art Margins, and The Contemporary Pacific. She edited the Fall 2015 special issue of Art Margins on Capitalist Realism. Her 2013 book, Uncommon Goods, explored representations of global commodity chains and transnational trade. Turning her attention to the relationship between global economic "flows" and the earth's own ecological cycles, she has been working on a new project, Liquid Archives. This is a contemporary art historical/art critical book that establishes the growing importance of representing water in an era of climate change.</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Nina Tonga is an art historian and Curator Contemporary Art at the Museum of New Zealand Te Papa Tongarewa. She is from the villages of Vaini and Kolofo’ou in the Kingdom of Tonga and was born and raised in Aotearoa New Zealand. Nina specialises in contemporary art of the Pacific with a focus on time based media and is completing a PhD in Art History at the University of Auckland. Nina has curated a number exhibitions including solo projects by Nike Savvas, Lemi Ponifasio and Chiharu Shiota. Recent exhibitions include Home AKL (2012) at Auckland Art Gallery Toi o Tāmaki, Tonga i Onopooni (2014) at Pataka Art + Museum and Pacific Sisters: Fashion Activists (2018-2019) at the Museum of New Zealand Te Papa Tongarewa. In 2019, she was the curator of the second iteration of the Honolulu Biennial, To Make Wrong/ Right/ Now.</image:caption>
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      <image:title>Participants - Mari j. matsuda</image:title>
      <image:caption>Mari J. Matsuda is a sculptor, printmaker, metalsmith, organic gardener, critical race theorist, law professor, and intersectional feminist.  She does not see any of those things as distinct from the other.  She comes from a long line of makers, and make-do survivors, who also happened to read Marx.  Her grandmother, Tsuyuko Matsuda, painted and wrote poems from behind barbed wire at Heart Mountain Internment Camp.  Her grandfather, Jinkichi Matsuda, helped run the pre-war literary journal “Loo Choo,” recording the poems and ideas of radical Okinawan immigrants in the pre-war period.  From the ancestors, Matsuda learned that art, politics, struggle, theory and community were all one project, and that working class philosopher/artists have always existed beyond the walls of any academy. They believed that a new world was in birth, a world in which all human beings were entitled to dignity and flourishing, and in which we would have food, shelter, health, joy, art, music, song, and dance, in every single day of our time on earth. They were right. It’s coming.  Photo courtesy of Mari J. Matsuda.</image:caption>
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      <image:caption>Josh Tengan is a Honolulu-born and based curator and arts project manager. Since 2015, he has worked with local and Native Hawaiian artists, through the arts nonprofit Pu‘uhonua Society, to deliver Hawai‘i’s largest annual thematic contemporary art exhibition, CONTACT, which offers a critical and comprehensive survey of local contemporary visual culture. He recently served as Assistant Curator of the 2019 Honolulu Biennial. He is a professional arts manager at Nā Mea Hawai‘i, managing public art installations in Honolulu for the past four years. He holds a Curatorial Studies MA with Distinction from Newcastle University (UK) and a BA in Fine Art from Westmont College.</image:caption>
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      <image:title>Participants - drew kahu‘aina broderick</image:title>
      <image:caption>Drew Kahu‘āina Broderick is an artist, independent curator, and educator from Mōkapu, Kailua, Koʻolaupoko, Oʻahu. Currently, he serves as director of Koa Gallery at Kapiʻolani Community College. Recently, he completed an MA from the Center for Curatorial Studies at Bard College (2019). Previously, he worked in the Hawai‘i-based art collective PARADISE COVE (2015–2018), operated an artist-run venue SPF Projects (2012–2016), and co-founded an annual open-call, thematic exhibition, CONTACT (2014–2019), with community arts organizer Maile Meyer. Collaborative curatorial projects in development include ʻAi Pōhaku and I OLA KANALOA, with Josh Tengan (Assistant Curator HB19), and Revisiting Kealakekua Bay, Reworking the Captain Cook Monument as part of a hui of Hawaiʻi-based artist practitioners. Photo courtesy of Drew Kahu‘āina Broderick</image:caption>
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      <image:title>Participants - Kevin Carvalho</image:title>
      <image:caption>Chef Kevin Carvalho is passionate about Hawai‘i, nature, gastronomy, and life. Growing up learning to hunt and fish, Kevin’s family ingrained the importance of respecting every catch and a cooking style in which nothing goes to waste. In 2010, Kevin became a Chef de Partie under Chef Mavrothalassitis of Chef Mavro Restaurant and worked his way around the kitchen. He was awarded, along with the team, the AAA 5 diamond award all three years he was there. Working for Chef Mavro is where he learned humility and technique. In 2014, he served as Executive Sous Chef under Michelin Starred Chef Michael Mina and opened multiple venues with the Mina Team. He later became Executive Sous Chef of Alohilani Resort Waikiki in 2016 where he transformed an outdated hotel to one of Hawaii’s hottest chic resorts. Kevin joined Dean &amp; Deluca Hawaii as their Executive Chef in 2019, where he is bringing his local inspired, modern touch, to the high-end brand. Photo courtesy of the chef.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607253109874-UNOOJPXHTPT7XFVK5PII/Jamaica-Heolimeleikalani-Osorio_photobyElizabethSato.jpeg</image:loc>
      <image:title>Participants - jamaica heolimeleikalani osorio</image:title>
      <image:caption>Jamaica Heolimeleikalani Osorio is a Kanaka Maoli wahine artist / activist / scholar born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Heoli earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Heoli is an Assistant Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa. She is a three-time national poetry champion, poetry mentor, published author, and has shared her poetry throughout Oceania, on five of the seven continents, and at the American Whitehouse by invitation of President Obama. She is a proud past Kaiāpuni student, Ford fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). Her book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Ea is forthcoming with University of Minnesota Press in Fall 2021.  Photo by Elizabeth Soto</image:caption>
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      <image:title>Participants - Piliamo‘o</image:title>
      <image:caption>Piliāmo‘o (Mark Hamasaki and Kapulani Landgraf), collaboratively, have documented the construction of the H-3 freeway, the water struggle of Waiāhole, and the ahupuaʻa of Kailua. Kapulani Landgraf was born and raised in Pūʻahuʻula, Kāneʻohe. Landgraf’s books, Nā Wahi Pana o Koʻolau Poko (University of Hawaiʻi Press, 1994) and Nā Wahi Kapu o Maui (Ai Pōhaku Press, 2003), received Ka Palapala Poʻokela awards for Excellence in Illustrative Books in 1995 and 2004, respectively. Kapulani received a 2013 Visual Arts Fellowship from the Native Arts and Cultures Foundation and the 2014 Joan Mitchell Painters and Sculptors Grant. In 1996, the Hawaiʻi State Foundation on Culture and the Arts awarded her an Individual Artist Fellowship in Photography. She is an Associate Professor of Art at Kapiʻolani Community College, but is currently serving as a Title III Project Director. Photo courtesy of the artist</image:caption>
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      <image:caption>Céline Semaan-Vernon is a Lebanese-Canadian designer, writer, advocate and public speaker. She is the founder of Slow Factory Foundation, a 501c3 public service organization working at the intersection of environmental and social justice, which produces a conference series promoting sustainability literacy called Study Hall, and the first science-driven incubator in fashion called One X One. She is on the Council of Progressive International, became a Director's Fellow of MIT Media Lab in 2016, and served on the Board of Directors of AIGA NY, a nonprofit membership organization that helps cultivate the future of design in New York City from 2016-2017.</image:caption>
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      <image:title>Participants - Ai weiwei</image:title>
      <image:caption>Ai Weiwei is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audiences to examine society and its values. Recent exhibitions include: Ai Weiwei: Resetting Memories at MARCO in Monterrey, Ai Weiwei: Bare Life at the Mildred Lane Kemper Museum in St. Louis, Ai Weiwei at the K20/K21 in Dusseldorf, and Good Fences Make Good Neighbors with the Public Art Fund in New York City. Ai was born in Beijing in 1957 and currently resides and works in Berlin. Ai is the recipient of the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation. Photo © Ai Weiwei Studio; Courtesy the Artist and Lisson Gallery. Photography by Guo Yuan.</image:caption>
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      <image:title>Participants - melissa chiu</image:title>
      <image:caption>Curatorial Director, Hawai‘i Triennial 2022 Melissa Chiu is a renowned international curator, who is currently director of Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C. Among Chiu’s many professional accolades, including serving as museum director and senior vice president, Global Art Programs (2001–2014) at Asia Society in New York, she is recognized for realizing landmark exhibitions by Shirin Neshat, Robert Irwin, Yayoi Kusama, Charline von Heyl, Zhang Huan, Yoshitomo Nara and for co-curating One Way or Another: Asian American Art Now (2006–8) and Art and China’s Revolution (2008). Chiu has authored and edited books and catalogues on contemporary art, including Contemporary Art in Asia: A Critical Reader (MIT Press, 2010), and has lectured at Harvard, Yale, Columbia, the Museum of Modern Art, and others. Photo by Greg Powers, courtesy of the Smithsonian Hirshhorn Museum &amp; Sculpture Garden</image:caption>
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      <image:title>Participants - ‘elepaio press / piliamo‘o</image:title>
      <image:caption>’Elepaio Press (Mark Hamasaki and Richard Hamasaki) Piliāmo‘o (Mark Hamasaki and Kapulani Landgraf), collaboratively, have documented the construction of the H-3 freeway, the water struggle of Waiāhole, and the ahupuaʻa of Kailua. Mark Hamasaki was born in 1955 in Fort Belvoir, Virginia, and graduated from high school in Bangkok, Thailand. Just after his graduation, he became a novice Buddhist monk and traveled throughout Thailand. He later earned a BFA in photography from the Rochester Institute of Technology and an MFA (equivalent) from Allgemeine Gewerbeschule Basel (Basel School of Design) in Switzerland. He taught photography and art at Windward Community College for 34 years and served as Humanities Department Chair (2014-2018). In 1991, the Honolulu Star Bulletin named Hamasaki with Libby Young as among “The 10 Who Made a Difference” in Hawai‘i citing them for their efforts to secure from the Hawaiʻi State Legislature $12.5 million for Windward Community College’s Master Plan. A co-founder of ʻElepaio Press (1976 to present), in 1977, he designed and printed a chapbook, 7 Poems / 8 Photographs. He is responsible for designing and printing a variety of periodicals and books such as the Hawaiʻi edition of Mana, A South Pacific Journal of Language and Literature; Seaweeds and Constructions, A Pacific Islands Collection; Poets Behind Barbed Wire; and O Na Holoholona Wawae Eha O Ka Lama Hawaii: The Four-Footed Animals of Ka Lama Hawaii. He also designed two University of Hawaiʻi Press books, From the Spider Bone Diaries, Poems and Songs and Westlake: Poems by Wayne Kaumualii Westlake (1947-1984). In 2015, ‘Ai Pōhaku Press published a 167-page photographic essay Ē Luku Wale Ē by Piliāmoʻo, a working collective featuring his and Kapulani Landgraf’s photographs. His photographs, collages, and collaborative works are exhibited and published locally, nationally, and internationally. Photo by Kapulani Landgraf</image:caption>
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      <image:title>Participants - Karrabing film collective</image:title>
      <image:caption>‘The Karrabing Film Collective uses film to analyze contemporary settler colonialism and through these depictions challenge its grip. In the shadow of Third Cinema and Theater of the Oppressed, Karrabing is creating a new model for Indigenous filmmaking and activism.’ – Karrabing Film Collective Based in Australia’s Northern Territories, the Karrabing Film Collective is an Indigenous media group whose work exists in a distinctive space between artists’ film, activism, narrative cinema and grassroots self-representation. Consisting of approximately 30 members—predominantly living in the Belyuen community—the collective approaches filmmaking as a form of critical resistance and self-organization. Australia’s Northwest Territory government’s Emergency Response intervention led to measures that have enabled police to enter Indigenous homes at will, drastically increased Indigenous incarceration for minor offenses, lead to cuts in social welfare and pressured clans to open their land to mining corporations. These issues, among others, come into Karrabing’s films, appearing through a method the group calls “improvisational realism” that creates a space both between and beyond documentary and fiction. Karrabing means “tide out” in the Emmiyengal language and refers to the northwest coastline of Australia that connects the members of the collective. Still from The Jealous One (2017). Courtesy of the collective.</image:caption>
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      <image:title>Participants - eating in public</image:title>
      <image:caption>EATING IN PUBLIC (EIP) was founded in 2003 in Hawai‘i by Gaye Chan and Nandita Sharma to nudge a little space outside of the State and capitalist systems. Following the path of pirates and nomads, hunters and gathers, diggers and levelers, they gather at people’s homes, plant free food gardens on private and public land, set up free stores and other autonomous systems of exchange, generally without permission. Unlike Santa and the State, they give equally to the naughty and the nice. Their projects do not exploit anyone’s labor nor offer any tax-deductions. EIP has initiated over 1,000 projects. On rare occasions they take part in art exhibitions in the forms of distribution centers or how-to demonstrations. They have done so at venues such as Flux Factory (Bronx), Honolulu Museum of Art, San Jose Museum of Art, and Southern Exposure (San Francisco). Photo credit: Rae Huo</image:caption>
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      <image:title>Participants - mika tajima</image:title>
      <image:caption>Mika Tajima’s work is about control, performance, and freedom. She analyzes the evolving and amorphous zones that intersect productivity and leisure, examining how human behavior and emotional experiences have been transformed within the long sweep of capitalist development. Concerned not with the conditions but with the conditioning of modern human life, Tajima’s research-based practice explores the technologies and ideologies that cultivate the subtle molding of human behavior through aesthetic conditioning.  The technology underlying Tajima’s most recent artwork uses real-time language data to model and proliferate possible future human expressions, thereby creating emergent psychographies not yet captured or fully identifiable. At the same time, her work addresses notions of capture: how can one escape being scraped, detected or quantized? Mika Tajima was born in Los Angeles, CA lives and works in New York, NY. She holds a BA in Fine Arts and East Asian Studies from Bryn Mawr College, Bryn Mawr, PA, and an MFA from Columbia University, School of the Arts, New York, NY. Selected exhibitions include: Æther at Borusan Contemporary, Istanbul, Turkey; TOUCHLESS, Taro Nasu Gallery, Tokyo, Japan; Wadsworth Atheneum Museum of Art, Harford, CT; Embody, 11R, New York, NY; COLORI, Castello di Rivoli and GAM, Torino, Italy; All Watched Over by Machines of Loving Grace, Palais de Tokyo, Paris, France; Meridian (Gold), Sculpture Center, New York, NY. Public collections include: San Francisco Museum of Modern Art, San Francisco, CA; Dallas Museum of Art, Dallas, TX; Albright-Knox Art Gallery, Buffalo, NY; Hammer Museum, Los Angeles, CA; Hirshhorn Museum and Sculpture Garden, Washington, D.C. Photo courtesy of the artist</image:caption>
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      <image:title>Participants - na maka o ka ‘aina</image:title>
      <image:caption>Nā Maka o ka ‘Āina (Joan Lander) Joan Lander has been involved in documentary production since 1974, working as producer, director, videographer and editor with early community public access groups, the Hawai‘i Department of Education’s educational television division, independent production teams such as Videololo, and finally, since 1982, Nā Maka o ka ʻĀina. With co-producer, the late Puhipau, she produced close to 100 documentary and educational programs focusing on Hawaiian culture, history, language, environment, and the politics of independence and sovereignty. Seen on PBS, commercial TV and international television and cable networks, Nā Maka o ka ‘Āina productions have screened at film festivals worldwide, capturing various awards, including the Hawai‘i Film Office’s Film in Hawai‘i Award and the Silver Maile from the Hawai‘i International Film Festival. Among the documentaries that have aired throughout the U.S. on PBS stations are Act of War - The Overthrow of the Hawaiian Nation (1993), Mauna Kea – Temple Under Siege (2006), Stolen Waters (1998), Pele’s Appeal (1995), and Makua Homecoming (1983). Photo courtesy of Joan Lander</image:caption>
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      <image:caption>Halona Norton-Westbrook became Director and CEO of the Honolulu Museum of Art in January 2020. Halona was raised in the San Francisco Bay Area, lived for several years in London, England, and comes to Honolulu having most recently spent the last seven years in the Midwest. Halona has an expertise in the formation, history, and evolution of museum collections in the 20th century and in Modern and Contemporary Art. She previously served as Director of Curatorial Affairs and Curator of Modern and Contemporary Art at the Toledo Museum of Art. Prior to that she was the recipient of the Andrew W. Mellon Leadership Fellowship, inaugurated in 2012 to train the next generation of museum leaders. Halona received a B.A. in American History and Studio Art from Mills College, an M.A. in Art History from Courtauld Institute of Art in London, and a Ph.D. in Museology/Art History from the University of Manchester. She and her husband Jim have two daughters, Giovanna and Minerva.</image:caption>
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      <image:title>Participants - miwako tezuka</image:title>
      <image:caption>Associate Curator, Hawai‘i Triennial 2022 Miwako Tezuka is associate director of Reversible Destiny Foundation, a progressive artist foundation in New York established by Arakawa and Madeline Gins. Previously, she held the positions of gallery director of Japan Society (2012–15) and curator of Contemporary Art at Asia Society Museum (2005–12). She has curated numerous exhibitions; on Maya Lin, Robert Indiana, Ikeda Manabu, Tenmyouya Hisashi, teamLab, Mariko Mori, U-Ram Choe, Yang Fudong, Chen Chieh-jen, among many others. She also co-curated, with Melissa Chiu, the ground-breaking exhibition Yoshitomo Nara: Nobody’s Fool (Asia Society Museum, 2010). Tezuka holds a doctorate in postwar Japanese art history from Columbia University, and is co-director of PoNJA-GenKon, a global network of postwar Japanese art scholars and curators. Photo courtesy of Miwako Tezuka</image:caption>
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      <image:title>Participants - na maka o ka ‘aina</image:title>
      <image:caption>Nā Maka o ka ‘Āina (Joan Lander) Joan Lander has been involved in documentary production since 1974, working as producer, director, videographer and editor with early community public access groups, the Hawai‘i Department of Education’s educational television division, independent production teams such as Videololo, and finally, since 1982, Nā Maka o ka ʻĀina. With co-producer, the late Puhipau, she produced close to 100 documentary and educational programs focusing on Hawaiian culture, history, language, environment, and the politics of independence and sovereignty. Seen on PBS, commercial TV and international television and cable networks, Nā Maka o ka ‘Āina productions have screened at film festivals worldwide, capturing various awards, including the Hawai‘i Film Office’s Film in Hawai‘i Award and the Silver Maile from the Hawai‘i International Film Festival. Among the documentaries that have aired throughout the U.S. on PBS stations are Act of War - The Overthrow of the Hawaiian Nation (1993), Mauna Kea – Temple Under Siege (2006), Stolen Waters (1998), Pele’s Appeal (1995), and Makua Homecoming (1983). Photo courtesy of Joan Lander</image:caption>
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      <image:title>Participants - melissa chiu</image:title>
      <image:caption>Curatorial Director, Hawai‘i Triennial 2022 Melissa Chiu is a renowned international curator, who is currently director of Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C. Among Chiu’s many professional accolades, including serving as museum director and senior vice president, Global Art Programs (2001–2014) at Asia Society in New York, she is recognized for realizing landmark exhibitions by Shirin Neshat, Robert Irwin, Yayoi Kusama, Charline von Heyl, Zhang Huan, Yoshitomo Nara and for co-curating One Way or Another: Asian American Art Now (2006–8) and Art and China’s Revolution (2008). Chiu has authored and edited books and catalogues on contemporary art, including Contemporary Art in Asia: A Critical Reader (MIT Press, 2010), and has lectured at Harvard, Yale, Columbia, the Museum of Modern Art, and others. Photo by Greg Powers, courtesy of the Smithsonian Hirshhorn Museum &amp; Sculpture Garden</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Xiaoyu Weng is the Robert H. N. Ho Family Foundation Associate Curator at the Solomon R. Guggenheim Museum, New York. Weng was appointed to spearhead The Robert H. N. Ho Family Foundation Chinese Art Initiative in 2015. At the Guggenheim, she has co-curated the exhibitions Tales of Our Time (2016–17) and One Hand Clapping (2018). Featuring newly commissioned artworks by thirteen artists and artist collectives, the exhibitions challenge myths of identity and nation-state constructions. In recent years, Weng’s curatorial, research, and writing projects have been focusing on the exploration of decolonial frameworks by rediscovering cultural technics and notions of cosmologies from historically marginalized practices. In close collaborations with artists, researchers and philosophers, her work intends to create syncretic, interpenetrating and hybrid contexts and platforms to foreground these practices.</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Mark “Gooch” Noguchi cooks from an ‘āina-based perspective, connecting food to its source to build community. An approach he learned from hula Halau o Kekuhi, it’s defined his innovative restaurant offerings like He`eia Kea Pier, MISSION Social Hall &amp; Cafe, and his current Pili Group, a non-traditional food concept interweaving community, education and food. A graduate of the Culinary Institute of America, 2019 Omidyar Fellow, Mark is now a Food &amp; Sustainability Curriculum Specialist at Punahou School. Photo courtesy of Mark Noguchi</image:caption>
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      <image:caption>Jaimey Hamilton Faris teaches critical theory and the history of contemporary art. She writes and speaks about art and visual culture at the intersection of globalization and climate change, especially in the Asia-Pacific region. She has published articles in Art Journal, October, Invisible Culture, Art Margins, and The Contemporary Pacific. She edited the Fall 2015 special issue of Art Margins on Capitalist Realism. Her 2013 book, Uncommon Goods, explored representations of global commodity chains and transnational trade. Turning her attention to the relationship between global economic "flows" and the earth's own ecological cycles, she has been working on a new project, Liquid Archives. This is a contemporary art historical/art critical book that establishes the growing importance of representing water in an era of climate change.</image:caption>
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      <image:caption>Halona Norton-Westbrook became Director and CEO of the Honolulu Museum of Art in January 2020. Halona was raised in the San Francisco Bay Area, lived for several years in London, England, and comes to Honolulu having most recently spent the last seven years in the Midwest. Halona has an expertise in the formation, history, and evolution of museum collections in the 20th century and in Modern and Contemporary Art. She previously served as Director of Curatorial Affairs and Curator of Modern and Contemporary Art at the Toledo Museum of Art. Prior to that she was the recipient of the Andrew W. Mellon Leadership Fellowship, inaugurated in 2012 to train the next generation of museum leaders. Halona received a B.A. in American History and Studio Art from Mills College, an M.A. in Art History from Courtauld Institute of Art in London, and a Ph.D. in Museology/Art History from the University of Manchester. She and her husband Jim have two daughters, Giovanna and Minerva.</image:caption>
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      <image:title>Participants - kawika pegram</image:title>
      <image:caption>Kawika Pegram is a 19-year-old, first-year student at American University. He is also the Executive Director of the Hawai‘i Youth Climate Coalition. In his spare time, he enjoys working on his aquariums and different social justice projects. Photo courtesy of Kawika Pegram.</image:caption>
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      <image:title>Participants - ‘elepaio press</image:title>
      <image:caption>’Elepaio Press (Mark Hamasaki and Richard Hamasaki). Richard Hamasaki was born on a U.S. Army base in Sapporo, Japan, in 1952. Itinerate due to his Paʻauilo-born father’s career, he and his two siblings travelled and lived abroad primarily on military bases in the U.S. and Japan, returning to Hawai‘i frequently to visit family. For three years, he attended a mostly segregated public high school in Northern Virginia that was forced to integrate in 1968. He began writing poetry in the 10th grade, as well as playing bass guitar in an underground rock band (1967-70). By the time he graduated, all traces of his high school existence were erased in his senior year book. At Boston University (1970-74), he earned a degree in English literature and a teaching certificate after student teaching at South Boston High School in 1973. After college, he returned to Honolulu and co-founded ʻElepaio Press (1976–present) and on a shoestring, independently published an art and literary journal Seaweeds and Constructions (1976-1984). After the untimely death of his friend and mentor Wayne Kaumualii Westlake (1947-84), he earned his M.A. in Pacific Islands Studies with a focus on Hawaiʻi and Pacific literatures at the University of Hawaiʻi at Mānoa (1985-89). He has been active in Hawai‘i’s literary arts, collaborating with poets, musicians, visual artists, photographers, filmmakers, teachers, and scholars locally, regionally, and internationally for over 45 years. In 2001, the University of Hawai‘i Press published Hamasaki’s collection of poetry, From the Spider Bone Diaries: Poems and Songs, first published by Kalamakū Press in 2000. In 2009, the University of Hawai‘i Press published Westlake, Poems by Wayne Kaumualii Westlake (1947-1984), which he co-edited with Westlake’s former partner, Mei-Li Siy. Westlake is now in its second printing. Hamasaki’s teaching career spanned 40 years including 28 years as a high school English teacher at Kamehameha Schools, Kapālama campus (1987-2015). In 2018, he was the Executive Producer of a 20-minute narrative film, Down on the Sidewalk in Waikīkī that was directed by one of his former students, filmmaker Justyn Ah Chong (Kamehameha Schools, Kapālama, c/o 2007). Inspired by Westlake’s poems, film director ʻĀina Paikai wrote the screenplay and was the principal actor in this award-winning film. He continues to work independently and collaboratively, publishing his poetry, recordings, and film. Photo by Mark Hamasaki</image:caption>
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      <image:title>Participants - nikkya taliaferro</image:title>
      <image:caption>Nikkya Taliaferro is a 17-year-old Moanalua High School student. She is the executive director of Hawai'i for Black Lives, a teen advocacy group protesting racial injustice. She hopes to inspire young people to become active in their community.</image:caption>
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      <image:caption>Dr. Akiemi Glenn is a Honolulu-based scholar and culture worker. She is a linguist who works in Indigenous language revitalization and a filmmaker, artist, and cultural practitioner. Akiemi is also the founder and executive director of the Pōpolo Project, an organization whose mission is to redefine what it means to be Black in Hawai‘i and in the world through cultivating connection between individuals, our communities, our ancestors, and the land, changing what we commonly think of as Local and highlighting the vivid, complex diversity of Black cultures and identities.</image:caption>
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      <image:title>Participants - homi k. bhabha</image:title>
      <image:caption>Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities in the English and Comparative Literature Departments at Harvard University. He was founding director of the Mahindra Humanities Center at Harvard University from 2011-2019 and director of the Harvard Humanities Center from 2005-2011. From 2008-2019, he held the inaugural position of Senior Adviser on the Humanities to the President and Provost at Harvard University and from 2005-2008 served as Senior Adviser in the Humanities at the Radcliffe Institute for Advanced Study. He is a Corresponding Fellow of the British Academy. Bhabha is the author of numerous works exploring postcolonial theory, cultural change and power, contemporary art, and cosmopolitanism. His works include Nation and Narration and The Location of Culture, which was reprinted as a Routledge Classic in 2004. His next book will be published by the University of Chicago Press. Bhabha has written on contemporary art for Artforum and has written a range of essays on William Kentridge, Anish Kapoor, Taryn Simon, and Mathew Barney, amongst others. He is a member of the Academic Committee for the Shanghai Power Station of Art, advisor on the Contemporary and Modern Art Perspectives (CMAP) project at the Museum of Modern Art New York, and Curator in Residence of the Boston Museum of Fine Arts. Bhabha served on jury for  the 53rd Venice Biennale in 2009 and the 2018 Sharjah Biennial. In 2019, he was honored by the Institute of Contemporary Art in London for his influential work in studies of colonialism, postcolonialism, and globalization. With the support of the Volkswagen and Mellon Foundations, Bhabha is leading a research project on the Global Humanities. In 1997 he was profiled by Newsweek as one of “100 Americans for the Next Century.” He holds honorary degrees from Université Paris 8, University College London, and the Free University Berlin. In 2012 he was awarded the Government of India’s Padma Bhushan Presidential Award in the field of literature and education and received the Humboldt Research Prize in 2015. In 2018 Bhabha received an honorary doctorate at Stellenbosch University in Cape Town, South Africa. Photo by Stephanie Mitchel</image:caption>
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      <image:title>Participants - miwako tezuka</image:title>
      <image:caption>Associate Curator, Hawai‘i Triennial 2022 Miwako Tezuka is associate director of Reversible Destiny Foundation, a progressive artist foundation in New York established by Arakawa and Madeline Gins. Previously, she held the positions of gallery director of Japan Society (2012–15) and curator of Contemporary Art at Asia Society Museum (2005–12). She has curated numerous exhibitions; on Maya Lin, Robert Indiana, Ikeda Manabu, Tenmyouya Hisashi, teamLab, Mariko Mori, U-Ram Choe, Yang Fudong, Chen Chieh-jen, among many others. She also co-curated, with Melissa Chiu, the ground-breaking exhibition Yoshitomo Nara: Nobody’s Fool (Asia Society Museum, 2010). Tezuka holds a doctorate in postwar Japanese art history from Columbia University, and is co-director of PoNJA-GenKon, a global network of postwar Japanese art scholars and curators. Photo courtesy of Miwako Tezuka</image:caption>
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      <image:caption>Nina Tonga is an art historian and Curator Contemporary Art at the Museum of New Zealand Te Papa Tongarewa. She is from the villages of Vaini and Kolofo’ou in the Kingdom of Tonga and was born and raised in Aotearoa New Zealand. Nina specialises in contemporary art of the Pacific with a focus on time based media and is completing a PhD in Art History at the University of Auckland. Nina has curated a number exhibitions including solo projects by Nike Savvas, Lemi Ponifasio and Chiharu Shiota. Recent exhibitions include Home AKL (2012) at Auckland Art Gallery Toi o Tāmaki, Tonga i Onopooni (2014) at Pataka Art + Museum and Pacific Sisters: Fashion Activists (2018-2019) at the Museum of New Zealand Te Papa Tongarewa. In 2019, she was the curator of the second iteration of the Honolulu Biennial, To Make Wrong/ Right/ Now.</image:caption>
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      <image:title>Participants - mika tajima</image:title>
      <image:caption>Mika Tajima’s work is about control, performance, and freedom. She analyzes the evolving and amorphous zones that intersect productivity and leisure, examining how human behavior and emotional experiences have been transformed within the long sweep of capitalist development. Concerned not with the conditions but with the conditioning of modern human life, Tajima’s research-based practice explores the technologies and ideologies that cultivate the subtle molding of human behavior through aesthetic conditioning.  The technology underlying Tajima’s most recent artwork uses real-time language data to model and proliferate possible future human expressions, thereby creating emergent psychographies not yet captured or fully identifiable. At the same time, her work addresses notions of capture: how can one escape being scraped, detected or quantized? Mika Tajima was born in Los Angeles, CA lives and works in New York, NY. She holds a BA in Fine Arts and East Asian Studies from Bryn Mawr College, Bryn Mawr, PA, and an MFA from Columbia University, School of the Arts, New York, NY. Selected exhibitions include: Æther at Borusan Contemporary, Istanbul, Turkey; TOUCHLESS, Taro Nasu Gallery, Tokyo, Japan; Wadsworth Atheneum Museum of Art, Harford, CT; Embody, 11R, New York, NY; COLORI, Castello di Rivoli and GAM, Torino, Italy; All Watched Over by Machines of Loving Grace, Palais de Tokyo, Paris, France; Meridian (Gold), Sculpture Center, New York, NY. Public collections include: San Francisco Museum of Modern Art, San Francisco, CA; Dallas Museum of Art, Dallas, TX; Albright-Knox Art Gallery, Buffalo, NY; Hammer Museum, Los Angeles, CA; Hirshhorn Museum and Sculpture Garden, Washington, D.C. Photo courtesy of the artist</image:caption>
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      <image:title>Participants - navid najafi</image:title>
      <image:caption>A founding member of the conscious rap collective Super Groupers and a two-time Nā Hōkū Hanohano Award winner for Hip Hop Album of the Year, Navid Najafi (illnomadic) was born in Tehran, Iran, but, at the age of 8, fled with his family to New York at the height of the Iran-Iraq war. After several relocations and years of feeling unrooted, Illnomadic finally found home when he moved to Hawai‘i at the age of 19. He is now one of the most respected and highly regarded emcees and hip hop educators in Hawai‘i. An accomplished artist, organizer, activist, and volunteer in his community, Illnomadic considers himself a deep ally of Native Hawaiians, Hawaiian Kingdom nationals, and all indigenous people around the world. He strives to represent Aloha 'Āina, the core principles of Hawaiian natural and cultural stewardship. Along with the Super Groupers, he founded and regularly conducts Soundshop, a hip hop education workshop program with high school students at the Honolulu Museum of Art. He is currently the Learning Programs Coordinator at the Shangri La Museum of Islamic Art, Culture and Design. He is also a poet facilitator and youth mentor for the nonprofit poetry education organization Pacific Tongues, for which he ran a weekly writing workshop on the University of Hawai‘i campus. His latest solo album, Second Language, was also nominated for 2019 Hawai‘i Hip Hop Album of the Year. Photo courtesy of the artist</image:caption>
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      <image:caption>Josh Tengan is a Honolulu-born and based curator and arts project manager. Since 2015, he has worked with local and Native Hawaiian artists, through the arts nonprofit Pu‘uhonua Society, to deliver Hawai‘i’s largest annual thematic contemporary art exhibition, CONTACT, which offers a critical and comprehensive survey of local contemporary visual culture. He recently served as Assistant Curator of the 2019 Honolulu Biennial. He is a professional arts manager at Nā Mea Hawai‘i, managing public art installations in Honolulu for the past four years. He holds a Curatorial Studies MA with Distinction from Newcastle University (UK) and a BA in Fine Art from Westmont College.</image:caption>
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      <image:title>Participants - theaster gates</image:title>
      <image:caption>Theaster Gates lives and works in Chicago. Gates creates works that engage with space theory and land development, sculpture and performance. Drawing on his interest and training in urban planning and preservation, Gates redeems spaces that have been left behind. Known for his recirculation of art — world capital, Gates creates work that focuses on the possibility of the “life within things.” His work contends with the notion of Black space as a formal exercise — one defined by collective desire, artistic agency, and the tactics of a pragmatist. In 2010, Gates created the Rebuild Foundation, a nonprofit platform for art, cultural development, and neighborhood transformation that supports artists and strengthens communities through free arts programming and innovative cultural amenities on Chicago’s South Side. Gates has exhibited and performed at Tate Liverpool, UK (2020); Haus der Kunst, Munich (2020); Walker Art Centre, Minneapolis (2019); Palais de Tokyo Paris, France (2019); Sprengel Museum Hannover, Germany (2018); Kunstmuseum Basel, Switzerland (2018); National Gallery of Art, Washington D.C., USA (2017); Art Gallery of Ontario, Canada (2016); Fondazione Prada, Milan, Italy (2016); Whitechapel Gallery, London, UK (2013); Punta della Dogana, Venice, Italy (2013) and dOCUMENTA (13), Kassel, Germany (2012). He was the winner of the Artes Mundi 6 prize and a recipient of the Légion d’Honneur in 2017. In 2018, he was awarded the Nasher Prize for Sculpture, and the Urban Land Institute, J.C. Nichols Prize for Visionaries in Urban Development. Gates received the 2020 Crystal Award for his leadership in creating sustainable communities. Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College. Photo Credit: John R. Boehm</image:caption>
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      <image:title>Participants - Karrabing film collective</image:title>
      <image:caption>‘The Karrabing Film Collective uses film to analyze contemporary settler colonialism and through these depictions challenge its grip. In the shadow of Third Cinema and Theater of the Oppressed, Karrabing is creating a new model for Indigenous filmmaking and activism.’ – Karrabing Film Collective Based in Australia’s Northern Territories, the Karrabing Film Collective is an Indigenous media group whose work exists in a distinctive space between artists’ film, activism, narrative cinema and grassroots self-representation. Consisting of approximately 30 members—predominantly living in the Belyuen community—the collective approaches filmmaking as a form of critical resistance and self-organization. Australia’s Northwest Territory government’s Emergency Response intervention led to measures that have enabled police to enter Indigenous homes at will, drastically increased Indigenous incarceration for minor offenses, lead to cuts in social welfare and pressured clans to open their land to mining corporations. These issues, among others, come into Karrabing’s films, appearing through a method the group calls “improvisational realism” that creates a space both between and beyond documentary and fiction. Karrabing means “tide out” in the Emmiyengal language and refers to the northwest coastline of Australia that connects the members of the collective. Still from The Jealous One (2017). Courtesy of the collective.</image:caption>
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      <image:caption>Fumio Nanjo is the esteemed Senior Advisor of the Mori Art Museum in Tokyo, where he served as Director from 2006 - 2019. Among his many distinguished roles in the arts, he has served as Director of the Institute of Contemporary Arts in Nagoya (1996-1990), commissioner of the Japan Pavilion at the Venice Biennale (1997), commissioner at the Taipei Biennale (1998), member of jury committee of the Turner Prize (1998), co-curator of the 3rd Asia-Pacific Triennial of Contemporary Art (1999), artistic director of the Yokohama Triennale (2001), jury member of the Golden Lion Prize of the Venice Biennale (2005) and artistic director of the Singapore Biennale (2006, 2008). He also served as curatorial director for the Honolulu Biennial (2017) and is currently an artistic director emeritus for Hawai‘i Contemporary.</image:caption>
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      <image:title>Participants - drew kahu‘aina broderick</image:title>
      <image:caption>Drew Kahu‘āina Broderick is an artist, independent curator, and educator from Mōkapu, Kailua, Koʻolaupoko, Oʻahu. Currently, he serves as director of Koa Gallery at Kapiʻolani Community College. Recently, he completed an MA from the Center for Curatorial Studies at Bard College (2019). Previously, he worked in the Hawai‘i-based art collective PARADISE COVE (2015–2018), operated an artist-run venue SPF Projects (2012–2016), and co-founded an annual open-call, thematic exhibition, CONTACT (2014–2019), with community arts organizer Maile Meyer. Collaborative curatorial projects in development include ʻAi Pōhaku and I OLA KANALOA, with Josh Tengan (Assistant Curator HB19), and Revisiting Kealakekua Bay, Reworking the Captain Cook Monument as part of a hui of Hawaiʻi-based artist practitioners. Photo courtesy of Drew Kahu‘āina Broderick</image:caption>
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      <image:title>Participants - Kevin Carvalho</image:title>
      <image:caption>Chef Kevin Carvalho is passionate about Hawai‘i, nature, gastronomy, and life. Growing up learning to hunt and fish, Kevin’s family ingrained the importance of respecting every catch and a cooking style in which nothing goes to waste. In 2010, Kevin became a Chef de Partie under Chef Mavrothalassitis of Chef Mavro Restaurant and worked his way around the kitchen. He was awarded, along with the team, the AAA 5 diamond award all three years he was there. Working for Chef Mavro is where he learned humility and technique. In 2014, he served as Executive Sous Chef under Michelin Starred Chef Michael Mina and opened multiple venues with the Mina Team. He later became Executive Sous Chef of Alohilani Resort Waikiki in 2016 where he transformed an outdated hotel to one of Hawaii’s hottest chic resorts. Kevin joined Dean &amp; Deluca Hawaii as their Executive Chef in 2019, where he is bringing his local inspired, modern touch, to the high-end brand. Photo courtesy of the chef.</image:caption>
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      <image:title>Participants - Ai weiwei</image:title>
      <image:caption>Ai Weiwei is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audiences to examine society and its values. Recent exhibitions include: Ai Weiwei: Resetting Memories at MARCO in Monterrey, Ai Weiwei: Bare Life at the Mildred Lane Kemper Museum in St. Louis, Ai Weiwei at the K20/K21 in Dusseldorf, and Good Fences Make Good Neighbors with the Public Art Fund in New York City. Ai was born in Beijing in 1957 and currently resides and works in Berlin. Ai is the recipient of the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation. Photo © Ai Weiwei Studio; Courtesy the Artist and Lisson Gallery. Photography by Guo Yuan.</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Dr. Louise Bernard is the founding Director of the Obama Presidential Center Museum. As a Senior Content Developer and Interpretive Planner in the New York office of the museum design firm Ralph Appelbaum Associates, she worked on the design team that developed the National Museum of African American History and Culture, Smithsonian Institution, along with other national and international projects. She previously served as Director of Exhibitions at the New York Public Library, as Curator of Prose and Drama for the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University, and as Assistant Professor of English at Georgetown University. She received her Ph.D. in African American Studies and American Studies from Yale; an M.A. in Theatre History and an M.A. in English Literature from Indiana University, Bloomington; and a B.A. Hons in Drama from the University of Manchester. Her current research engages with the literary archive, material culture, museology, public history, and interpretive planning and design. She serves on the Advisory Council for the Johnson Publishing Company Archive.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607252089465-XRU7FWGFHJBT3D5AB3C1/Mark+Hamasaki+Portrait+credit+to+Kapulani+Landgraf.jpg</image:loc>
      <image:title>Participants - ‘elepaio press / piliamo‘o</image:title>
      <image:caption>’Elepaio Press (Mark Hamasaki and Richard Hamasaki) Piliāmo‘o (Mark Hamasaki and Kapulani Landgraf), collaboratively, have documented the construction of the H-3 freeway, the water struggle of Waiāhole, and the ahupuaʻa of Kailua. Mark Hamasaki was born in 1955 in Fort Belvoir, Virginia, and graduated from high school in Bangkok, Thailand. Just after his graduation, he became a novice Buddhist monk and traveled throughout Thailand. He later earned a BFA in photography from the Rochester Institute of Technology and an MFA (equivalent) from Allgemeine Gewerbeschule Basel (Basel School of Design) in Switzerland. He taught photography and art at Windward Community College for 34 years and served as Humanities Department Chair (2014-2018). In 1991, the Honolulu Star Bulletin named Hamasaki with Libby Young as among “The 10 Who Made a Difference” in Hawai‘i citing them for their efforts to secure from the Hawaiʻi State Legislature $12.5 million for Windward Community College’s Master Plan. A co-founder of ʻElepaio Press (1976 to present), in 1977, he designed and printed a chapbook, 7 Poems / 8 Photographs. He is responsible for designing and printing a variety of periodicals and books such as the Hawaiʻi edition of Mana, A South Pacific Journal of Language and Literature; Seaweeds and Constructions, A Pacific Islands Collection; Poets Behind Barbed Wire; and O Na Holoholona Wawae Eha O Ka Lama Hawaii: The Four-Footed Animals of Ka Lama Hawaii. He also designed two University of Hawaiʻi Press books, From the Spider Bone Diaries, Poems and Songs and Westlake: Poems by Wayne Kaumualii Westlake (1947-1984). In 2015, ‘Ai Pōhaku Press published a 167-page photographic essay Ē Luku Wale Ē by Piliāmoʻo, a working collective featuring his and Kapulani Landgraf’s photographs. His photographs, collages, and collaborative works are exhibited and published locally, nationally, and internationally. Photo by Kapulani Landgraf</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607251848459-I0SL9G8CKYQD25U0TNG5/Eating+in+Public+%28Gaye+Chan%29+-+photo+credit+Rae+Huo+1.jpg</image:loc>
      <image:title>Participants - eating in public</image:title>
      <image:caption>EATING IN PUBLIC (EIP) was founded in 2003 in Hawai‘i by Gaye Chan and Nandita Sharma to nudge a little space outside of the State and capitalist systems. Following the path of pirates and nomads, hunters and gathers, diggers and levelers, they gather at people’s homes, plant free food gardens on private and public land, set up free stores and other autonomous systems of exchange, generally without permission. Unlike Santa and the State, they give equally to the naughty and the nice. Their projects do not exploit anyone’s labor nor offer any tax-deductions. EIP has initiated over 1,000 projects. On rare occasions they take part in art exhibitions in the forms of distribution centers or how-to demonstrations. They have done so at venues such as Flux Factory (Bronx), Honolulu Museum of Art, San Jose Museum of Art, and Southern Exposure (San Francisco). Photo credit: Rae Huo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607254158976-1BHGCNRNL7CHKKHZJQFM/Kapulani+Landgraf+-+kapulani+landgraf_500px.jpg</image:loc>
      <image:title>Participants - Piliamo‘o</image:title>
      <image:caption>Piliāmo‘o (Mark Hamasaki and Kapulani Landgraf), collaboratively, have documented the construction of the H-3 freeway, the water struggle of Waiāhole, and the ahupuaʻa of Kailua. Kapulani Landgraf was born and raised in Pūʻahuʻula, Kāneʻohe. Landgraf’s books, Nā Wahi Pana o Koʻolau Poko (University of Hawaiʻi Press, 1994) and Nā Wahi Kapu o Maui (Ai Pōhaku Press, 2003), received Ka Palapala Poʻokela awards for Excellence in Illustrative Books in 1995 and 2004, respectively. Kapulani received a 2013 Visual Arts Fellowship from the Native Arts and Cultures Foundation and the 2014 Joan Mitchell Painters and Sculptors Grant. In 1996, the Hawaiʻi State Foundation on Culture and the Arts awarded her an Individual Artist Fellowship in Photography. She is an Associate Professor of Art at Kapiʻolani Community College, but is currently serving as a Title III Project Director. Photo courtesy of the artist</image:caption>
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      <image:title>Participants</image:title>
      <image:caption>Céline Semaan-Vernon is a Lebanese-Canadian designer, writer, advocate and public speaker. She is the founder of Slow Factory Foundation, a 501c3 public service organization working at the intersection of environmental and social justice, which produces a conference series promoting sustainability literacy called Study Hall, and the first science-driven incubator in fashion called One X One. She is on the Council of Progressive International, became a Director's Fellow of MIT Media Lab in 2016, and served on the Board of Directors of AIGA NY, a nonprofit membership organization that helps cultivate the future of design in New York City from 2016-2017.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607253639768-B7MWH14Y53FCY12RUAC7/Le%CC%81uli+Eshra%CC%84ghi+2019+-+Portrait+by+Rhett+Hammerton+soir-dore%CC%81.jpg</image:loc>
      <image:title>Participants - léuli eshraghi</image:title>
      <image:caption>Léuli Eshrāghi (Sāmoan, Persian, Cantonese) works across visual arts, curatorial practice and university research. Ia intervenes in display territories to centre Indigenous kin constellations, sensual and spoken languages, and ceremonial-political practices. Through performance, moving image, writing and installation, ia engages with Indigenous futurities as haunted by ongoing militourist and missionary violences that once erased faʻafafine-faʻatama people from kinship and knowledge structures. Ia contributes to growing international critical practice across the Great Ocean and North America through residencies, exhibitions, publications, teaching and rights advocacy. Eshrāghi is board secretary of the Indigenous Curatorial Collective, the inaugural Horizon/Indigenous Futures postdoctoral fellow at Concordia University, a member of The Space Between Us SSHRC research partnership (2020-28) led by Dr Julie Nagam, an affiliate member of the Wominjeka Djeembana research lab at Monash University led by Dr Brian Martin, and a member of the Asia Pacific Artistic Research Network led by Dr Danny Butt at University of Melbourne and Kurniawan Adi Saputro at Indonesian Institute of the Arts Yogyakarta. Photography by Rhett Hammerton</image:caption>
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      <image:title>Participants - Mari j. matsuda</image:title>
      <image:caption>Mari J. Matsuda is a sculptor, printmaker, metalsmith, organic gardener, critical race theorist, law professor, and intersectional feminist.  She does not see any of those things as distinct from the other.  She comes from a long line of makers, and make-do survivors, who also happened to read Marx.  Her grandmother, Tsuyuko Matsuda, painted and wrote poems from behind barbed wire at Heart Mountain Internment Camp.  Her grandfather, Jinkichi Matsuda, helped run the pre-war literary journal “Loo Choo,” recording the poems and ideas of radical Okinawan immigrants in the pre-war period.  From the ancestors, Matsuda learned that art, politics, struggle, theory and community were all one project, and that working class philosopher/artists have always existed beyond the walls of any academy. They believed that a new world was in birth, a world in which all human beings were entitled to dignity and flourishing, and in which we would have food, shelter, health, joy, art, music, song, and dance, in every single day of our time on earth. They were right. It’s coming.  Photo courtesy of Mari J. Matsuda.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1607253109874-UNOOJPXHTPT7XFVK5PII/Jamaica-Heolimeleikalani-Osorio_photobyElizabethSato.jpeg</image:loc>
      <image:title>Participants - jamaica heolimeleikalani osorio</image:title>
      <image:caption>Jamaica Heolimeleikalani Osorio is a Kanaka Maoli wahine artist / activist / scholar born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Heoli earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Heoli is an Assistant Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa. She is a three-time national poetry champion, poetry mentor, published author, and has shared her poetry throughout Oceania, on five of the seven continents, and at the American Whitehouse by invitation of President Obama. She is a proud past Kaiāpuni student, Ford fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). Her book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Ea is forthcoming with University of Minnesota Press in Fall 2021.  Photo by Elizabeth Soto</image:caption>
    </image:image>
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      <image:title>Sponsors + Partners</image:title>
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    <loc>https://hawaiicontemporary.org/program</loc>
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  <url>
    <loc>https://hawaiicontemporary.org/ohana-day</loc>
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    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613100207810-5H3XRDT00UPJILC2BAVX/IMG_1007.jpg</image:loc>
      <image:title>'Ohana Day</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613096375067-8IPGMYQ8ADSJTMGYROCN/PVS-LOGO-RGB.png</image:loc>
      <image:title>'Ohana Day</image:title>
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      <image:title>'Ohana Day</image:title>
      <image:caption>WORKSHOP 2 • ZINE MAKING WORKSHOP {Click to download a materials list, template, and sample content.}</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613095769125-P5GVG6G795BQW40GMRZW/HiSAM_logo.png</image:loc>
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      <image:title>'Ohana Day</image:title>
      <image:caption>WORKSHOP 1 • UPCYCLING WORKSHOP {Click to download a materials list.}</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613164206983-K6UZXJZRL2BEYWZ2A7E4/Screen%2525252BShot%2525252B2021-02-12%2525252Bat%2525252B10.42.03%2525252BAM.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613095125642-RTP429U4ZEWPD0CAH95K/Screen+Shot+2021-02-11+at+3.57.34+PM.png</image:loc>
      <image:title>'Ohana Day</image:title>
      <image:caption>artists in schools</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613095339810-BDAYJYC3H6VZ0G3UH6CP/Screen+Shot+2021-02-11+at+3.53.55+PM.png</image:loc>
      <image:title>'Ohana Day</image:title>
      <image:caption>art explorium</image:caption>
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      <image:caption>hisam channel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613100207810-5H3XRDT00UPJILC2BAVX/IMG_1007.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613095339810-BDAYJYC3H6VZ0G3UH6CP/Screen+Shot+2021-02-11+at+3.53.55+PM.png</image:loc>
      <image:title>'Ohana Day</image:title>
      <image:caption>art explorium</image:caption>
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      <image:title>'Ohana Day</image:title>
      <image:caption>artists in schools</image:caption>
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      <image:title>'Ohana Day</image:title>
      <image:caption>WORKSHOP 1 • UPCYCLING WORKSHOP {Click to download a materials list.}</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613092292695-HXRX3ZWRGPA6IMV4Z89H/Screen+Shot+2021-02-11+at+3.10.29+PM.png</image:loc>
      <image:title>'Ohana Day</image:title>
      <image:caption>WORKSHOP 2 • ZINE MAKING WORKSHOP {Click to download a materials list, template, and sample content.}</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613095511943-U3KYL5U35V1V8C41FYQ7/Screen+Shot+2021-02-11+at+4.04.35+PM.png</image:loc>
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      <image:caption>hisam channel</image:caption>
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    <loc>https://hawaiicontemporary.org/bios-board</loc>
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    <priority>0.75</priority>
    <lastmod>2025-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/6eff6b2e-3361-4d86-bb16-de1cfef9e077/Ka%60iulani+Sodaro__66_sm.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1621929870307-YXWVHGQKI86NQCPAWF30/anne+swayne.png</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1617698699182-6E3F5HTR9WV99Y2VUQFB/18MonicaLauPhotography-PiiaAarma-14.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1617699152718-KCARIJ416HMJV0TE0SWJ/Screen%2BShot%2B2021-04-05%2Bat%2B10.49.22%2BPM.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/77cdb443-4a2d-4b2e-be04-9298d41c1ced/Chloe+Seto+Hartwell.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1620954473584-1A04I4BFP42DNCXWT748/km_chan053P.jpeg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1617755445365-IQX05Y5QJNTKLKEQPPR5/IMG_4115.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1618452562394-TP03DXMI4LXDB5FRKI3X/ProShoot7.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/8b4851cd-e79c-419e-b8ec-5c38f7dd4f3f/jason_lazzernini+-+Resize+L.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1617755283944-9QWCMP1ED7PTPODNNFFN/Taiji_fpo.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/77cdb443-4a2d-4b2e-be04-9298d41c1ced/Chloe+Seto+Hartwell.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/53d017fc-63ed-4eb6-b204-f38d62f53fad/PCMoad.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/6eff6b2e-3361-4d86-bb16-de1cfef9e077/Ka%60iulani+Sodaro__66_sm.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1620954473584-1A04I4BFP42DNCXWT748/km_chan053P.jpeg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1617698699182-6E3F5HTR9WV99Y2VUQFB/18MonicaLauPhotography-PiiaAarma-14.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/8b4851cd-e79c-419e-b8ec-5c38f7dd4f3f/jason_lazzernini+-+Resize+L.jpg</image:loc>
      <image:title>Hawaii Contemporary Board of Directors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/art-summit-2021-earth-day</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1613607611343-ZYD9M6LX8PMPBSPCJ9IY/HC_Art-SUMMIT_logo.png</image:loc>
      <image:title>Art Summit 2021 - Earth Day</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1597369110899-6QDQ0PX019AA9O1T1JZ4/Black+Banner.jpg</image:loc>
      <image:title>Art Summit 2021 - Earth Day</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/ht-22</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647485155607-SUR70CECU1MT8LY3S4RS/HT22_GuidebookCover.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Download the HT22 GUIDEBOOK to see an overview of the artworks and to plan your visit to the Triennial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d434c5f4-897e-4903-ab55-fd2b5047177c/HT22-Paciic+Century-1_crop.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>CATALOGUE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1656560853210-6W5F9WID9XOAY74AKF6S/HT22_RECAP-01.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c6f24c05-c179-4036-87a3-0215b52a7102/Screen+Shot+2022-12-05+at+5.10.37+AM.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Art in Focus: Reading Room takes a focused look at this interactive installation by ‘Ai Pōhaku Press (Maile Meyer and Barbara Pope).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643964129609-FM9SO8A7BCX60MF76XWB/Presenting_partners-01.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1664307788323-9BUP7UC4H84EC38B0RWQ/IMG_6845.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>GOLDEN HIBISCUS AWARD</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644514166267-VC72Z6NGIM9689UZSRUA/HT22_background-01.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - 43 PARTICIPATING</image:title>
      <image:caption>ARTISTS + ART COLLECTIVES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651539024486-FJ7H8KZLNLH79PUI2XAQ/NT+fresh+pacific+logo+art.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Hear more about HT22 artists Haunani-Kay Trask, Beatriz Santiago Muñoz, Richard Bell, and TOQA in dedicated episodes of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1664307716986-CGXEWTXIU273W8XHJV84/2021-06-08+FOSTER+AND+KAPOLEI-56_sm.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>CURATORS</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1634552019834-4ILAZBLPQO9VDWQQV3FM/presentedby.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663987515867-OUNY9W7ZQAIVSBNC6CAI/HT22+at+HiSAM+cover.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Download the HT22 at Hawai‘i State Art Museum guidebook to learn more about this continuation of HT22.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663984368534-0JLDQFBTKX3CC7Y1RO8M/HT22_survey-media.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/b6e222e8-5964-46c9-bb47-7c456740d060/Screen+Shot+2022-12-05+at+5.14.02+AM.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Art in Focus: Altered Landscapes takes a focused look at this mixed-media work of reflection and protest by HT22 artist Richard Hamasaki and collaborator Thad Higa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663987734128-2GB5J11H4IYS27S3LIEY/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press+-+Lawrence+Seward_Credit+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_5914.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663985677455-435ZENG4LY5L6BEGYNZG/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5858.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663986002585-SCCK2AC6CIQVFYQB3T0Z/HT22_Final+Install_Pilia%CC%84mo%CA%BBo_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6010.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663986208816-GJDKPEZ3ZOQM4XGXCST9/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6545_sm.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663985839954-50QST4DELFE69I74L5I2/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6552.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1664348724808-XQJ74T3OQCI74UMUVWZ0/HiSAM_Pilia%CC%84mo%E2%80%98o_Courtesy+of+Brandyn+Liu.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663986106591-40UF2A792RVFJVQ60N8C/20220419-HOMA-EdGreevy7250_sm.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663986206493-0IH17X7824IHRBOC4F48/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6580_sm.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663989946180-CK1GXUMZ8O9O73FFSTFQ/HT22_Final+Install_Momoyo+Torimitsu_Courtesy+HiSAM_Photo+Brandyn+Liu_HiSAM11.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663987515867-OUNY9W7ZQAIVSBNC6CAI/HT22+at+HiSAM+cover.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Download the HT22 at Hawai‘i State Art Museum guidebook to learn more about this continuation of HT22.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651539024486-FJ7H8KZLNLH79PUI2XAQ/NT+fresh+pacific+logo+art.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Hear more about HT22 artists Haunani-Kay Trask, Beatriz Santiago Muñoz, Richard Bell, and TOQA in dedicated episodes of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643964129609-FM9SO8A7BCX60MF76XWB/Presenting_partners-01.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1634552019834-4ILAZBLPQO9VDWQQV3FM/presentedby.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c6f24c05-c179-4036-87a3-0215b52a7102/Screen+Shot+2022-12-05+at+5.10.37+AM.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Art in Focus: Reading Room takes a focused look at this interactive installation by ‘Ai Pōhaku Press (Maile Meyer and Barbara Pope).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644514166267-VC72Z6NGIM9689UZSRUA/HT22_background-01.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - 43 PARTICIPATING</image:title>
      <image:caption>ARTISTS + ART COLLECTIVES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429391745-CX3GQY414O7V9SQRL7UD/HT22_Leeroy-New_photo-Christopher-Rohrer.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Leeroy New, Balete and Taklobo, 2022, Foster Botanical Garden, HT22. Courtesy of the artist and Hawai’i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429423296-W2MIL01HK7MBUCWBHM83/HT22_TOQA_photo-Christopher-Rohrer.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>TOQA, Midnight Smoothie, 2021–22, Foster Botanical Garden, HT22. Courtesy of the artists and Hawai’i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647432399768-VQQ7P1E1KSPGLHRAQKNZ/HT22_Ai-Weiwei_photo-Christopher-Rohrer.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Ai Weiwei, Trees (2010) and Iron Tree (2020), Foster Botanical Garden, HT22. Courtesy of the artist and Hawai’i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429358860-CS7G36EFHF9S1K6NQSN4/HC_Theaster+Gates_Feb22_12.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Theaster Gates, A Clay Sermon, 2021, HT22. Courtesy of Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429362750-UQ5LTSOFOP8A7M5VHZ58/HT22_Dan+Taulapapa+McMullin_Performance_Feb22_15.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Dan Taulapapa McMullin, Aue Away, 2022, performance, HT22. Courtesy of Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429363466-UYIH6VHZ18C2H4NGACZV/HT22_Hawaii+Triennial_G27_Mar22_22.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Sung Hwan Kim, tip of a spherical form (ear) and (cupped fingers), 2021, HT22. Courtesy of Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429369185-53FVOVWTDYLH1KLA8JPU/HT22_Hawaii+Triennial_G27_Mar22_25.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Ed Greevy and Haunani-Kay Trask, selections from Kū‘ē: Thirty Years of Land Struggles in Hawai‘i (2004), HT22. Courtesy of Honolulu Museum of Art.</image:caption>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Ai Iwane, KĪPUKA, 2006–, HT22. Courtesy of Honolulu Museum of Art.</image:caption>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view of Hawai’i Triennial 2022. Courtesy of Honolulu Museum of Art.</image:caption>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Chikako Yamashiro, Mud Man, 2017, HT22. Courtesy of Honolulu Museum of Art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429385912-F69AFZNSLFTVTDVG5CPI/HT22_Opening_Bishop+Museum_Credit+Bernice+Pauahi+Bishop+Museum+by+Kelli+Bullock+Hergert_130.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>HT22 opening at Bishop Museum. Courtesy of Bernice Pauahi Bishop Museum. Photo: Kelli Bullock Hergert.</image:caption>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670245534182-4ELXNQYO5ZNVKX187A8I/HT22_BTS_Michael+Joo+x+Alchemyverse_Credit+Hawai%27i+Contemporary+by+Miwako+Tezuka_001.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670248243342-FMUB262Z8JL7QDW08N24/HT22-Bishop5775_sm.jpg</image:loc>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647430821715-OEOAU5GT5BIBR336A3UQ/Gaku+Tsutaja.+Courtesy+of+Bernice+Pauahi+Bishop+Museum.+Photo%3A+Kelli+Bullock+Hergert.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Gaku Tsutaja, ENOLA’S HEAD, 2021, HT22. Courtesy of Bernice Pauahi Bishop Museum. Photo: Kelli Bullock Hergert.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647430823457-NC3HERSLY56INCKO4PRV/Chitra+Ganesh.+Courtesy+of+Bernice+Pauahi+Bishop+Museum.+Photo%3A+Kelli+Bullock+Hergert.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Chitra Ganesh, Untitled/Kapa Moon, 2022, HT22. Courtesy of Bernice Pauahi Bishop Museum. Photo: Kelli Bullock Hergert.</image:caption>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>HT22 opening at Iolani Palace. Courtesy of Hawai’i Contemporary. Photo: Brandyn Liu.</image:caption>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>HT22 opening at Iolani Palace. Courtesy of Hawai’i Contemporary. Photo: Brandyn Liu.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647429403911-9TY49F82V1I6ZTR13W17/HT22_Opening_Iolani+Palace_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_1870.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>HT22 curators at opening at Iolani Palace. Courtesy of Hawai’i Contemporary. Photo: Brandyn Liu.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647431576417-YX3AVRRJ0WJ8B7LO23C6/Jennifer+Steinkamp_Queen+Liliuokalani_HT22+Iolani+Palace_+Photograph+by+Leimaile.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Jennifer Steinkamp, Queen Lili’uokalani, 2022, Iolani Palace, HT22. Courtesy of the artist. Photo: Leimaile Barrett.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647431250401-S6SPW4CXB1RDIM6C1QRN/HT22_Final+Install_Ming+Wong_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1913.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Ming Wong, Bloody Marys—Song of the South Seas, 2018, Hawaii Theatre Gallery, HT22. Courtesy of the artist and Hawai’i Contemporary. Photo: Lila Lee.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670244907539-HPIXDZ1D5CDUIHUVJAHR/HT22_Opening_Royal+Hawaiian+Center_Credit+Hawai%E2%80%98i+Contemporary+by+Kate+Wade_066.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647431942396-AU6ZWTF0UBH2Q30IOW44/Miao+Ying_Hardcore+Digital+Detox_HT22+Royal+Hawaiian+Center_Photo+Courtesy+of+Lila+Lee.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Hawai’i Triennial 2022 at Royal Hawaiian Center. Photo: Lila Lee.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647431938580-R4PMU0A7M3J6ZWRKH2SI/HT22_Final+Install_Momoyo+Torimitsu_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1740.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Momoyo Torimitsu, Somehow I don’t feel comfortable, 2021, Royal Hawaiian Center, HT22. Photo: Lila Lee.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670245507930-875CDB94UX889Z4KA7PA/HT22_Final+Install_Miao+Ying_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7169.jpg</image:loc>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Sun Xun, Royal Hawaiian Center, HT22. Photo: Lila Lee</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670244920019-9WMIZZE4ITBTINA69KPW/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7290.jpg</image:loc>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647432287630-W5JNA98NQNVQXYF997EQ/TsuyoshiHisakado_Pause_HT22+Image1_RoyalHawaiianCenter_Photo+Courtesy+of+Hawaii+Contemporary%2C+photography+by+TsuyoshiHisakado.jpeg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Tsuyoshi Hisakado, Pause, 2022, Royal Hawaiian Center, HT22. Courtesy of the artist and Hawai’i Contemporary. Photo: Tsuyoshi Hisakado.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670245811664-MOE6ZGSRZH10O3GZSGEO/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1782_crop.jpg</image:loc>
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      <image:title>Hawai'i Triennial 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647431296876-P2JH3XILLTM0ZEGV1V93/HiSAM_Pilia%CC%84mo%E2%80%98o_Courtesy+of+Brandyn+Liu.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>Installation view: Piliāmo’o, HT22. Courtesy of Hawai’i State Art Museum. Photo: Brandyn Liu.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1670246877062-L0YHWT2R5K5BCY89VKN6/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_68_sm.jpg</image:loc>
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      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>GOLDEN HIBISCUS AWARD</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/b6e222e8-5964-46c9-bb47-7c456740d060/Screen+Shot+2022-12-05+at+5.14.02+AM.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Art in Focus: Altered Landscapes takes a focused look at this mixed-media work of reflection and protest by HT22 artist Richard Hamasaki and collaborator Thad Higa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1664307716986-CGXEWTXIU273W8XHJV84/2021-06-08+FOSTER+AND+KAPOLEI-56_sm.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>CURATORS</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647485155607-SUR70CECU1MT8LY3S4RS/HT22_GuidebookCover.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Download the HT22 GUIDEBOOK to see an overview of the artworks and to plan your visit to the Triennial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1663984368534-0JLDQFBTKX3CC7Y1RO8M/HT22_survey-media.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1656560853210-6W5F9WID9XOAY74AKF6S/HT22_RECAP-01.png</image:loc>
      <image:title>Hawai'i Triennial 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d434c5f4-897e-4903-ab55-fd2b5047177c/HT22-Paciic+Century-1_crop.jpg</image:loc>
      <image:title>Hawai'i Triennial 2022</image:title>
      <image:caption>CATALOGUE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/sponsors-donors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1640862874778-ZC42796AY9PW5HI9QZKW/presentedby2.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1642076849943-1Z4MLCHHH0IYFSQPIGZ6/x+-+curators-circle-01.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>*</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1642076685704-5FK5VD6H7MT9QOOGWYO9/triennial-circle.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643963932230-5UTX7VFO1ZJ908O3RQME/x+-+directors-circle.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1640851236950-V54WZG3T79WILVP54CVU/HAL_r_h_rgb.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641451878094-OIH1UH1USAMU5RQHS3D1/alohilan-logo-navy-transparent_crop.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643963932230-5UTX7VFO1ZJ908O3RQME/x+-+directors-circle.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1642076849943-1Z4MLCHHH0IYFSQPIGZ6/x+-+curators-circle-01.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>*</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641451878094-OIH1UH1USAMU5RQHS3D1/alohilan-logo-navy-transparent_crop.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1640851236950-V54WZG3T79WILVP54CVU/HAL_r_h_rgb.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1640862874778-ZC42796AY9PW5HI9QZKW/presentedby2.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1634544181728-N2GH7CWO5KJCMXG7S9Q5/HT22_full_color.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1642076685704-5FK5VD6H7MT9QOOGWYO9/triennial-circle.png</image:loc>
      <image:title>Sponsors + Donors - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-ai-weiwei</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641872690190-O8B4MD9K37JUI0MBDJ17/Credit+Gao+Yuan.jpeg</image:loc>
      <image:title>Artist - Ai Weiwei - Make it stand out</image:title>
      <image:caption>Ai Weiwei, 2012. Courtesy of the artist and Lisson Gallery. © Ai Weiwei Studio. Photo: Gao Yuan. Ai Weiwei was born in Beijing in 1957 and has lived in Berlin, Cambridge and currently resides and works in Portugal since 2021. He is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audience to examine society and its values. Recent exhibitions include: Ai Weiwei: Resetting Memories at MARCO, Ai Weiwei: Bare Life at the Mildred Lane Kemper Museum in St. Louis, Ai WeiWei at the K20/K21 in Dusseldorf, and Good Fences Make Good Neighbors with the Public Art Fund in New York City. Ai is the recipient of the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Ai Weiwei - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641872690190-O8B4MD9K37JUI0MBDJ17/Credit+Gao+Yuan.jpeg</image:loc>
      <image:title>Artist - Ai Weiwei - Make it stand out</image:title>
      <image:caption>Ai Weiwei, 2012. Courtesy of the artist and Lisson Gallery. © Ai Weiwei Studio. Photo: Gao Yuan. Ai Weiwei was born in Beijing in 1957 and has lived in Berlin, Cambridge and currently resides and works in Portugal since 2021. He is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audience to examine society and its values. Recent exhibitions include: Ai Weiwei: Resetting Memories at MARCO, Ai Weiwei: Bare Life at the Mildred Lane Kemper Museum in St. Louis, Ai WeiWei at the K20/K21 in Dusseldorf, and Good Fences Make Good Neighbors with the Public Art Fund in New York City. Ai is the recipient of the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Ai Weiwei - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648593973989-IL2J4CEVW6SS8QC6RL2T/HT22_Final+Install_Ai+Weiwei_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3664.jpg</image:loc>
      <image:title>Artist - Ai Weiwei</image:title>
      <image:caption>Installation view: Ai Weiwei, Tree (2010), Iron Tree (2020), Tree (2010), Foster Botanical Garden, HT22, Honolulu. © Ai Weiwei Studio. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648593760421-WPRX2C40ML3CYFFO4IDZ/HT22_Final+Install_Ai+Weiwei_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3621.jpg</image:loc>
      <image:title>Artist - Ai Weiwei</image:title>
      <image:caption>Installation view: Ai Weiwei, Iron Tree, 2020, Foster Botanical Garden, HT22, Honolulu. © Ai Weiwei Studio. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1648593740182-DAV8SA2NYFDWEF8GLM2V/HT22_Final+Install_Ai+Weiwei_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3614.jpg</image:loc>
      <image:title>Artist - Ai Weiwei</image:title>
      <image:caption>Installation view: Ai Weiwei, Iron Tree (detail), 2020, Foster Botanical Garden, HT22, Honolulu. © Ai Weiwei Studio. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-ai-pohaku-press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652242996252-7JBHJJ92AY7UPGV88B08/20220324-HiSam5869_sm.jpg</image:loc>
      <image:title>Artist - 'Ai Pōhaku Press - Make it stand out</image:title>
      <image:caption>Installation views: ʻAi Pōhaku Press, Reading Room (top left and above) with moena alolua by Keanahala and seat cushions by TUTUVI; Kapulani Landgraf, Selections from ʻAi Pōhaku (top middle), 1993; Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652430374194-IMXIIWGGXDGNZ1S9GRQK/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5884_sm.jpg</image:loc>
      <image:title>Artist - 'Ai Pōhaku Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652430367383-MH6U624LO52EFX8TBLTX/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5798_sm.jpg</image:loc>
      <image:title>Artist - 'Ai Pōhaku Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652430367632-RISFH324D2A3Q04ZIDDP/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5817_sm.jpg</image:loc>
      <image:title>Artist - 'Ai Pōhaku Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - 'Ai Pōhaku Press - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652242996252-7JBHJJ92AY7UPGV88B08/20220324-HiSam5869_sm.jpg</image:loc>
      <image:title>Artist - 'Ai Pōhaku Press - Make it stand out</image:title>
      <image:caption>Installation views: ʻAi Pōhaku Press, Reading Room (top left and above) with moena alolua by Keanahala and seat cushions by TUTUVI; Kapulani Landgraf, Selections from ʻAi Pōhaku (top middle), 1993; Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/golden-hibiscus-award</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647379611865-LP8M1ZXXK4QTLG0RRRV8/HiSAM_%E2%80%98Elepaio+Press_Courtesy+of+Brandyn+Liu.jpg</image:loc>
      <image:title>Golden Hibiscus Award - Make it stand out</image:title>
      <image:caption>Installation view: ‘Elepaio Press, Hawai‘i Triennial 2022, Hawai‘i State Art Museum. Courtesy Hawai‘i Contemporary. Photo: Brandyn Liu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647377896180-4H0BLW4DDDK5F156SHW3/TJOStill1.png</image:loc>
      <image:title>Golden Hibiscus Award - Make it stand out</image:title>
      <image:caption>Karrabing Film Collective, The Jealous One (still), 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/10fac563-d53d-4241-9a56-ac5b5592ab6b/leland.png</image:loc>
      <image:title>Golden Hibiscus Award - Make it stand out</image:title>
      <image:caption>Golden Hibiscus Award winner in 2019: Leland Miyano, Huakaʻi / A Wake, 2019 Installation view at Foster Botanical Garden. HB19.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647377896180-4H0BLW4DDDK5F156SHW3/TJOStill1.png</image:loc>
      <image:title>Golden Hibiscus Award - Make it stand out</image:title>
      <image:caption>Karrabing Film Collective, The Jealous One (still), 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/10fac563-d53d-4241-9a56-ac5b5592ab6b/leland.png</image:loc>
      <image:title>Golden Hibiscus Award - Make it stand out</image:title>
      <image:caption>Golden Hibiscus Award winner in 2019: Leland Miyano, Huakaʻi / A Wake, 2019 Installation view at Foster Botanical Garden. HB19.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647379611865-LP8M1ZXXK4QTLG0RRRV8/HiSAM_%E2%80%98Elepaio+Press_Courtesy+of+Brandyn+Liu.jpg</image:loc>
      <image:title>Golden Hibiscus Award - Make it stand out</image:title>
      <image:caption>Installation view: ‘Elepaio Press, Hawai‘i Triennial 2022, Hawai‘i State Art Museum. Courtesy Hawai‘i Contemporary. Photo: Brandyn Liu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647377238480-PA0QSUTDR29VGFNFURBU/IMG_6852.jpg</image:loc>
      <image:title>Golden Hibiscus Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647377171786-LUXEFCDIGKTXVCMO3PLC/IMG_6845.jpg</image:loc>
      <image:title>Golden Hibiscus Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647377080852-IX6ZIGRX0P3WU9GJ9ZHV/A4CEA625-DD9F-4D44-A568-5B62794423EA.JPG</image:loc>
      <image:title>Golden Hibiscus Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1647377180907-B9N0PAYLPTUZ2B6OES6C/IMG_6848.jpg</image:loc>
      <image:title>Golden Hibiscus Award</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-ahilapalapa-rands</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652426273255-1RU5RCRZLMACZ2IOJJW8/HT22_Final+Install_Ahilapalapa+Rands_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5559.jpg</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Installation view: Ahilapalapa Rands, Lift Off, 2018, 3-channel animation, 3 mins, 15 secs (looped), Bishop Museum, HT22, Honolulu. Courtesy of Hawai‘i Contemporary and the artist. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652426330811-PLUW6JWB2U5HP1L36MB7/HT22_BTS_Ahilapalapa+Rands_Credit+Hawai%E2%80%98i+Contemporary+by+Miwako+Tezuka_9410.jpg</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Installation view: Ahilapalapa Rands, Lift Off, 2018, 3-channel animation, 3 mins, 15 secs (looped), Bishop Museum, HT22, Honolulu. Courtesy of Hawai‘i Contemporary and the artist. Photo: Miwako Tezuka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/9745ecc4-f315-4650-8077-b743a7f7100c/Headshot+by+Krist+Katherine+Bell.JPG</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Ahilapalapa Rands. Photo: Krist Katherine Bell. Ahilapalapa Rands is an independent curator and artist based in Aotearoa (New Zealand). Rands is driven to create and imagine alternative ways of creative practice. Her multidisciplinary style focuses on disrupting dominant social narrative and world views through collective action and collaboration. This is particularly informed by issues relevant to Indigenity and insvestifatine ways that settler colonisation has and continues to inform narratives and power dynamics in the Pacific. Rands has operated primarily in collectives and collaborative projects such as art collective D.A.N.C.E art club since 2008. While based in the UK in 2019, Rands co-founded In*ter*is*land Collective and is currently working on Moana Fresh Gallery and Shop. Rands has been a part of several exhibitions, including Transits and Returns at the Vancouver Art Gallery (2019), Into the Open at the Te Papa Arts Festival (2020) and Forecast at the Invisible Dust Online Events Programme (2021).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/9745ecc4-f315-4650-8077-b743a7f7100c/Headshot+by+Krist+Katherine+Bell.JPG</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Ahilapalapa Rands. Photo: Krist Katherine Bell. Ahilapalapa Rands is an independent curator and artist based in Aotearoa (New Zealand). Rands is driven to create and imagine alternative ways of creative practice. Her multidisciplinary style focuses on disrupting dominant social narrative and world views through collective action and collaboration. This is particularly informed by issues relevant to Indigenity and insvestifatine ways that settler colonisation has and continues to inform narratives and power dynamics in the Pacific. Rands has operated primarily in collectives and collaborative projects such as art collective D.A.N.C.E art club since 2008. While based in the UK in 2019, Rands co-founded In*ter*is*land Collective and is currently working on Moana Fresh Gallery and Shop. Rands has been a part of several exhibitions, including Transits and Returns at the Vancouver Art Gallery (2019), Into the Open at the Te Papa Arts Festival (2020) and Forecast at the Invisible Dust Online Events Programme (2021).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652426273255-1RU5RCRZLMACZ2IOJJW8/HT22_Final+Install_Ahilapalapa+Rands_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5559.jpg</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Installation view: Ahilapalapa Rands, Lift Off, 2018, 3-channel animation, 3 mins, 15 secs (looped), Bishop Museum, HT22, Honolulu. Courtesy of Hawai‘i Contemporary and the artist. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652426330811-PLUW6JWB2U5HP1L36MB7/HT22_BTS_Ahilapalapa+Rands_Credit+Hawai%E2%80%98i+Contemporary+by+Miwako+Tezuka_9410.jpg</image:loc>
      <image:title>Artist - Ahilapalapa Rands - Make it stand out</image:title>
      <image:caption>Installation view: Ahilapalapa Rands, Lift Off, 2018, 3-channel animation, 3 mins, 15 secs (looped), Bishop Museum, HT22, Honolulu. Courtesy of Hawai‘i Contemporary and the artist. Photo: Miwako Tezuka.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-beatriz-santiago-munoz</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652438652819-14UC6AHI0QYDB2WCLOUY/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7244.jpg</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz - Make it stand out</image:title>
      <image:caption>Installation views: Beatriz Santiago Muñoz, Ojos para mis enemigos, 2014, HD video, sound, 14 mins, 14 secs; Post-Military Cinema, 2014, HD video, sound, 11 mins; Black Beach/Horse/Camp/The Dead/Forces, 2016, digital black and white video transferred from 16 mm black and white film, silent, 8 mins; Otros Usos, 2014, digital color video transferred from 16 mm color film, sound, 7 mins; Royal Hawaiian Center, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651187807372-ZY94DLBDKZD6EI8IWXMR/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz - Make it stand out</image:title>
      <image:caption>» » Hear more about Beatriz Santiago Muñoz’s work in the Hawai‘i Loves Puerto Rico: Beatriz Santiago Muñoz episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652438552851-L2DC67AUGU25GATUA51E/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_288.jpg</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652438551157-VGPCQZ8YAFJGT0ZUHL6Q/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7243.jpg</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652438567068-BUQANEG4VII6ZCM2Y7SY/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7290.jpg</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652438579425-6SRN03FBLPH751OYH6ZP/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7331.jpg</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652438652819-14UC6AHI0QYDB2WCLOUY/HT22_Final+Install_Beatriz+Santiago+Mun%CC%83oz_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7244.jpg</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz - Make it stand out</image:title>
      <image:caption>Installation views: Beatriz Santiago Muñoz, Ojos para mis enemigos, 2014, HD video, sound, 14 mins, 14 secs; Post-Military Cinema, 2014, HD video, sound, 11 mins; Black Beach/Horse/Camp/The Dead/Forces, 2016, digital black and white video transferred from 16 mm black and white film, silent, 8 mins; Otros Usos, 2014, digital color video transferred from 16 mm color film, sound, 7 mins; Royal Hawaiian Center, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651187807372-ZY94DLBDKZD6EI8IWXMR/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - Beatriz  Santiago Muñoz - Make it stand out</image:title>
      <image:caption>» » Hear more about Beatriz Santiago Muñoz’s work in the Hawai‘i Loves Puerto Rico: Beatriz Santiago Muñoz episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-chikako-yamashiro</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652439517967-ETJOFF1AAHFOUM0SY9OA/Untitled-1.png</image:loc>
      <image:title>Artist - Chikako Yamashiro - Make it stand out</image:title>
      <image:caption>Installation views: Chikako Yamashiro, Mud Man, 2017 version, single-channel video and sound installation, 26 mins., Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1297f2fc-9a92-42e7-90f4-7ef318985096/chikako.jpeg</image:loc>
      <image:title>Artist - Chikako Yamashiro - Make it stand out</image:title>
      <image:caption>Chikako Yamashiro. Photo: Ryudai Takano. Chikako Yamashiro was born in 1976 in Okinawa, and works in Okinawa, Japan. By exploring marginalized voices in East Asia, her works have addressed the subject of identity, border between life and death and metabolism of historical memory. The geo-political situation and history of Okinawa, where she was born and raised, have given strong motivation and parameters in her artistic practice. Yamashiro has used photography and video for works using her body and other people's bodies because she believes that they can fuse the border between reality and imagination as well as generate multiple meanings between the image and the audience. Experimenting with different film making techniques, such as recycling of found footage, employing voice performance and using multi-channel screens, Yamashiro is continuously challenged to develop the potential of moving image and its performability.  Her recent exhibits include Image Narrative, Literature in Japanese Contemporary Art in 2019 at  the National Art Center in Tokyo, Japan and Kyoto Experiment 2018: Kyoto International Performing Arts Festival Mud Man in 2018 at the Kyoto Art Center in Kyoto, Japan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Chikako Yamashiro - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652439517967-ETJOFF1AAHFOUM0SY9OA/Untitled-1.png</image:loc>
      <image:title>Artist - Chikako Yamashiro - Make it stand out</image:title>
      <image:caption>Installation views: Chikako Yamashiro, Mud Man, 2017 version, single-channel video and sound installation, 26 mins., Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1297f2fc-9a92-42e7-90f4-7ef318985096/chikako.jpeg</image:loc>
      <image:title>Artist - Chikako Yamashiro - Make it stand out</image:title>
      <image:caption>Chikako Yamashiro. Photo: Ryudai Takano. Chikako Yamashiro was born in 1976 in Okinawa, and works in Okinawa, Japan. By exploring marginalized voices in East Asia, her works have addressed the subject of identity, border between life and death and metabolism of historical memory. The geo-political situation and history of Okinawa, where she was born and raised, have given strong motivation and parameters in her artistic practice. Yamashiro has used photography and video for works using her body and other people's bodies because she believes that they can fuse the border between reality and imagination as well as generate multiple meanings between the image and the audience. Experimenting with different film making techniques, such as recycling of found footage, employing voice performance and using multi-channel screens, Yamashiro is continuously challenged to develop the potential of moving image and its performability.  Her recent exhibits include Image Narrative, Literature in Japanese Contemporary Art in 2019 at  the National Art Center in Tokyo, Japan and Kyoto Experiment 2018: Kyoto International Performing Arts Festival Mud Man in 2018 at the Kyoto Art Center in Kyoto, Japan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-chitra-ganesh</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/3a5d788c-c549-4026-817d-987651826770/Chitra+Press+photo+credit+Margarita+Corporan.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh - Make it stand out</image:title>
      <image:caption>Chitra Ganesh. Photo: Margarita Corporan. Chitra Ganesh was born in Brooklyn, New York in 1975. Across a twenty-year practice, Chitra Ganesh has developed an expansive body of work rooted in drawing and painting, which has evolved to encompass animations, wall drawings, collages, computer generated imagery, video, and sculpture. Through studies in literature, semiotics, social theory, science fiction, and historical and mythic texts, Ganesh attempts to reconcile representations of femininity, sexuality, and power absent from the artistic and literary canons. She often draws on Hindu and Buddhist iconography and South Asian forms such as Kalighat and Madhubani, and is currently negotiating her relationship to these images with the rise of right wing fundamentalism India. Ganesh's work has been widely exhibited in the United States and internationally, including shows such as A city will share her secrets if you know how to ask: Queer Power Facade Commission, at the Leslie Lohman Museum, New York in 2020 and Sultana’s Dream at the Memorial Art Gallery and Museum of Rochester in 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652440335152-PLRUB31350EH59O0JGJX/HT22-Bishop5593-Pano_sm.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh - Make it stand out</image:title>
      <image:caption>Installation views: Chitra Ganesh, Before the War, 2021, digital animation, 3 mins, 50 secs. Animated by THESTUDIO NYC, music by Saul Williams; and Untitled/Kapa Moon, 2022, Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652440153758-H2MS8IDONSE1PJ8GS85M/HT22-Bishop5610_sm.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652440139882-QN00R1WA5R01D4FTEYN9/HT22-Bishop5611_sm.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652440145401-FOUIN43SG7KEDNW2W8F3/HT22-Bishop5624_sm.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652440257205-N43FWQHCP45FFRK96L4Y/HT22-Bishop5607_sm.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652440335152-PLRUB31350EH59O0JGJX/HT22-Bishop5593-Pano_sm.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh - Make it stand out</image:title>
      <image:caption>Installation views: Chitra Ganesh, Before the War, 2021, digital animation, 3 mins, 50 secs. Animated by THESTUDIO NYC, music by Saul Williams; and Untitled/Kapa Moon, 2022, Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Chitra Ganesh - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/3a5d788c-c549-4026-817d-987651826770/Chitra+Press+photo+credit+Margarita+Corporan.jpg</image:loc>
      <image:title>Artist - Chitra Ganesh - Make it stand out</image:title>
      <image:caption>Chitra Ganesh. Photo: Margarita Corporan. Chitra Ganesh was born in Brooklyn, New York in 1975. Across a twenty-year practice, Chitra Ganesh has developed an expansive body of work rooted in drawing and painting, which has evolved to encompass animations, wall drawings, collages, computer generated imagery, video, and sculpture. Through studies in literature, semiotics, social theory, science fiction, and historical and mythic texts, Ganesh attempts to reconcile representations of femininity, sexuality, and power absent from the artistic and literary canons. She often draws on Hindu and Buddhist iconography and South Asian forms such as Kalighat and Madhubani, and is currently negotiating her relationship to these images with the rise of right wing fundamentalism India. Ganesh's work has been widely exhibited in the United States and internationally, including shows such as A city will share her secrets if you know how to ask: Queer Power Facade Commission, at the Leslie Lohman Museum, New York in 2020 and Sultana’s Dream at the Memorial Art Gallery and Museum of Rochester in 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-dan-taulapapa-mcmullin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/337125dc-ff77-4df3-a17e-2c297cd6ce16/Dan+Taulapapa+McMullin+portrait+2019+photograph+by+Ulf+Skogsbergh.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin - Make it stand out</image:title>
      <image:caption>Dan Taulapapa McMullin (2019). Photo: Ulf Skogsbergh, Southhampton, New York. Dan Taulapapa McMullin is an artist and poet from Sāmoa i Sasa'e (Eastern Samoa, American Samoa) who identifies as Fa'afafine. Their book of collected poems Coconut Milk (University of Arizona Press, 2013) was on the American Library Association Rainbow List Top Ten Books of the Year. Samoan Queer Lives (2018), co-edited with Yuki Kihara, is a collection of Fa'afafine interview published by Little Island Press of Aotearoa-New Zealand. Their film Sinalela won the 2002 Honolulu Rainbow Film Festival Best Short Film Award. Taulapapa's art studio and writing practice is based in Hudson, New York, where they live with their partner. They are currently working on a graphic narrative on the queer history of Polynesia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652517945331-DVZ7GXLIEDSV0M90HQGV/HT22_Final+Install_Dan+Taulapapa+McMullin_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6885_sm.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin - Make it stand out</image:title>
      <image:caption>Installation views: Dan Taulapapa McMullin, Auē Away, 2016–22, mixed-media bodysuits with artificial leaves and flowers; Auē Away / ‘O Sina ma Le ‘Ulafala, 2022, single-channel video, 15 mins; and Seiana, 2022, acrylic and vinyl on digital photo-collage on canvas, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652517968783-PVCTO5HVTFB2KBLF6LDF/HT22_Final+Install_Dan+Taulapapa+McMullin_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6891_sm.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652517939785-JGMZ2N6NI341DRVGZGKX/20220419-HOMA-DanTaulapapaMcMullin7015_sm.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652517968191-N4E08E3FHR82QD5MXGKJ/HT22_Final+Install_Dan+Taulapapa+McMullin_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6895_crop.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/337125dc-ff77-4df3-a17e-2c297cd6ce16/Dan+Taulapapa+McMullin+portrait+2019+photograph+by+Ulf+Skogsbergh.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin - Make it stand out</image:title>
      <image:caption>Dan Taulapapa McMullin (2019). Photo: Ulf Skogsbergh, Southhampton, New York. Dan Taulapapa McMullin is an artist and poet from Sāmoa i Sasa'e (Eastern Samoa, American Samoa) who identifies as Fa'afafine. Their book of collected poems Coconut Milk (University of Arizona Press, 2013) was on the American Library Association Rainbow List Top Ten Books of the Year. Samoan Queer Lives (2018), co-edited with Yuki Kihara, is a collection of Fa'afafine interview published by Little Island Press of Aotearoa-New Zealand. Their film Sinalela won the 2002 Honolulu Rainbow Film Festival Best Short Film Award. Taulapapa's art studio and writing practice is based in Hudson, New York, where they live with their partner. They are currently working on a graphic narrative on the queer history of Polynesia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652517945331-DVZ7GXLIEDSV0M90HQGV/HT22_Final+Install_Dan+Taulapapa+McMullin_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6885_sm.jpg</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin - Make it stand out</image:title>
      <image:caption>Installation views: Dan Taulapapa McMullin, Auē Away, 2016–22, mixed-media bodysuits with artificial leaves and flowers; Auē Away / ‘O Sina ma Le ‘Ulafala, 2022, single-channel video, 15 mins; and Seiana, 2022, acrylic and vinyl on digital photo-collage on canvas, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Dan Taulapapa McMullin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-double-a-projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652524289603-HUEC32PO56GMK7BQ9UGS/HT22_Opening_Royal+Hawaiian+Center_Credit+Hawai%E2%80%98i+Contemporary+by+Kate+Wade_066.jpg</image:loc>
      <image:title>Artist - Double A Projects - Make it stand out</image:title>
      <image:caption>Installation views: Double A Projects (Athena Robles and Anna Stein), Global Free Store, 2022, public art project, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artists and Hawai‘i Contemporary. Photos: Miwako Tezuka, Lila Lee, and Kat Wade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/cd50406c-2b84-452c-a0a2-30bc8dc69a96/Anna+Stein+-+Portrait.jpg</image:loc>
      <image:title>Artist - Double A Projects - Make it stand out</image:title>
      <image:caption>Athena Robles and Anna Stein. Courtesy of the artists. Double A Projects Athena Robles and Anna Stein have collaborated since 2007, creating public art actions that use systems of exchange and resource-sharing to promote social change. In previous projects, these mechanisms brought groups together and identified resources for communities, as well as promoted generosity. For each project, the outreach and lead efforts to work in collaboration with area residents, local leaders and art organizations. Their models for exchange grew from their own experiences as artists, for whom bartering and sharing provide needed resources. They produce creative forums and actions, like a free store or a local currency exchange, to be adapted and used in other sectors and communities.  Projects include Memory Bank,Your Free GIF, Global Free Store, Counter Culture Cash, Idea Store and Project Micro-Float, which presented models of generous systems and launched a temporary local currency for Jamaica, Queens. In 2012, the organization Maryland Certified Public Accountants (MACPA) commissioned them to adapt their Idea Store for use at conferences and events. Idea Store MACPA was launched at the annual CPA Day in Annapolis, MD, when CPAs convene in the capital to meet with legislators.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652524024355-RRNO9A0QHVKW7BVBZ71C/Anna+Stein+%28l%29+Athena+Robles+%28r%29+_+Free+Store.jpg</image:loc>
      <image:title>Artist - Double A Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652524052308-ZC3338TFXSBLS2GYX8LB/HT22_BTS_Double+A+Projects_Credit+Hawai%27i+Contemporary+by+Miwako+Tezuka_001.jpg</image:loc>
      <image:title>Artist - Double A Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652524097309-8D67TQ4ERM0B41UH591D/HT22_BTS_Double+A+Projects_Photo+Kate+Wade++071.JPG</image:loc>
      <image:title>Artist - Double A Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652524103726-5SAXBELOC9XY7QQWXVG6/HT22_BTS_Double+A+Projects_Photo+Kate+Wade++076.JPG</image:loc>
      <image:title>Artist - Double A Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652524289603-HUEC32PO56GMK7BQ9UGS/HT22_Opening_Royal+Hawaiian+Center_Credit+Hawai%E2%80%98i+Contemporary+by+Kate+Wade_066.jpg</image:loc>
      <image:title>Artist - Double A Projects - Make it stand out</image:title>
      <image:caption>Installation views: Double A Projects (Athena Robles and Anna Stein), Global Free Store, 2022, public art project, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artists and Hawai‘i Contemporary. Photos: Miwako Tezuka, Lila Lee, and Kat Wade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Double A Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/cd50406c-2b84-452c-a0a2-30bc8dc69a96/Anna+Stein+-+Portrait.jpg</image:loc>
      <image:title>Artist - Double A Projects - Make it stand out</image:title>
      <image:caption>Athena Robles and Anna Stein. Courtesy of the artists. Double A Projects Athena Robles and Anna Stein have collaborated since 2007, creating public art actions that use systems of exchange and resource-sharing to promote social change. In previous projects, these mechanisms brought groups together and identified resources for communities, as well as promoted generosity. For each project, the outreach and lead efforts to work in collaboration with area residents, local leaders and art organizations. Their models for exchange grew from their own experiences as artists, for whom bartering and sharing provide needed resources. They produce creative forums and actions, like a free store or a local currency exchange, to be adapted and used in other sectors and communities.  Projects include Memory Bank,Your Free GIF, Global Free Store, Counter Culture Cash, Idea Store and Project Micro-Float, which presented models of generous systems and launched a temporary local currency for Jamaica, Queens. In 2012, the organization Maryland Certified Public Accountants (MACPA) commissioned them to adapt their Idea Store for use at conferences and events. Idea Store MACPA was launched at the annual CPA Day in Annapolis, MD, when CPAs convene in the capital to meet with legislators.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-eating-in-public</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525228566-NRL6KY1LKYJ8CXN4VZAW/EATING-IN-PUBLIC-Manoa.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC - Make it stand out</image:title>
      <image:caption>Installation views: EATING IN PUBLIC, Moveable Feast, 2022, foraged plant installations and cooking/tasting demonstrations, various locations on Oʻahu, HT22. Courtesy of the artists. Photos: Shirley Lam.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/611ee503-9d77-4fe8-951c-3179d602c6e0/headshot2.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC - Make it stand out</image:title>
      <image:caption>Gaye Chan, 2019. Photo: Rae Huo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525204838-GC9BMG80CMKEIDVKJVFD/EATING-IN-PUBLIC-Coconut-Grove.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525193035-74FI6V8W2MLVXV2CJC9N/EATING-IN-PUBLIC-harvesting-purslane.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525208007-YVIB57MOPPF60QY7L9Y8/EATING-IN-PUBLIC-ivy-gourd.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525211362-3U92EJA4SWSZ4AOMPW7M/EATING-IN-PUBLIC-weed-tags.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525289699-KK0Y6D02EL4BLKTZZC30/IMG_9053.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525241142-IHCB8Y7T4LL9PIRM2E1H/IMG_8985.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525315060-01TO54PFQ08IU4W569BG/IMG_9058-edited.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525261900-J303S9GRILGDB7KZW0MB/IMG_9039.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/611ee503-9d77-4fe8-951c-3179d602c6e0/headshot2.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC - Make it stand out</image:title>
      <image:caption>Gaye Chan, 2019. Photo: Rae Huo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - EATING IN PUBLIC - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652525228566-NRL6KY1LKYJ8CXN4VZAW/EATING-IN-PUBLIC-Manoa.jpg</image:loc>
      <image:title>Artist - EATING IN PUBLIC - Make it stand out</image:title>
      <image:caption>Installation views: EATING IN PUBLIC, Moveable Feast, 2022, foraged plant installations and cooking/tasting demonstrations, various locations on Oʻahu, HT22. Courtesy of the artists. Photos: Shirley Lam.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-ed-greevy-and-haunani-kay-trask</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651188299748-7MRHEH6NCLSLTFZB317X/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>» » Hear more about Haunani-Kay Trask in the Sensuality is Pacific: Haunani Kay Trask &amp; Kainani Kahaunaele episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c0f88760-477b-41a4-98d4-280e3ce0f795/Speech+on+the+Beach+1993.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Ed Greevy, Speech on the Beach, 1993, black and white photograph. Courtesy of the artist. © Ed Greevy. In July of 1993, President Bill Clinton visited Hawaiʻi and spoke at the Hilton Hawaiian Village hotel. Billed as the ‘Speech on the Beach’, the President’s visit galvanized Ka Lāhui Hawaiʻi members to organize a demonstration for Hawaiian sovereignty. At the time, Ka Lāhui was the largest, best organized sovereignty group, with close to 20,000 enrolled citizens. President Clinton, who later issued an official apology to Hawaiians for the 1893 American-backed overthrow of the Hawaiian Kingdom, played the liberal role of Native supporter all the while refusing to recognize Hawaiians as a nation. The protest made good copy for the President, but like his apology accomplished little for Hawaiians. — Haunani-Kay Trask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/8b520442-4ad7-4d95-9eba-330135d63997/Portrait+-+Ed+Greevy+-+circa+1968+by+Rick+Regan+in+Moiliili.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Ed Greevy. Portrait of Ed Greevy circa 1968, in Mo‘ili‘ili. Photo by Rick Regan. Ed Greevy was born in Los Angeles in 1939. He was a political science student at Long Beach State University when he first came to Hawaii in 1960. He began his photography career in 1962 as an aspiring surfer photographer, aiming to produce images that made viewers feel they were in the middle of the action. This creative impulse led Greevy to begin photographing protests, speeches and civil disobedience in the ‘70s, ‘80s, and ‘90s over the development of Hawaii’s beaches, displacement of local communities and discretion of Hawaiian culture would achieve the visual depth he searched for. Greevy started with Save our Surf where he documented the Kalama Valley protests, the Waiāhole-Waikāne struggle, and the Kahoʻolawe protests. Throughout his career he has taken an estimated 60,000 photographs. Greevy has taken part in several exhibitions, including Tree House in Honolulu (2018) and Kumu Kahua Theatre Performance in Honolulu (2019). Haunani-Kay Trask was a Hawaiian activist, educator, author, and poet. She served as leader of the Hawaiian sovereignty movement and was professor emeritus at the University of Hawaiʻi at Mānoa. Trask was a pivotal intellectual figure among Native Hawaiian people over the past four decades, demonstrating the importance of critical analysis and creativity to forging a more just future for Indigenous peoples. Her book From a Native Daughter: Colonialism and Sovereignty in Hawai’i (1993) remains a classic of Indigenous political thought. She was founding director of the School of Hawaiian Studies at the University of Hawai’i, (the only school of Indigenous studies at a research 1 institution in the U.S.) and founded Ka Lahui Hawai’i, the largest grassroots group in the Hawaiian sovereignty movement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652846545848-4I9423LYH0ECXRSEJAMT/HT22_Final+Install_Ed+Greevy+x+Haunani-Kay+Trask_Credit+Honolulu+Museum+of+Art_25.jpg</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Installation view: Ed Greevy and Haunani-Kay Trask, Selections from Kū‘ē: Thirty Years of Land Struggle in Hawai‘i (2004), 1971–1993, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651188299748-7MRHEH6NCLSLTFZB317X/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>» » Hear more about Haunani-Kay Trask in the Sensuality is Pacific: Haunani Kay Trask &amp; Kainani Kahaunaele episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c0f88760-477b-41a4-98d4-280e3ce0f795/Speech+on+the+Beach+1993.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Ed Greevy, Speech on the Beach, 1993, black and white photograph. Courtesy of the artist. © Ed Greevy. In July of 1993, President Bill Clinton visited Hawaiʻi and spoke at the Hilton Hawaiian Village hotel. Billed as the ‘Speech on the Beach’, the President’s visit galvanized Ka Lāhui Hawaiʻi members to organize a demonstration for Hawaiian sovereignty. At the time, Ka Lāhui was the largest, best organized sovereignty group, with close to 20,000 enrolled citizens. President Clinton, who later issued an official apology to Hawaiians for the 1893 American-backed overthrow of the Hawaiian Kingdom, played the liberal role of Native supporter all the while refusing to recognize Hawaiians as a nation. The protest made good copy for the President, but like his apology accomplished little for Hawaiians. — Haunani-Kay Trask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652846545848-4I9423LYH0ECXRSEJAMT/HT22_Final+Install_Ed+Greevy+x+Haunani-Kay+Trask_Credit+Honolulu+Museum+of+Art_25.jpg</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Installation view: Ed Greevy and Haunani-Kay Trask, Selections from Kū‘ē: Thirty Years of Land Struggle in Hawai‘i (2004), 1971–1993, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/8b520442-4ad7-4d95-9eba-330135d63997/Portrait+-+Ed+Greevy+-+circa+1968+by+Rick+Regan+in+Moiliili.png</image:loc>
      <image:title>Artist - Ed Greevy and Haunani-Kay Trask - Make it stand out</image:title>
      <image:caption>Ed Greevy. Portrait of Ed Greevy circa 1968, in Mo‘ili‘ili. Photo by Rick Regan. Ed Greevy was born in Los Angeles in 1939. He was a political science student at Long Beach State University when he first came to Hawaii in 1960. He began his photography career in 1962 as an aspiring surfer photographer, aiming to produce images that made viewers feel they were in the middle of the action. This creative impulse led Greevy to begin photographing protests, speeches and civil disobedience in the ‘70s, ‘80s, and ‘90s over the development of Hawaii’s beaches, displacement of local communities and discretion of Hawaiian culture would achieve the visual depth he searched for. Greevy started with Save our Surf where he documented the Kalama Valley protests, the Waiāhole-Waikāne struggle, and the Kahoʻolawe protests. Throughout his career he has taken an estimated 60,000 photographs. Greevy has taken part in several exhibitions, including Tree House in Honolulu (2018) and Kumu Kahua Theatre Performance in Honolulu (2019). Haunani-Kay Trask was a Hawaiian activist, educator, author, and poet. She served as leader of the Hawaiian sovereignty movement and was professor emeritus at the University of Hawaiʻi at Mānoa. Trask was a pivotal intellectual figure among Native Hawaiian people over the past four decades, demonstrating the importance of critical analysis and creativity to forging a more just future for Indigenous peoples. Her book From a Native Daughter: Colonialism and Sovereignty in Hawai’i (1993) remains a classic of Indigenous political thought. She was founding director of the School of Hawaiian Studies at the University of Hawai’i, (the only school of Indigenous studies at a research 1 institution in the U.S.) and founded Ka Lahui Hawai’i, the largest grassroots group in the Hawaiian sovereignty movement.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-gaku-tsutaja</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/aea2aa0d-5d58-4536-b0e4-fff099bd1feb/Gaku+Tsutaja+Portrait+trimmed.png</image:loc>
      <image:title>Artist - Gaku Tsutaja - Make it stand out</image:title>
      <image:caption>Gaku Tsutaja. Courtesy of the artist. Gaku Tsutaja is a Tokyo-born multimedia artist living and working in Queens, NY. Two disasters that struck Japan in 1995—the Great Hanshin Earthquake and the Tokyo subway sarin attack—influenced Tsutaja’s decision to make historical traumas the focus of her work. In 1998 Tsutaja moved to Fukuoka to participate in the Center for Contemporary Art Kitakyusyu (CCA) as a research fellow. At CCA, she formed the artist collective Gansomaeda. The collective’s satirical social projects were highly acclaimed, and the group was invited to participate in the Yokohama Triennale in 2005.  Tsutaja moved to New York in 2006, and this became the opportunity for her to develop her style of researching the histories of World War II and the post-war era in the two countries that she is deeply connected to, the U.S. and Japan. Recently she has been working with issues of nuclear weapons/reactors and the alien detention camps set up by the U.S. government during WWII. Tsutaja’s work has been exhibited at Missoula Art Museum (2020, solo); Ulterior Gallery (2020, solo), as well as many others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652891047746-73905DHNPY68HTWSSH26/HT22_Opening_Bishop+Museum_Credit+Bernice+Pauahi+Bishop+Museum+by+Kelli+Bullock+Hergert_4.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja - Make it stand out</image:title>
      <image:caption>Installation views: Gaku Tsutaja, ENOLA’S HEAD, 2021; The Eye, 2021; Daily Drawings – Spider’s Thread, 2020; and Musashi, 2021; Doctor, 2021, Plutonium Worker, 2021; Atomic Agency, 2021; Burned Girl, 2021; Daughter of Uranium Miner, 2021; Physicist, 2021; Activist, 2021; Downwinder, 2021; President, 2021; Uranium Miner, 2021; Zanpei, 2021; and Soldier, 2021; Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Kelli Bullock Hergert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652891047746-73905DHNPY68HTWSSH26/HT22_Opening_Bishop+Museum_Credit+Bernice+Pauahi+Bishop+Museum+by+Kelli+Bullock+Hergert_4.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja - Make it stand out</image:title>
      <image:caption>Installation views: Gaku Tsutaja, ENOLA’S HEAD, 2021; The Eye, 2021; Daily Drawings – Spider’s Thread, 2020; and Musashi, 2021; Doctor, 2021, Plutonium Worker, 2021; Atomic Agency, 2021; Burned Girl, 2021; Daughter of Uranium Miner, 2021; Physicist, 2021; Activist, 2021; Downwinder, 2021; President, 2021; Uranium Miner, 2021; Zanpei, 2021; and Soldier, 2021; Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Kelli Bullock Hergert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652855909804-J8V8QS1CJN2MGCJUP0SK/HT22_Bishop-GakuTsutaja_EnolasHead_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6686_sm.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652855910550-7X7EJX29KYUMO97UMVI6/HT22_Bishop-GakuTsutaja_EnolasHead_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6697_sm.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652855912809-HEXWJCYFYMJDIGU6BSR9/HT22_Bishop-GakuTsutaja_EnolasHead_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6702_sm.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652855923014-BRLW86Z8ZKUK60HDSORG/HT22_Bishop-GakuTsutaja_EnolasHead_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6728_sm.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652855923837-87IFXF58R24AG48A6GCS/HT22_Bishop-GakuTsutajaEnolasHead_Courtesy+Hawai%27i+Contemporary+Photo+Christopher+Rohrer_6672_sm.jpg</image:loc>
      <image:title>Artist - Gaku Tsutaja</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Gaku Tsutaja - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/aea2aa0d-5d58-4536-b0e4-fff099bd1feb/Gaku+Tsutaja+Portrait+trimmed.png</image:loc>
      <image:title>Artist - Gaku Tsutaja - Make it stand out</image:title>
      <image:caption>Gaku Tsutaja. Courtesy of the artist. Gaku Tsutaja is a Tokyo-born multimedia artist living and working in Queens, NY. Two disasters that struck Japan in 1995—the Great Hanshin Earthquake and the Tokyo subway sarin attack—influenced Tsutaja’s decision to make historical traumas the focus of her work. In 1998 Tsutaja moved to Fukuoka to participate in the Center for Contemporary Art Kitakyusyu (CCA) as a research fellow. At CCA, she formed the artist collective Gansomaeda. The collective’s satirical social projects were highly acclaimed, and the group was invited to participate in the Yokohama Triennale in 2005.  Tsutaja moved to New York in 2006, and this became the opportunity for her to develop her style of researching the histories of World War II and the post-war era in the two countries that she is deeply connected to, the U.S. and Japan. Recently she has been working with issues of nuclear weapons/reactors and the alien detention camps set up by the U.S. government during WWII. Tsutaja’s work has been exhibited at Missoula Art Museum (2020, solo); Ulterior Gallery (2020, solo), as well as many others.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-elepaio-press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/af90d486-484a-439d-a0af-8fcf72376157/Mark+Hamasaki+Portrait+credit+to+Kapulani+Landgraf.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press - Make it stand out</image:title>
      <image:caption>FROM TOP: Richard Hamasaki, 2020. Photo: Mark Hamasaki. Mark Hamasaki. Photo: Kapulani Landgraf. ‘Elepaio Press (1976–) was founded by Richard Hamasaki. After college, he returned to Honolulu and co-founded ʻElepaio Press and on a shoestring, independently published an art and literary journal Seaweeds and Constructions (1976–1984). In 2001, the University of Hawai‘i Press published Hamasaki’s collection of poetry, From the Spider Bone Diaries: Poems and Songs, first published by Kalamakū Press in 2000. In 2009, the University of Hawai‘i Press published Westlake, Poems by Wayne Kaumualii Westlake (1947–1984) that he co-edited with Westlake’s former partner, Mei-Li Siy. Westlake is now in its second printing.  In 2018, he was the Executive Producer of the 20-minute narrative film Down on the Sidewalk in Waikīkī, which was directed by one of his former students, filmmaker Justyn Ah Chong (Kamehameha Schools, Kapālama, c/o 2007). Inspired by Westlake’s poems, film director ʻĀina Paikai wrote the screenplay and was the principal actor in this award-winning film. He has been active in Hawai‘i’s literary arts, collaborating with poets, musicians, visual artists, photographers, filmmakers, teachers and scholars locally, regionally, and internationally for over 45 years. Mark has taught photography at Windward Community College since 1984. He is currently the photography professor at Windward Community College and is the Humanities Department Chairman. Together with Libby Young, retired Windward Community College journalism and English professor, Mark was named among The 10 Who Made a Difference in Hawai‘i. They were cited for their efforts to secure $12.5 million for Windward Community College’s Master Plan. He has exhibited and published his photographs and collaborative works locally, nationally and internationally. Mark lives in Ha‘ikū, O‘ahu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/bc80d616-c1af-4844-931c-d9ceea665edd/Richard+Hamasaki+%28Photo+Credit+Mark+Hamasaki%2C+2020%29.jpeg</image:loc>
      <image:title>Artist - ‘Elepaio Press - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/bc80d616-c1af-4844-931c-d9ceea665edd/Richard+Hamasaki+%28Photo+Credit+Mark+Hamasaki%2C+2020%29.jpeg</image:loc>
      <image:title>Artist - ‘Elepaio Press - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - ‘Elepaio Press - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848420864-OYW4A7H52H7J0AYC2F4Z/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6589_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848409457-Y1DS8R7YHA54FM74M9W8/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6552_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848391459-WW3Q40X2MWPJEV9FFTYQ/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6481_crop.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848413101-U3WPBPQZHKSV1AGOVPOY/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6556_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848399451-99KGDM06W618E67UHQ1I/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6545_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652849286621-P4D6G8GYAH7C5IHDEKSQ/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5826.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848419109-RNIZW048B8LNKDJLK8KL/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6580_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848400545-8SU4FZKURM7G7G6XQN4X/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6549_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652849300812-1NELO70CSV7L9BEXUSOA/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6616_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652848423903-Z6RZ697BM8JAN8O2ZL2Q/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6628_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652849317067-76OSHTN1VBUPX0G5S3J4/HT22_Super+Saturday_HiSAM_Credit+Hawai%E2%80%98i+Contemporary+by+Brandyn+Liu_19288+%281%29.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652849333871-BFMVGKAN5EH3HW2PQ29J/HT22_Final+Install_%CA%BBElepaio+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6497_sm.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/af90d486-484a-439d-a0af-8fcf72376157/Mark+Hamasaki+Portrait+credit+to+Kapulani+Landgraf.jpg</image:loc>
      <image:title>Artist - ‘Elepaio Press - Make it stand out</image:title>
      <image:caption>FROM TOP: Richard Hamasaki, 2020. Photo: Mark Hamasaki. Mark Hamasaki. Photo: Kapulani Landgraf. ‘Elepaio Press (1976–) was founded by Richard Hamasaki. After college, he returned to Honolulu and co-founded ʻElepaio Press and on a shoestring, independently published an art and literary journal Seaweeds and Constructions (1976–1984). In 2001, the University of Hawai‘i Press published Hamasaki’s collection of poetry, From the Spider Bone Diaries: Poems and Songs, first published by Kalamakū Press in 2000. In 2009, the University of Hawai‘i Press published Westlake, Poems by Wayne Kaumualii Westlake (1947–1984) that he co-edited with Westlake’s former partner, Mei-Li Siy. Westlake is now in its second printing.  In 2018, he was the Executive Producer of the 20-minute narrative film Down on the Sidewalk in Waikīkī, which was directed by one of his former students, filmmaker Justyn Ah Chong (Kamehameha Schools, Kapālama, c/o 2007). Inspired by Westlake’s poems, film director ʻĀina Paikai wrote the screenplay and was the principal actor in this award-winning film. He has been active in Hawai‘i’s literary arts, collaborating with poets, musicians, visual artists, photographers, filmmakers, teachers and scholars locally, regionally, and internationally for over 45 years. Mark has taught photography at Windward Community College since 1984. He is currently the photography professor at Windward Community College and is the Humanities Department Chairman. Together with Libby Young, retired Windward Community College journalism and English professor, Mark was named among The 10 Who Made a Difference in Hawai‘i. They were cited for their efforts to secure $12.5 million for Windward Community College’s Master Plan. He has exhibited and published his photographs and collaborative works locally, nationally and internationally. Mark lives in Ha‘ikū, O‘ahu.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-izumi-kato</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e67be809-9506-4ec7-ac96-9deccb1bdaca/Izumi+Kato_Portrait.png</image:loc>
      <image:title>Artist - Izumi Kato - Make it stand out</image:title>
      <image:caption>Izumi Kato. Photo: Guillaume Ziccarelli Izumi Kato was born in 1969 in Shimane, Japan. A graduate of the Department of Oil Painting at Musashino University in 1992, he now lives and works between Tokyo and Hong Kong. Since the late 1990s, Kato has been creating an evolving dialogue with his otherworldly yet anthropomorphized works in diverse mediums. With painting as a departure point, the artist began to incorporate wood sculptures in 2003 and soft vinyl sculptures in 2012 into his practice. Kato’s stone sculpture series which began in 2016 and the latest fabric series since 2018, depict the intimate connections between self, others and nature. In 2007, he was invited to the 52nd Venice Biennale International Exhibition, curated by Robert Storr. Kato's works have been exhibited in multiple prestigious museums and institutions, including Center Pompidou-Metz in France, the 21st Century Museum of Contemporary Art  in Kanazawa, Japan, and the Hara Museum of Contemporary Art in Tokyo, Japan, among many others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652880420237-RB66E7W5F0X1F2QJ7C9G/HT22-Bishop5775_sm.jpg</image:loc>
      <image:title>Artist - Izumi Kato - Make it stand out</image:title>
      <image:caption>Installation views: Izumi Kato, Untitled, 2021–22, Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Izumi Kato - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652880318395-W7D9MJYI84DXJHV18I5P/HT22-Bishop5748_sm.jpg</image:loc>
      <image:title>Artist - Izumi Kato</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652880325948-Q5ZBWZY295U0QTQPMIRW/HT22-Bishop5749_sm.jpg</image:loc>
      <image:title>Artist - Izumi Kato</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652880334176-A63W9EFBXYD7H1XTUDQY/HT22-Bishop5763_sm.jpg</image:loc>
      <image:title>Artist - Izumi Kato</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e67be809-9506-4ec7-ac96-9deccb1bdaca/Izumi+Kato_Portrait.png</image:loc>
      <image:title>Artist - Izumi Kato - Make it stand out</image:title>
      <image:caption>Izumi Kato. Photo: Guillaume Ziccarelli Izumi Kato was born in 1969 in Shimane, Japan. A graduate of the Department of Oil Painting at Musashino University in 1992, he now lives and works between Tokyo and Hong Kong. Since the late 1990s, Kato has been creating an evolving dialogue with his otherworldly yet anthropomorphized works in diverse mediums. With painting as a departure point, the artist began to incorporate wood sculptures in 2003 and soft vinyl sculptures in 2012 into his practice. Kato’s stone sculpture series which began in 2016 and the latest fabric series since 2018, depict the intimate connections between self, others and nature. In 2007, he was invited to the 52nd Venice Biennale International Exhibition, curated by Robert Storr. Kato's works have been exhibited in multiple prestigious museums and institutions, including Center Pompidou-Metz in France, the 21st Century Museum of Contemporary Art  in Kanazawa, Japan, and the Hara Museum of Contemporary Art in Tokyo, Japan, among many others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652880420237-RB66E7W5F0X1F2QJ7C9G/HT22-Bishop5775_sm.jpg</image:loc>
      <image:title>Artist - Izumi Kato - Make it stand out</image:title>
      <image:caption>Installation views: Izumi Kato, Untitled, 2021–22, Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-jamaica-heolimeleikalani</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/23ee3aed-41aa-45a6-b4ef-4183d96d0d5c/jamaica_photobyElizabethSato.png</image:loc>
      <image:title>Artist - Jamaica Heolimeleikalani - Make it stand out</image:title>
      <image:caption>Jamaica Heolimeleikalani Osorio. Photo: Elizabeth Sato. Jamaica Heolimeleikalani Osorio was born in Pālolo in 1990 and currently lives and works in Wahiawā. She is a Kanaka Maoli wahine artist, activist and scholar born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Heoli earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Heoli is an Assistant Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa.  Heoli is a three-time national poetry champion, poetry mentor, published author, and has shared her poetry throughout Oceania, on 5 of the 7 continents, and at the American Whitehouse by invitation of President Obama. She is a proud past Kaiāpuni student, Ford fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). Her book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Eais forthcoming with University of Minnesota Press in Fall 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Jamaica Heolimeleikalani - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/23ee3aed-41aa-45a6-b4ef-4183d96d0d5c/jamaica_photobyElizabethSato.png</image:loc>
      <image:title>Artist - Jamaica Heolimeleikalani - Make it stand out</image:title>
      <image:caption>Jamaica Heolimeleikalani Osorio. Photo: Elizabeth Sato. Jamaica Heolimeleikalani Osorio was born in Pālolo in 1990 and currently lives and works in Wahiawā. She is a Kanaka Maoli wahine artist, activist and scholar born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Heoli earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Heoli is an Assistant Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa.  Heoli is a three-time national poetry champion, poetry mentor, published author, and has shared her poetry throughout Oceania, on 5 of the 7 continents, and at the American Whitehouse by invitation of President Obama. She is a proud past Kaiāpuni student, Ford fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). Her book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Eais forthcoming with University of Minnesota Press in Fall 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-jennifer-steinkamp</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/a91766c9-62bf-403f-b470-eaeb141e5f34/steinkamp_from_the_future.png</image:loc>
      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Jennifer Steinkamp, From, the Future, 2020, LED display mounted in the ceiling of a porte-cochère, 7.62 x 4.48 x 7.77 m. The Cordish Companies, Baltimore, Maryland. Courtesy of the artist. © Jennifer Steinkamp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/622117af-4bb6-4c07-8751-ec15e4954769/Jennifer+Steinkamp_Queen+Liliuokalani+2022+HT22+installation+February+17+at+Iolani+Palace.jpg</image:loc>
      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Installation view: Jennifer Steinkamp, Queen Lili‘uokalani, 2022, digital animation, Iolani Palace, Honolulu, Hawai‘i Triennial 2022. Courtesy of the artist. © Jennifer Steinkamp. Photo: ‘Ōiwi TV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e17d8c02-41b1-427f-b247-aa80509790ba/Jennifer_Steinkamp_Nan_Coulter.png</image:loc>
      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Jennifer Steinkamp, 2019, Dallas Texas. Photo: Nan Coulter. Jennifer Steinkamp was born in Denver and is a Los Angeles based media and installation artist who works with video and new media in order to explore ideas about architectural space, motion, and perception. Steinkamp’s video animations explore nature, architecture, contemporary social issues, and the passage of time. Nature, twisted and changed through technology, is Steinkamp’s signature subject, and since the late 1980s the artist has produced a wide range of computer-generated realities. By manipulating existing computer code, primarily using the 3-D animation software, Steinkamp transforms architectural spaces with light, dematerializing walls and filling the constructed environment with hyperreal and, simultaneously, clearly artificial mimicry of organic forms. Steinkamp’s colorful moving images disorient and lull the viewer into a sense of calm—a world both familiar and foreign, real and virtual.  She has been the subject of numerous exhibitions at such venues as: The Hayward, London, MMCA, South Korea, and The Los Angeles County Museum of Art and many others and is also featured in many prominent public art collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Jennifer Steinkamp, 2019, Dallas Texas. Photo: Nan Coulter. Jennifer Steinkamp was born in Denver and is a Los Angeles based media and installation artist who works with video and new media in order to explore ideas about architectural space, motion, and perception. Steinkamp’s video animations explore nature, architecture, contemporary social issues, and the passage of time. Nature, twisted and changed through technology, is Steinkamp’s signature subject, and since the late 1980s the artist has produced a wide range of computer-generated realities. By manipulating existing computer code, primarily using the 3-D animation software, Steinkamp transforms architectural spaces with light, dematerializing walls and filling the constructed environment with hyperreal and, simultaneously, clearly artificial mimicry of organic forms. Steinkamp’s colorful moving images disorient and lull the viewer into a sense of calm—a world both familiar and foreign, real and virtual.  She has been the subject of numerous exhibitions at such venues as: The Hayward, London, MMCA, South Korea, and The Los Angeles County Museum of Art and many others and is also featured in many prominent public art collections.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/622117af-4bb6-4c07-8751-ec15e4954769/Jennifer+Steinkamp_Queen+Liliuokalani+2022+HT22+installation+February+17+at+Iolani+Palace.jpg</image:loc>
      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Installation view: Jennifer Steinkamp, Queen Lili‘uokalani, 2022, digital animation, Iolani Palace, Honolulu, Hawai‘i Triennial 2022. Courtesy of the artist. © Jennifer Steinkamp. Photo: ‘Ōiwi TV</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/a91766c9-62bf-403f-b470-eaeb141e5f34/steinkamp_from_the_future.png</image:loc>
      <image:title>Artist - Jennifer Steinkamp - Make it stand out</image:title>
      <image:caption>Jennifer Steinkamp, From, the Future, 2020, LED display mounted in the ceiling of a porte-cochère, 7.62 x 4.48 x 7.77 m. The Cordish Companies, Baltimore, Maryland. Courtesy of the artist. © Jennifer Steinkamp.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-justine-youssef</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652885215416-IQFY77ED606KYTRWIT7H/TRIENNIAL+2022+CLOSING+056_crop.jpg</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>HT22 Closing Weekend: Artist Talk with HT22 associate curator Miwako Tezuka (left) and Justine Youssef (right), Royal Hawaiian Center, HT22, Waikīkī, May 8, 2022. Photo: Kat Wade.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1645167795501-D53SOSKV4RTKBSSYC06V/2022_0217+Justine+Youssef_headshot_updated_sm.jpg</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>Justine Youssef. Photo: Hyun Lee. Justine Youssef works across mediums from scent to video, having recently exhibited Under the table I learnt how to feed you at the Museum of Contemporary Art, Sydney (2022); Lovesick Puppy with Utp (2021); and All Blessings, All Curses at 4A Centre for Contemporary Asian Art, Sydney (2018). They have exhibited widely, with spaces such as CARPARK, Brisbane (2021); PHOTO 2020, Melbourne (2020); and Salamanca Arts Centre, Hobart (2020). Their work has been published with IchikawaEdward &amp; no more poetry, Cordite Poetry Review, and 4A Papers, among others. They live across unceded Wangal and Dharug Lands in Sydney, Australia, where they were a Parramatta Artist Studios resident from 2019-2021 and the 2019 recipient of the Copyright Agency’s John Fries Award. They were co-director at Firstdraft, co-founded the artist-run space Pari, and have organized various educational programs for the National Association for the Visual Arts. With the toughest care, The most economical tenderness was created for the Hawai‘i Triennial 2022, and marks Youssef’s first work made in response to a site they have never visited overseas.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644507709434-0YHWX4RAV69BX625Y1WG/JYoussef_ht22.jpg</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>Justine Youssef, With the toughest care, The most economical tenderness, 2022, wall decal, website, mailing boxes, scented oil, and scent cards. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652885215416-IQFY77ED606KYTRWIT7H/TRIENNIAL+2022+CLOSING+056_crop.jpg</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>HT22 Closing Weekend: Artist Talk with HT22 associate curator Miwako Tezuka (left) and Justine Youssef (right), Royal Hawaiian Center, HT22, Waikīkī, May 8, 2022. Photo: Kat Wade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1645167795501-D53SOSKV4RTKBSSYC06V/2022_0217+Justine+Youssef_headshot_updated_sm.jpg</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>Justine Youssef. Photo: Hyun Lee. Justine Youssef works across mediums from scent to video, having recently exhibited Under the table I learnt how to feed you at the Museum of Contemporary Art, Sydney (2022); Lovesick Puppy with Utp (2021); and All Blessings, All Curses at 4A Centre for Contemporary Asian Art, Sydney (2018). They have exhibited widely, with spaces such as CARPARK, Brisbane (2021); PHOTO 2020, Melbourne (2020); and Salamanca Arts Centre, Hobart (2020). Their work has been published with IchikawaEdward &amp; no more poetry, Cordite Poetry Review, and 4A Papers, among others. They live across unceded Wangal and Dharug Lands in Sydney, Australia, where they were a Parramatta Artist Studios resident from 2019-2021 and the 2019 recipient of the Copyright Agency’s John Fries Award. They were co-director at Firstdraft, co-founded the artist-run space Pari, and have organized various educational programs for the National Association for the Visual Arts. With the toughest care, The most economical tenderness was created for the Hawai‘i Triennial 2022, and marks Youssef’s first work made in response to a site they have never visited overseas.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644507709434-0YHWX4RAV69BX625Y1WG/JYoussef_ht22.jpg</image:loc>
      <image:title>Artist - Justine Youssef - Make it stand out</image:title>
      <image:caption>Justine Youssef, With the toughest care, The most economical tenderness, 2022, wall decal, website, mailing boxes, scented oil, and scent cards. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-karrabing-film-collective</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652886989822-QATERVKKA21EDQV3J15Y/20220331-Bishop-Karrabing6765_sm.jpg</image:loc>
      <image:title>Artist - Karrabing Film Collective - Make it stand out</image:title>
      <image:caption>Installation views: Karrabing Film Collective at Bishop Museum, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644496438655-RITYEBULQUVMVRU5HYOK/TheMermaids%28HazmatJojo%29.png</image:loc>
      <image:title>Artist - Karrabing Film Collective - Make it stand out</image:title>
      <image:caption>Karrabing Film Collective, Mermaids, or Aiden in Wonderland (still), 2018, HD video, color, sound, 26 mins, 29 secs. Courtesy of the artists. © Karrabing Film Collective. Karrabing Film Collective is based in Australia’ s Northern Territories and is an Indigenous media group whose work exists in a distinctive space between artists’  film, activism, narrative cinema and grassroots self-representation. Consisting of approximately 30 members—predominantly living in the Belyuen community—the collective approaches filmmaking as a form of critical resistance and self-organization. Australia’ s Northwest Territory government’ s Emergency Response intervention led to measures that have enabled police to enter Indigenous homes at will, drastically increased Indigenous incarceration for minor offenses, lead to cuts in social welfare and pressured clans to open their land to mining corporations. These issues, among others, come intoKarrabing’ s films, appearing through a method the group calls “improvisational realism” that creates a space both between and beyond documentary and fiction. Karrabing means “tide out” in the Emmiyengal language and refers to the northwest coastline of Australia that connects the members of the collective. The Karrabing Film Collective uses film to analyze contemporary settler colonialism and through these depictions challenge its grip. In the shadow of Third Cinema and Theater of the Oppressed, Karrabing is creating a new model for Indigenous filmmaking and activism. Karrabing Film Collective Cameron Bianamu, Gavin Bianamu, Ricky Bianamu, Sheree Bianamu, Telish Bianamu, Trevor Bianamu, Danielle Bigfoot, Kelvin Bigfoot, Rex Edmunds, Claudette Gordon, Ryan Gordon, Claude Holtze, Ethan Jorrock, Marcus Jorrock, Melissa Jorrock, Reggie Jorrock, Patsy Anne Jorrock, Daryl Lane, Lorraine Lane, Robyn Lane, Angelina Lewis, Cecilia Lewis, Katrina Lewis, Marcia Lewis, Natasha Lewis, Elizabeth A. Povinelli, Quentin Shields, Aiden Sing, Kieran Sing, Shannon Sing, Rex Sing, Daphne Yarrowin, Linda Yarrowin, and Sandra Yarrowin. In Memory, Roger Yarrowin and Alice Wainbirri.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652886989822-QATERVKKA21EDQV3J15Y/20220331-Bishop-Karrabing6765_sm.jpg</image:loc>
      <image:title>Artist - Karrabing Film Collective - Make it stand out</image:title>
      <image:caption>Installation views: Karrabing Film Collective at Bishop Museum, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644496438655-RITYEBULQUVMVRU5HYOK/TheMermaids%28HazmatJojo%29.png</image:loc>
      <image:title>Artist - Karrabing Film Collective - Make it stand out</image:title>
      <image:caption>Karrabing Film Collective, Mermaids, or Aiden in Wonderland (still), 2018, HD video, color, sound, 26 mins, 29 secs. Courtesy of the artists. © Karrabing Film Collective. Karrabing Film Collective is based in Australia’ s Northern Territories and is an Indigenous media group whose work exists in a distinctive space between artists’  film, activism, narrative cinema and grassroots self-representation. Consisting of approximately 30 members—predominantly living in the Belyuen community—the collective approaches filmmaking as a form of critical resistance and self-organization. Australia’ s Northwest Territory government’ s Emergency Response intervention led to measures that have enabled police to enter Indigenous homes at will, drastically increased Indigenous incarceration for minor offenses, lead to cuts in social welfare and pressured clans to open their land to mining corporations. These issues, among others, come intoKarrabing’ s films, appearing through a method the group calls “improvisational realism” that creates a space both between and beyond documentary and fiction. Karrabing means “tide out” in the Emmiyengal language and refers to the northwest coastline of Australia that connects the members of the collective. The Karrabing Film Collective uses film to analyze contemporary settler colonialism and through these depictions challenge its grip. In the shadow of Third Cinema and Theater of the Oppressed, Karrabing is creating a new model for Indigenous filmmaking and activism. Karrabing Film Collective Cameron Bianamu, Gavin Bianamu, Ricky Bianamu, Sheree Bianamu, Telish Bianamu, Trevor Bianamu, Danielle Bigfoot, Kelvin Bigfoot, Rex Edmunds, Claudette Gordon, Ryan Gordon, Claude Holtze, Ethan Jorrock, Marcus Jorrock, Melissa Jorrock, Reggie Jorrock, Patsy Anne Jorrock, Daryl Lane, Lorraine Lane, Robyn Lane, Angelina Lewis, Cecilia Lewis, Katrina Lewis, Marcia Lewis, Natasha Lewis, Elizabeth A. Povinelli, Quentin Shields, Aiden Sing, Kieran Sing, Shannon Sing, Rex Sing, Daphne Yarrowin, Linda Yarrowin, and Sandra Yarrowin. In Memory, Roger Yarrowin and Alice Wainbirri.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652886641623-7MXFO4J6II6CB9DUEXU2/HT22_Final+Install_Karrabing+Film+Collective_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5529_sm.jpg</image:loc>
      <image:title>Artist - Karrabing Film Collective</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652886641051-2IB2C5PVFU51KGN2FEYL/HT22_Final+Install_Karrabing+Film+Collective_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5546_sm.jpg</image:loc>
      <image:title>Artist - Karrabing Film Collective</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652886653510-Z0JSQGHEEJDXM4DA7VZJ/HT22_Final+Install_Karrabing+Film+Collective_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5567_sm.jpg</image:loc>
      <image:title>Artist - Karrabing Film Collective</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652886653955-G5VEFSU0JJSMLLPOPYE3/HT22_Final+Install_Karrabing+Film+Collective_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5568_sm.jpg</image:loc>
      <image:title>Artist - Karrabing Film Collective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Karrabing Film Collective - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-leeroy-new</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73dbdee0-483f-4f87-a609-c2673f455d9e/IMG_0409.png</image:loc>
      <image:title>Artist - Leeroy New - Make it stand out</image:title>
      <image:caption>Leeroy New. Courtesy of the artist. Leeroy New is a Manila-based multidisciplinary artist whose practice overlaps and intersects with diﬀerent creative industries: fashion, filmmaking, theater, public installations, product design, and performance. This inclination to harness different modes of creative production has become the spine of his practice driven by concepts of world building, myth-making and social change. Leeroy has worked on immersive, psychedelic, and arresting installations all over: New York, Paris, L.A., Singapore, Japan, Taipei, Sydney, Thailand, Belgium. Among his most notable collaborations and projects: he made a sculpted silicone bustier for Lady Gaga that appears in the "Marry the Night" music video; had a solo show at Pintô International in New York in March 2019 that was featured on Artnews, Artnet, Brooklyn Rail, amongst others; exhibited at PDNE at the NoMad Hotel in Los Angeles in May 2019; exhibited at the Palais de Tokyo in Paris in June 2019; was part of the Singapore Biennale 2008 and Fukuoka Asian Art Triennale 2009; was recipient of the CCP 13 Artist Award in 2012, Ateneo Art Awards 2008, and Asian Cultural Council residency in New York in 2015. This year Leeroy has been selected as one the artists to create an installation for the next Burning Man festival in Nevada, USA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649467236818-YDKOZVEQC8DNMPD2COZS/HT22_Leeroy-New_photo-Christopher-Rohrer.jpg</image:loc>
      <image:title>Artist - Leeroy New - Make it stand out</image:title>
      <image:caption>Installation views: Leeroy New, Balete, 2022, collected plastic bottles, bamboo, abaca rope, and assorted found objects, and Taklobo, 2022, donated surfboards, bamboo, wooden base, abaca rope, GI wire, and paint, Foster Botanical Garden, HT22, Honolulu. © Leeroy New. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Leeroy New - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652961178870-LVOAKQM005B6TB9VS6NW/HT22_Final+Install_Leeroy+New_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3862_sm.jpg</image:loc>
      <image:title>Artist - Leeroy New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652961169267-AJTOD1ZO1HDVZSTQFJU1/HT22_Final+Install_Leeroy+New_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3837_sm.jpg</image:loc>
      <image:title>Artist - Leeroy New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652961160812-4M0M1ADS2NOBQW7QPL21/HT22_Final+Install_Leeroy+New_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3851_sm.jpg</image:loc>
      <image:title>Artist - Leeroy New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652961186415-T9E7Z4YQV5JXFUYDIO7U/HT22_Final+Install_Leeroy+New_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_0897_sm.jpg</image:loc>
      <image:title>Artist - Leeroy New</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73dbdee0-483f-4f87-a609-c2673f455d9e/IMG_0409.png</image:loc>
      <image:title>Artist - Leeroy New - Make it stand out</image:title>
      <image:caption>Leeroy New. Courtesy of the artist. Leeroy New is a Manila-based multidisciplinary artist whose practice overlaps and intersects with diﬀerent creative industries: fashion, filmmaking, theater, public installations, product design, and performance. This inclination to harness different modes of creative production has become the spine of his practice driven by concepts of world building, myth-making and social change. Leeroy has worked on immersive, psychedelic, and arresting installations all over: New York, Paris, L.A., Singapore, Japan, Taipei, Sydney, Thailand, Belgium. Among his most notable collaborations and projects: he made a sculpted silicone bustier for Lady Gaga that appears in the "Marry the Night" music video; had a solo show at Pintô International in New York in March 2019 that was featured on Artnews, Artnet, Brooklyn Rail, amongst others; exhibited at PDNE at the NoMad Hotel in Los Angeles in May 2019; exhibited at the Palais de Tokyo in Paris in June 2019; was part of the Singapore Biennale 2008 and Fukuoka Asian Art Triennale 2009; was recipient of the CCP 13 Artist Award in 2012, Ateneo Art Awards 2008, and Asian Cultural Council residency in New York in 2015. This year Leeroy has been selected as one the artists to create an installation for the next Burning Man festival in Nevada, USA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1649467236818-YDKOZVEQC8DNMPD2COZS/HT22_Leeroy-New_photo-Christopher-Rohrer.jpg</image:loc>
      <image:title>Artist - Leeroy New - Make it stand out</image:title>
      <image:caption>Installation views: Leeroy New, Balete, 2022, collected plastic bottles, bamboo, abaca rope, and assorted found objects, and Taklobo, 2022, donated surfboards, bamboo, wooden base, abaca rope, GI wire, and paint, Foster Botanical Garden, HT22, Honolulu. © Leeroy New. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-liu-xiaodong</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644503190879-2R2IPZMY9P59V3V68V6A/XIAO200049_web.jpg</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Liu Xiaodong, At my Doorstep 2020.6.1, 2020, watercolor on paper, 26 x 36 cm. Courtesy of Lisson Gallery. © Liu Xiaodong.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652962388795-RGAICG0R8PIZQE2Y26PI/HT22_Final+Install_Liu+Xiaodong_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6919_sm.jpg</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Installation view: Liu Xiaodong at Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c8f32c2a-0964-47c9-9583-2510a6fc3bac/%E9%AD%8F%E5%85%B5%E6%8B%8D%E6%91%84+photo+by+Wei+Bing.png</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Liu Xiaodong. Photo: Wei Bing Liu Xiaodong is a painter of modern life, whose large-scale works serve as a kind of history painting for the emerging world. Liu locates the human dimension to such global issues as population displacement, environmental crisis and economic upheaval, but through carefully orchestrated compositions, he walks the line between artifice and reality. A leading figure among the Chinese Neo-Realist painters to emerge in the 1990s, his adherence to figurative painting amounts to a conceptual stance within a contemporary art context where photographic media dominate. His undertaking ‘to see people as they really are’ was galvanised in the aftermath of 1989 events and, alert to the legacy of Chinese Socialist Realism, his compositions are painted with loose, casual brushstrokes and layered with meaning. Xiaodong lives and works in Beijing but has undertaken projects in Tibet, Japan, Italy, the UK, Cuba and Austria, and closer to home, in Jincheng, in the north-eastern province of Liaoning, China, where he was born in 1963. His work has been the subject of numerous solo exhibitions at venues including Louisiana Museum of Modern Art, Humlebaek, Denmark (2019), NRW-Forum &amp; Kunsthalle Düsseldorf, Düsseldorf, Germany (2018); Chronus Art Centre, Shanghai, China (2016) and many others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c8f32c2a-0964-47c9-9583-2510a6fc3bac/%E9%AD%8F%E5%85%B5%E6%8B%8D%E6%91%84+photo+by+Wei+Bing.png</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Liu Xiaodong. Photo: Wei Bing Liu Xiaodong is a painter of modern life, whose large-scale works serve as a kind of history painting for the emerging world. Liu locates the human dimension to such global issues as population displacement, environmental crisis and economic upheaval, but through carefully orchestrated compositions, he walks the line between artifice and reality. A leading figure among the Chinese Neo-Realist painters to emerge in the 1990s, his adherence to figurative painting amounts to a conceptual stance within a contemporary art context where photographic media dominate. His undertaking ‘to see people as they really are’ was galvanised in the aftermath of 1989 events and, alert to the legacy of Chinese Socialist Realism, his compositions are painted with loose, casual brushstrokes and layered with meaning. Xiaodong lives and works in Beijing but has undertaken projects in Tibet, Japan, Italy, the UK, Cuba and Austria, and closer to home, in Jincheng, in the north-eastern province of Liaoning, China, where he was born in 1963. His work has been the subject of numerous solo exhibitions at venues including Louisiana Museum of Modern Art, Humlebaek, Denmark (2019), NRW-Forum &amp; Kunsthalle Düsseldorf, Düsseldorf, Germany (2018); Chronus Art Centre, Shanghai, China (2016) and many others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644503190879-2R2IPZMY9P59V3V68V6A/XIAO200049_web.jpg</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Liu Xiaodong, At my Doorstep 2020.6.1, 2020, watercolor on paper, 26 x 36 cm. Courtesy of Lisson Gallery. © Liu Xiaodong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652962388795-RGAICG0R8PIZQE2Y26PI/HT22_Final+Install_Liu+Xiaodong_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6919_sm.jpg</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Installation view: Liu Xiaodong at Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Liu Xiaodong - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-masanori-handa</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652973360538-W8FIU4R579DZZRAFVZVR/HT22_Masanori-Handa.jpg</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Masanori Handa, 127 Scenes (details), 2022, single-channel videos on 4 monitors, 6 hours each, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652973560181-EKQURKTK9I4D6BD0WZ1N/HT22_Final+Install_Masanori+Handa_Courtesy+of+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_7103_sm.jpg</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Installation views, Honolulu Museum of Art, HT22.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e10f634b-d99d-487b-87ac-8deece37a307/Masanori+Handa_Portrait.png</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Masanori Handa. Courtesy of the artist. Masanori Handa’s world is one of playful, impressionistic, yet nonetheless contemplative experimentation. Fleeting encounters and occurrences often give vital momentum to his practice. Sites, scenery, and urban phenomena are the loci at which incidents are recorded and vividly remembered by Handa. His unique approach results in a variety of large installations and sculptures. Born in Kanagawa, Japan in 1979 his works have been shown at the Art House Project, Setouchi Triennale, Okayama (2019-), the Art Tower Mito, Ibaraki ( 2007) and the Echigo-Tsumari Art Triennale, Niigata (2006). In 2009, Hand was selected to be a part of the prestigious "Rolex Art Initiative Mentor and Protégé" program where he was mentored by Rebecca Horn, an accomplished German installation artist and film director. Subsequently, he participated in notable group exhibitions,workshops and site-specific projects at the National Museum of Art, Osaka (2011), the Hara Museum, Tokyo (2009), the Edoardo Chiossone Museum, Genoa (2009) and the TATE Modern, London (2009).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652973562425-SYOV61MT5D9TWZW1NKYB/HT22_Final+Install_Masanori+Handa_Courtesy+of+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_7059_sm.jpg</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652973360538-W8FIU4R579DZZRAFVZVR/HT22_Masanori-Handa.jpg</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Masanori Handa, 127 Scenes (details), 2022, single-channel videos on 4 monitors, 6 hours each, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652973562425-SYOV61MT5D9TWZW1NKYB/HT22_Final+Install_Masanori+Handa_Courtesy+of+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_7059_sm.jpg</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652973560181-EKQURKTK9I4D6BD0WZ1N/HT22_Final+Install_Masanori+Handa_Courtesy+of+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_7103_sm.jpg</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Installation views, Honolulu Museum of Art, HT22.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e10f634b-d99d-487b-87ac-8deece37a307/Masanori+Handa_Portrait.png</image:loc>
      <image:title>Artist - Masanori Handa - Make it stand out</image:title>
      <image:caption>Masanori Handa. Courtesy of the artist. Masanori Handa’s world is one of playful, impressionistic, yet nonetheless contemplative experimentation. Fleeting encounters and occurrences often give vital momentum to his practice. Sites, scenery, and urban phenomena are the loci at which incidents are recorded and vividly remembered by Handa. His unique approach results in a variety of large installations and sculptures. Born in Kanagawa, Japan in 1979 his works have been shown at the Art House Project, Setouchi Triennale, Okayama (2019-), the Art Tower Mito, Ibaraki ( 2007) and the Echigo-Tsumari Art Triennale, Niigata (2006). In 2009, Hand was selected to be a part of the prestigious "Rolex Art Initiative Mentor and Protégé" program where he was mentored by Rebecca Horn, an accomplished German installation artist and film director. Subsequently, he participated in notable group exhibitions,workshops and site-specific projects at the National Museum of Art, Osaka (2011), the Hara Museum, Tokyo (2009), the Edoardo Chiossone Museum, Genoa (2009) and the TATE Modern, London (2009).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-me</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653016972545-HF2IIVLYBOMM74A54YKT/HT22_Final+Install_%E7%9B%AE%5Bme%CC%81%5D_.jpg</image:loc>
      <image:title>Artist - mé - Make it stand out</image:title>
      <image:caption>Installation views: 目[mé], matter α #Ⅰ, matter α #ⅠⅠ, matter β #Ⅰ, and matter β #ⅠⅠ, 2021, cast stone, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/0640be7c-fc30-4760-ae78-2fd76fd6567c/Me_photo+by+Goto+Takehiro.png</image:loc>
      <image:title>Artist - mé - Make it stand out</image:title>
      <image:caption>FROM LEFT: Kenji Minamigawa, Haruka Kojin, Hirofumi Masui. Photo: Goto Takehiro. 目[mé] is a Japanese art collective/team project with three core members, artist Haruka Kojin, director Kenji Minamigawa, and production manager Hirofumi Masui. Mé works on the realization of artworks that manipulate perceptions of the physical world. Their installations provoke awareness of the inherent unreliability and uncertainty in the world around us. Haruka Kojin is an artist in mé born in Hiroshima in 1983. She has exhibited her installations in São Paulo Museum of Modern Art, Japan Society, Centre Pompidou-Metz and other international venues, as well as in Japan. Kenji Minamigawa was born in Osaka in 1979, and is the Director of mé. Minamigawa launched an art project team wah document in 2006. He has also had several projects in Rotterdam, Hong Kong and other international venues, as well as in Japan. Hirofumi Masui was born in Shiga in 1980 and is the Production Manager of mé. He has been an active member of the wah document since 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - mé - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/0640be7c-fc30-4760-ae78-2fd76fd6567c/Me_photo+by+Goto+Takehiro.png</image:loc>
      <image:title>Artist - mé - Make it stand out</image:title>
      <image:caption>FROM LEFT: Kenji Minamigawa, Haruka Kojin, Hirofumi Masui. Photo: Goto Takehiro. 目[mé] is a Japanese art collective/team project with three core members, artist Haruka Kojin, director Kenji Minamigawa, and production manager Hirofumi Masui. Mé works on the realization of artworks that manipulate perceptions of the physical world. Their installations provoke awareness of the inherent unreliability and uncertainty in the world around us. Haruka Kojin is an artist in mé born in Hiroshima in 1983. She has exhibited her installations in São Paulo Museum of Modern Art, Japan Society, Centre Pompidou-Metz and other international venues, as well as in Japan. Kenji Minamigawa was born in Osaka in 1979, and is the Director of mé. Minamigawa launched an art project team wah document in 2006. He has also had several projects in Rotterdam, Hong Kong and other international venues, as well as in Japan. Hirofumi Masui was born in Shiga in 1980 and is the Production Manager of mé. He has been an active member of the wah document since 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653016972545-HF2IIVLYBOMM74A54YKT/HT22_Final+Install_%E7%9B%AE%5Bme%CC%81%5D_.jpg</image:loc>
      <image:title>Artist - mé - Make it stand out</image:title>
      <image:caption>Installation views: 目[mé], matter α #Ⅰ, matter α #ⅠⅠ, matter β #Ⅰ, and matter β #ⅠⅠ, 2021, cast stone, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-miao-ying</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/0dc7551a-1d5a-4089-bae4-141467296b77/Miao+Ying+-+5-2.jpg</image:loc>
      <image:title>Artist - Miao Ying - Make it stand out</image:title>
      <image:caption>Miao Ying. Courtesy of the artist. Miao Ying is the first generation of Chinese contemporary artists who grew up with the internet, one-child policy, Chinese economic reform and education in both China and the west. She is best known for her projects and writings around the Chinese internet online culture and her Stockholm Syndrome in relation to Authoritarianism. Her practice juxtapose the western technology and ideologies with contemporary China, highlights the modes politics, aesthetics and consciousness created during their presentation of reality through technology. Her works inhabit multiple forms including websites, machine learning softwares, VR, installations, paintings, etc.  She is based in New York and Shanghai. Her most recent solo exhibitions include: Pilgrimage into Walden XII, (OVR: Pioneers, Art Basel, 2021), Hardcore Digital De-tox, (M+Museum, Hong Kong, 2018), Miao Ying: Chinternet Plus, (New Museum, New York, 2016), and Holding a Kitchen Knife to Cut the Internet Cable (Chinese Pavilion,Venice Biennale, 2015). She is the winner of Porsche Young Chinese Artist of the year 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653019421837-2DK5HGZGMFHTYBQNLSRC/HT22_Final+Install_Miao+Ying_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7169.jpg</image:loc>
      <image:title>Artist - Miao Ying - Make it stand out</image:title>
      <image:caption>Installation views: Miao Ying, Hardcore Digital Detox, 2018, mixed-media installation (live VR, shacks), VR duration: 7 mins, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/0dc7551a-1d5a-4089-bae4-141467296b77/Miao+Ying+-+5-2.jpg</image:loc>
      <image:title>Artist - Miao Ying - Make it stand out</image:title>
      <image:caption>Miao Ying. Courtesy of the artist. Miao Ying is the first generation of Chinese contemporary artists who grew up with the internet, one-child policy, Chinese economic reform and education in both China and the west. She is best known for her projects and writings around the Chinese internet online culture and her Stockholm Syndrome in relation to Authoritarianism. Her practice juxtapose the western technology and ideologies with contemporary China, highlights the modes politics, aesthetics and consciousness created during their presentation of reality through technology. Her works inhabit multiple forms including websites, machine learning softwares, VR, installations, paintings, etc.  She is based in New York and Shanghai. Her most recent solo exhibitions include: Pilgrimage into Walden XII, (OVR: Pioneers, Art Basel, 2021), Hardcore Digital De-tox, (M+Museum, Hong Kong, 2018), Miao Ying: Chinternet Plus, (New Museum, New York, 2016), and Holding a Kitchen Knife to Cut the Internet Cable (Chinese Pavilion,Venice Biennale, 2015). She is the winner of Porsche Young Chinese Artist of the year 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Miao Ying - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653019136306-VTZI8P08R17WCPAO5PG0/HT22_Final+Install_Miao+Ying_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7161.jpg</image:loc>
      <image:title>Artist - Miao Ying</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653019234498-RGYTDJCJKY3ETIWR3S8P/HT22_Final+Install_Miao+Ying_Credit+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_7271.jpg</image:loc>
      <image:title>Artist - Miao Ying</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653019269519-CHKO8NFXLYJTXX1H4WXI/HT22_Final%2BInstall_Miao%2BYing_Credit%2BHawai%25E2%2580%2598i%2BContemporary%2Bby%2BChris%2BRohrer_7182.jpg</image:loc>
      <image:title>Artist - Miao Ying</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653019256977-SFUSKRONVTS4VKWT8IBI/HT22_Final+Install_Miao+Ying_Credit+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_7274.jpg</image:loc>
      <image:title>Artist - Miao Ying</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653019421837-2DK5HGZGMFHTYBQNLSRC/HT22_Final+Install_Miao+Ying_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7169.jpg</image:loc>
      <image:title>Artist - Miao Ying - Make it stand out</image:title>
      <image:caption>Installation views: Miao Ying, Hardcore Digital Detox, 2018, mixed-media installation (live VR, shacks), VR duration: 7 mins, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-mika-tajima</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/287881a2-40df-4e4f-850c-96e8d53c85bd/Mika_Tajima.JPG</image:loc>
      <image:title>Artist - Mika Tajima - Make it stand out</image:title>
      <image:caption>Mika Tajima. Courtesy of the artist. Mika Tajima was born in Los Angeles, CA lives and works in New York, NY. His work is about control, performance, and freedom. She analyzes the evolving and amorphous zones that intersect productivity and leisure, examining how human behavior and emotional experiences have been transformed within the long sweep of capitalist development. Concerned not with the conditions but with the conditioning of modern human life, Tajima’s research-based practice explores the technologies and ideologies that cultivate the subtle molding of human behavior through aesthetic conditioning. The technology underlying Tajima’s most recent artwork uses real-time language data to model and proliferate possible future human expressions, thereby creating emergent psychographics not yet captured or fully identifiable. At the same time, her work addresses notions of capture: how can one escape being scraped, detected or quantized? Selected exhibitions include: Ætherat Borusan Contemporary, Istanbul, Turkey; TOUCHLESS, Taro Nasu Gallery, Tokyo, Japan, and many others. Tajima is currently working on a multi-part commission for the Dazaifu Tenmangu Shrine in Fukuoka, Japan set to be completed in 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654121087111-TKZZZN1L8S0TEFGMSJQY/HT22_Final+Install_Mika+Tajima_Courtesy+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_6843.jpg</image:loc>
      <image:title>Artist - Mika Tajima - Make it stand out</image:title>
      <image:caption>Installation view: Mika Tajima, Human Synth (Hawaii), 2021; custom predictive sentiment analysis program, Twitter API, gaming engine, Alienware VR PC, screen, and dungeon rings, leather straps; endless duration; Honolulu Museum of Art, HT22, Honolulu. © Mika Tajima. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/287881a2-40df-4e4f-850c-96e8d53c85bd/Mika_Tajima.JPG</image:loc>
      <image:title>Artist - Mika Tajima - Make it stand out</image:title>
      <image:caption>Mika Tajima. Courtesy of the artist. Mika Tajima was born in Los Angeles, CA lives and works in New York, NY. His work is about control, performance, and freedom. She analyzes the evolving and amorphous zones that intersect productivity and leisure, examining how human behavior and emotional experiences have been transformed within the long sweep of capitalist development. Concerned not with the conditions but with the conditioning of modern human life, Tajima’s research-based practice explores the technologies and ideologies that cultivate the subtle molding of human behavior through aesthetic conditioning. The technology underlying Tajima’s most recent artwork uses real-time language data to model and proliferate possible future human expressions, thereby creating emergent psychographics not yet captured or fully identifiable. At the same time, her work addresses notions of capture: how can one escape being scraped, detected or quantized? Selected exhibitions include: Ætherat Borusan Contemporary, Istanbul, Turkey; TOUCHLESS, Taro Nasu Gallery, Tokyo, Japan, and many others. Tajima is currently working on a multi-part commission for the Dazaifu Tenmangu Shrine in Fukuoka, Japan set to be completed in 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Mika Tajima - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654121087111-TKZZZN1L8S0TEFGMSJQY/HT22_Final+Install_Mika+Tajima_Courtesy+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_6843.jpg</image:loc>
      <image:title>Artist - Mika Tajima - Make it stand out</image:title>
      <image:caption>Installation view: Mika Tajima, Human Synth (Hawaii), 2021; custom predictive sentiment analysis program, Twitter API, gaming engine, Alienware VR PC, screen, and dungeon rings, leather straps; endless duration; Honolulu Museum of Art, HT22, Honolulu. © Mika Tajima. Photo: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-ming-wong</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644498342407-DTD6CSUA42V7DVI29Z7E/Bloody+Mary+Song+of+the+South+Seas+collage+poster.jpg</image:loc>
      <image:title>Artist - Ming Wong - Make it stand out</image:title>
      <image:caption>Ming Wong, Bloody Marys—Song of the South Seas (collage poster), 2018. Courtesy of the artist. © Ming Wong. Ming Wong is a Berlin-and-Stockholm-based interdisciplinary born in Singapore. The artistic research and practice of Ming Wong explores the politics of representation and how culture, gender and identity are constructed, reproduced and circulated through a re-telling of world cinema and popular culture and re-readings of cultural artefacts from around the world. Wong is known for their re-interpretations of iconic films and performances from world cinema in his video installations, often featuring "miscastings" of Wong in roles of varied identities. Recent exhibitions and projects include: Frequency of Tradition, Guangdong Time Museum, 2020/21; Global(e) Resistance, Centre Pompidou, Paris, 2020/21; A beast, a god and a line, MAIIAM Contemporary Art Museum, and many more. In 2009, at the Singapore Pavilion of the 53rd Venice Biennale, Wong represented Singapore with the body of work, Life of Imitation, for which she was awarded the Special Mention (Expanding Worlds) during the Biennale's Opening Ceremony.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/a7a4dcdd-8ad0-4c03-aaae-8667d5abfddc/Bloody+Marys_still+02.jpg</image:loc>
      <image:title>Artist - Ming Wong - Make it stand out</image:title>
      <image:caption>[TOP] Installation views: Ming Wong, Bloody Marys—Song of the South Seas, 2018, Hawaii Theatre Center, HT22. Courtesy of the artist and Hawai‘i Contemporary. Photos: Lila Lee. [ABOVE] Ming Wong, Bloody Marys—Song of the South Seas (still), 2018, mixed-media installation, artist’s archive of photographs and ephemera, single-channel video with stereo sound, 10 mins, 35 secs, dimensions variable. Courtesy of the artist. © Ming Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Ming Wong - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654351907980-4YXLQCUAKBB94MQZR2QA/HT22_Final+Install_Ming+Wong_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1895_sm.jpg</image:loc>
      <image:title>Artist - Ming Wong</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654351876978-TS914XZTDC9WLDGCL2ZS/HT22_Final+Install_Ming+Wong_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1782_sm.jpg</image:loc>
      <image:title>Artist - Ming Wong</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654351876038-6WKISDH5ZFL4FJWL03IT/HT22_Final+Install_Ming+Wong_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1833_sm.jpg</image:loc>
      <image:title>Artist - Ming Wong</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654351892888-AJSNCOBMZQKKCFRYN00V/HT22_Final+Install_Ming+Wong_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1863_sm.jpg</image:loc>
      <image:title>Artist - Ming Wong</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654351906535-2PY714I7ZB8N5AELHALJ/HT22_Final+Install_Ming+Wong_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1875_crop.jpg</image:loc>
      <image:title>Artist - Ming Wong</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/a7a4dcdd-8ad0-4c03-aaae-8667d5abfddc/Bloody+Marys_still+02.jpg</image:loc>
      <image:title>Artist - Ming Wong - Make it stand out</image:title>
      <image:caption>[TOP] Installation views: Ming Wong, Bloody Marys—Song of the South Seas, 2018, Hawaii Theatre Center, HT22. Courtesy of the artist and Hawai‘i Contemporary. Photos: Lila Lee. [ABOVE] Ming Wong, Bloody Marys—Song of the South Seas (still), 2018, mixed-media installation, artist’s archive of photographs and ephemera, single-channel video with stereo sound, 10 mins, 35 secs, dimensions variable. Courtesy of the artist. © Ming Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644498342407-DTD6CSUA42V7DVI29Z7E/Bloody+Mary+Song+of+the+South+Seas+collage+poster.jpg</image:loc>
      <image:title>Artist - Ming Wong - Make it stand out</image:title>
      <image:caption>Ming Wong, Bloody Marys—Song of the South Seas (collage poster), 2018. Courtesy of the artist. © Ming Wong. Ming Wong is a Berlin-and-Stockholm-based interdisciplinary born in Singapore. The artistic research and practice of Ming Wong explores the politics of representation and how culture, gender and identity are constructed, reproduced and circulated through a re-telling of world cinema and popular culture and re-readings of cultural artefacts from around the world. Wong is known for their re-interpretations of iconic films and performances from world cinema in his video installations, often featuring "miscastings" of Wong in roles of varied identities. Recent exhibitions and projects include: Frequency of Tradition, Guangdong Time Museum, 2020/21; Global(e) Resistance, Centre Pompidou, Paris, 2020/21; A beast, a god and a line, MAIIAM Contemporary Art Museum, and many more. In 2009, at the Singapore Pavilion of the 53rd Venice Biennale, Wong represented Singapore with the body of work, Life of Imitation, for which she was awarded the Special Mention (Expanding Worlds) during the Biennale's Opening Ceremony.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-momoyo-torimitsu</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654353873654-37TG60I3YSV4VZM1L6W0/HT22_Final+Install_Momoyo+Torimitsu_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7121_sm.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu - Make it stand out</image:title>
      <image:caption>Installation views: Momoyo Torimitsu, Somehow I Don’t Feel Comfortable, 2021, nylon, air blower, sound, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer, Lila Lee, and Kelli Bullock Hergert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/5865e5bb-911d-483b-9e5e-5ef76b73ff79/IMG_1632.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu - Make it stand out</image:title>
      <image:caption>Momoyo Torimitsu. Courtesy of the artist. Momoyo Torimitsu has lived and worked in New York City since 1996, when she arrived for the P.S.1 International Studio Program, a grant from the Asian Cultural Council. Torimitsu uses a variety of forms to create her work, including kinetic sculpture, time-based installation, inflatable balloons, video, photographs, performance, media art, and site-specific projects. Torimitsu's work is inspired by the hypocritical imagery of corporate culture and media stereotypes of cuteness and happiness, reexamined through the lenses of irony and humor. Torimitsu has been showing her works internationally including those at frei_raum Q21 exhibition space/MuseumsQuartier Wien, Austria (2019), ArtScience Museum, Singapore (2019), Black Cube Headquarters, Englewood, CO (2019) and several others. Her recent project, Smile ☺, Wear It Like a Costume! is a media art project using the face-recognition system. The audience can apply a different type of work-mode smile on their face as if trying on a costume. It reveals what society expects from different professions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654353773514-3SQUFS18V6IU5T0RWJIE/HT22_Final+Install_Momoyo+Torimitsu_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1745_sm.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654353762684-VDKV5ZVD3YH3XDA6K86C/20220420-RHSC-wideshot7176_sm.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654353781958-JTSCILER3YBD6HDOA1X5/TRIENNIAL+2022+CLOSING+136_sm.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654353762685-QHNMOYT4S75F9B8FMA0N/20220420-RHSC-MiaoYing7191_sm.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654353873654-37TG60I3YSV4VZM1L6W0/HT22_Final+Install_Momoyo+Torimitsu_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_7121_sm.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu - Make it stand out</image:title>
      <image:caption>Installation views: Momoyo Torimitsu, Somehow I Don’t Feel Comfortable, 2021, nylon, air blower, sound, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer, Lila Lee, and Kelli Bullock Hergert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/5865e5bb-911d-483b-9e5e-5ef76b73ff79/IMG_1632.jpg</image:loc>
      <image:title>Artist - Momoyo Torimitsu - Make it stand out</image:title>
      <image:caption>Momoyo Torimitsu. Courtesy of the artist. Momoyo Torimitsu has lived and worked in New York City since 1996, when she arrived for the P.S.1 International Studio Program, a grant from the Asian Cultural Council. Torimitsu uses a variety of forms to create her work, including kinetic sculpture, time-based installation, inflatable balloons, video, photographs, performance, media art, and site-specific projects. Torimitsu's work is inspired by the hypocritical imagery of corporate culture and media stereotypes of cuteness and happiness, reexamined through the lenses of irony and humor. Torimitsu has been showing her works internationally including those at frei_raum Q21 exhibition space/MuseumsQuartier Wien, Austria (2019), ArtScience Museum, Singapore (2019), Black Cube Headquarters, Englewood, CO (2019) and several others. Her recent project, Smile ☺, Wear It Like a Costume! is a media art project using the face-recognition system. The audience can apply a different type of work-mode smile on their face as if trying on a costume. It reveals what society expects from different professions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Momoyo Torimitsu - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-na-maka-o-ka-aina</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2b13f34a-f80b-49f9-b0bd-0b55189168bc/01_PORTRAIT-Joan-Lander.jpg</image:loc>
      <image:title>Artist - Nā Maka o ka ‘Āina - Make it stand out</image:title>
      <image:caption>Joan Lander. Courtesy of the artist. Nā Maka o ka ‘Āina is an independent video production team that, since 1981, has focused on the land and people of Hawai‘i and the Pacific. Nā Maka o ka ‘Āina exists to document and give voice and face to traditional and contemporary Hawaiian culture, history, language, art, music, environment and the politics of independence and sovereignty. Nā Maka o ka ‘Āina productions, seen on PBS, commercial TV and international television and cable networks, have screened at film festivals worldwide, capturing various awards, including the Hawai‘iFilm Office’s Film in Hawai‘i Award and the Silver Maile from the Hawai‘i International Film Festival.  Joan Lander has been involved in documentary production since 1974, working as producer, director, videographer and editor with early community public access groups, the Hawai’i Dept. of Education’s educational television division, independent production teams such as Videololo, and finally, since 1982, Nā Maka o ka ʻĀina. With co-producer, the late Puhipau, she produced close to 100 documentary and educational programs focusing on Hawaiian culture, history, language, environment, and the politics of independence and sovereignty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654355119701-AB20EQZP4QLWT9UTH7IS/HT22_Final+Install_Na%CC%84+Maka+o+ka+%CA%BBA%CC%84ina_Credit+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_6098.jpg</image:loc>
      <image:title>Artist - Nā Maka o ka ‘Āina - Make it stand out</image:title>
      <image:caption>Installation view: Nā Maka o ka ʻĀina, Nā Wai E Ho‘ōla i Nā Iwi—Who Will Save the Bones?, 1988, seat cushions by TUTUVI, Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2b13f34a-f80b-49f9-b0bd-0b55189168bc/01_PORTRAIT-Joan-Lander.jpg</image:loc>
      <image:title>Artist - Nā Maka o ka ‘Āina - Make it stand out</image:title>
      <image:caption>Joan Lander. Courtesy of the artist. Nā Maka o ka ‘Āina is an independent video production team that, since 1981, has focused on the land and people of Hawai‘i and the Pacific. Nā Maka o ka ‘Āina exists to document and give voice and face to traditional and contemporary Hawaiian culture, history, language, art, music, environment and the politics of independence and sovereignty. Nā Maka o ka ‘Āina productions, seen on PBS, commercial TV, and international television and cable networks, have screened at film festivals worldwide, capturing various awards, including the Hawai‘i Film Office’s Film in Hawai‘i Award and the Silver Maile from the Hawai‘i International Film Festival.  Joan Lander has been involved in documentary production since 1974, working as producer, director, videographer, and editor with early community public access groups, the Hawai’i Dept. of Education’s educational television division, independent production teams such as Videololo, and finally, since 1982, Nā Maka o ka ʻĀina. With co-producer, the late Puhipau, she produced close to 100 documentary and educational programs focusing on Hawaiian culture, history, language, environment, and the politics of independence and sovereignty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Nā Maka o ka ‘Āina - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654355119701-AB20EQZP4QLWT9UTH7IS/HT22_Final+Install_Na%CC%84+Maka+o+ka+%CA%BBA%CC%84ina_Credit+Hawai%E2%80%98i+Contemporary+by+Christopher+Rohrer_6098.jpg</image:loc>
      <image:title>Artist - Nā Maka o ka ‘Āina - Make it stand out</image:title>
      <image:caption>Installation view: Nā Maka o ka ʻĀina, Nā Wai E Ho‘ōla i Nā Iwi—Who Will Save the Bones?, 1988, seat cushions by TUTUVI, Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photo: Christopher Rohrer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-pacific-sisters</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654356937998-SWKMOB08561QC64NZHKP/HT22_Final+Install_Pacific_Sisters_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_5675.jpg</image:loc>
      <image:title>Artist - Pacific Sisters - Make it stand out</image:title>
      <image:caption>Installation views: Pacific Sisters, Te Pu o Te Wheke, 2021, photographic image on fabric, aluminum, wood, lightbox, Augmented Reality: iSPARX, Bishop Museum, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644496809553-IGV5P2EU0E0GU1P1AB54/Pacific+Sisters_Te+Papa.jpg</image:loc>
      <image:title>Artist - Pacific Sisters - Make it stand out</image:title>
      <image:caption>Courtesy of the artists. Pacific Sisters is a group of New Zealand fashion designers, artists, performers, and musicians who began working together in the early 1990s, the members of predominantly mixed Polynesian and European heritage. A significant early catalyst of the group was living in Auckland’s multicultural metropolis, in particular within the world’s largest urban population of different Pacific peoples.  Initially at the fringes, their work forged a pathway into the mainstream popular culture environment of New Zealand, later gaining recognition within International Arts Festivals. Pacific Sisters entry connected to a new wave of urban Pacific arts and cultural expression concerned with exploring the juxtaposition of different Pacific identities in an urban environment.Their work continues to re-contextualise the wisdom and knowledge of the Pacific in an urban domain, exposing the role of Pacific values in contemporary society, in a celebration of commonality and diversity that affirms the relevance of Pacific culture for the future.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Pacific Sisters - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654356937998-SWKMOB08561QC64NZHKP/HT22_Final+Install_Pacific_Sisters_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_5675.jpg</image:loc>
      <image:title>Artist - Pacific Sisters - Make it stand out</image:title>
      <image:caption>Installation views: Pacific Sisters, Te Pu o Te Wheke, 2021, photographic image on fabric, aluminum, wood, lightbox, Augmented Reality: iSPARX, Bishop Museum, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644496809553-IGV5P2EU0E0GU1P1AB54/Pacific+Sisters_Te+Papa.jpg</image:loc>
      <image:title>Artist - Pacific Sisters - Make it stand out</image:title>
      <image:caption>Courtesy of the artists. Pacific Sisters is a group of New Zealand fashion designers, artists, performers, and musicians who began working together in the early 1990s, the members of predominantly mixed Polynesian and European heritage. A significant early catalyst of the group was living in Auckland’s multicultural metropolis, in particular within the world’s largest urban population of different Pacific peoples.  Initially at the fringes, their work forged a pathway into the mainstream popular culture environment of New Zealand, later gaining recognition within International Arts Festivals. Pacific Sisters entry connected to a new wave of urban Pacific arts and cultural expression concerned with exploring the juxtaposition of different Pacific identities in an urban environment.Their work continues to re-contextualise the wisdom and knowledge of the Pacific in an urban domain, exposing the role of Pacific values in contemporary society, in a celebration of commonality and diversity that affirms the relevance of Pacific culture for the future.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654356854528-HHOGNUKAEW7NW2X3K81W/HT22_Final+Install_Pacific_Sisters_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6724_sm.jpg</image:loc>
      <image:title>Artist - Pacific Sisters</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654356645418-CW13HXLRBHAWPCD3Q3DP/HT22_Final+Install_Pacific_Sisters_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_5643.jpg</image:loc>
      <image:title>Artist - Pacific Sisters</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654356854069-6TRDA42J8N5K1ZQ80Q8L/HT22_Final+Install_Pacific_Sisters_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6725_sm.jpg</image:loc>
      <image:title>Artist - Pacific Sisters</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-piliamoo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/af90d486-484a-439d-a0af-8fcf72376157/Mark+Hamasaki+Portrait+credit+to+Kapulani+Landgraf.jpg</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/70e17778-e377-44e4-826b-4601f21fe7e3/Kapulani+Landgraf+-+kapulani+landgraf-.jpg</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>FROM TOP: Mark Hamasaki. Photo: Kapulani Landgraf. Kapulani Landgraf. Courtesy of the artist. Piliāmo’o is the collective name of Mark Hamasaki and Kapulani Landgraf. Collaboratively, they have documented the construction of the H-3 freeway, the water struggle of Waiāhole, and the ahupuaʻa of Kailua. In 2015, ‘Ai Pōhaku Press published a 167-page photographic essay Ē Luku Wale Ē by Piliāmoʻo, a working collective featuring Hamasaki and Kapulani Landgraf’s photography. His photographs, collages, and collaborative works are exhibited and published locally. Mark Hamasaki was born in 1955 in Fort Belvoir, Virginia, and graduated from high school in Bangkok, Thailand. He taught photography and art at Windward Community College for 34 years and served as Humanities Department Chair (2014-2018). He also co-founded ʻElepaio Press. Kapulani Landgraf was born and raised in Pūʻahuʻula, Kāneʻohe. Landgraf’s books, Nā Wahi Pana o Koʻolau Poko (University of Hawaiʻi Press, 1994) and Nā Wahi Kapu o Maui (Ai Pōhaku Press, 2003), received Ka Palapala Poʻokela award for Excellence in Illustrative Books in 1995 and 2004, respectively. She is an Associate Professor of Art at Kapiʻolani Community College, but is currently serving as a Title III Project Director.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644500241793-M9XPJXHY3TKE9JXO5DEX/Untitled-2-01.png</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>[TOP] Installation views: Piliāmo‘o (Mark Hamasaki and Kapulani Landgraf), Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer. [ABOVE, FROM LEFT] Piliāmoʻo, HO‘OPĀLUA ‘IA KA MANA WAI O HĀLAWA 9.8.91 HĀLAWA, 1991, silver gelatin print, 50.8 x 40.64 cm and ‘A‘OHE ‘ŌIWI 4.29.90 LULUKU, 1990, digital print, 152.4 x 190.5 cm. Courtesy of the artists. © Piliāmoʻo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/af90d486-484a-439d-a0af-8fcf72376157/Mark+Hamasaki+Portrait+credit+to+Kapulani+Landgraf.jpg</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654360108729-AZPFBF6ZPMUQC9877T1N/HT22_Final+Install_Pilia%CC%84mo%CA%BBo_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5982.jpg</image:loc>
      <image:title>Artist - Piliāmo’o</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654360109166-0CGI17499X5HWLNYV4EG/HT22_Final+Install_Pilia%CC%84mo%CA%BBo_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6010.jpg</image:loc>
      <image:title>Artist - Piliāmo’o</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654360141203-7WJK2YU69QSRSXPXABZW/HT22_Final+Install_Pilia%CC%84mo%CA%BBo_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6053.jpg</image:loc>
      <image:title>Artist - Piliāmo’o</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644500241793-M9XPJXHY3TKE9JXO5DEX/Untitled-2-01.png</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>[TOP] Installation views: Piliāmo‘o (Mark Hamasaki and Kapulani Landgraf), Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer. [ABOVE, FROM LEFT] Piliāmoʻo, HO‘OPĀLUA ‘IA KA MANA WAI O HĀLAWA 9.8.91 HĀLAWA, 1991, silver gelatin print, 50.8 x 40.64 cm and ‘A‘OHE ‘ŌIWI 4.29.90 LULUKU, 1990, digital print, 152.4 x 190.5 cm. Courtesy of the artists. © Piliāmoʻo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/70e17778-e377-44e4-826b-4601f21fe7e3/Kapulani+Landgraf+-+kapulani+landgraf-.jpg</image:loc>
      <image:title>Artist - Piliāmo’o - Make it stand out</image:title>
      <image:caption>FROM TOP: Mark Hamasaki. Photo: Kapulani Landgraf. Kapulani Landgraf. Courtesy of the artist. Piliāmo’o is the collective name of Mark Hamasaki and Kapulani Landgraf. Collaboratively, they have documented the construction of the H-3 freeway, the water struggle of Waiāhole, and the ahupuaʻa of Kailua. In 2015, ‘Ai Pōhaku Press published a 167-page photographic essay Ē Luku Wale Ē by Piliāmoʻo, a working collective featuring Hamasaki and Kapulani Landgraf’s photography. His photographs, collages, and collaborative works are exhibited and published locally. Mark Hamasaki was born in 1955 in Fort Belvoir, Virginia, and graduated from high school in Bangkok, Thailand. He taught photography and art at Windward Community College for 34 years and served as Humanities Department Chair (2014-2018). He also co-founded ʻElepaio Press. Kapulani Landgraf was born and raised in Pūʻahuʻula, Kāneʻohe. Landgraf’s books, Nā Wahi Pana o Koʻolau Poko (University of Hawaiʻi Press, 1994) and Nā Wahi Kapu o Maui (Ai Pōhaku Press, 2003), received Ka Palapala Poʻokela award for Excellence in Illustrative Books in 1995 and 2004, respectively. She is an Associate Professor of Art at Kapiʻolani Community College, but is currently serving as a Title III Project Director.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-richard-bell</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651187345882-FFHO1G72P5QGH4L9E2WQ/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>» » Hear more about Richard Bell’s work in the Maori Means Human: Richard Bell episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/312a509d-a4d7-4b47-b9ec-8bd207827516/RB_2013_EmbassyMCA3.png</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>Installation view: Richard Bell, Embassy, 2013–, canvas tent with annex, aluminum frame, rope, synthetic polymer paint on board, digital video, color, sound; archive. Museum of Contemporary Art, Sydney. Museum of Contemporary Art and Tate, with support from the Qantas Foundation in 2015, purchased 2017. Courtesy of the artist and Milani Gallery, Brisbane. © Richard Bell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/3dd8608c-89f9-4d7b-ab59-bdbb0bf87ff9/Richard+Bell_Portrait.jpg</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>Richard Bell, 2018. Photo: Savannah van der Niet. Courtesy of the artist and Milani Gallery, Brisbane. Richard Bell lives and works in Brisbane, Australia. He works across painting, installation, performance and video. Bell is one of Australia’s most significant artists and his work explores the complex artistic and political problems of Western, colonial and Indigenous art production. He grew out of a generation of Aboriginal activists and has remained committed to the politics of Aboriginal emancipation and self-determination. In 2003, he was the recipient of the Telstra National Aboriginal Art Award. Bell is represented in most major Australian National and State collections, and has exhibited in a number of solo exhibitions at important institutions in Australia and America. In 2018, he presented his solo exhibition Dredging up the Past at Gertrude Contemporary, Melbourne. In 2019, Bell took his Embassy project to the Venice Biennale as a collateral event and presented work at Padiglione d'Arte Contemporanea Milan. In 2021 Bell has a major solo exhibition at the MCA Sydney. In 2022 Bell will be presenting the Embassy at the Tate Modern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/312a509d-a4d7-4b47-b9ec-8bd207827516/RB_2013_EmbassyMCA3.png</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>Installation view: Richard Bell, Embassy, 2013–, canvas tent with annex, aluminum frame, rope, synthetic polymer paint on board, digital video, color, sound; archive. Museum of Contemporary Art, Sydney. Museum of Contemporary Art and Tate, with support from the Qantas Foundation in 2015, purchased 2017. Courtesy of the artist and Milani Gallery, Brisbane. © Richard Bell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/3dd8608c-89f9-4d7b-ab59-bdbb0bf87ff9/Richard+Bell_Portrait.jpg</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>Richard Bell, 2018. Photo: Savannah van der Niet. Courtesy of the artist and Milani Gallery, Brisbane. Richard Bell lives and works in Brisbane, Australia. He works across painting, installation, performance and video. Bell is one of Australia’s most significant artists and his work explores the complex artistic and political problems of Western, colonial and Indigenous art production. He grew out of a generation of Aboriginal activists and has remained committed to the politics of Aboriginal emancipation and self-determination. In 2003, he was the recipient of the Telstra National Aboriginal Art Award. Bell is represented in most major Australian National and State collections, and has exhibited in a number of solo exhibitions at important institutions in Australia and America. In 2018, he presented his solo exhibition Dredging up the Past at Gertrude Contemporary, Melbourne. In 2019, Bell took his Embassy project to the Venice Biennale as a collateral event and presented work at Padiglione d'Arte Contemporanea Milan. In 2021 Bell has a major solo exhibition at the MCA Sydney. In 2022 Bell will be presenting the Embassy at the Tate Modern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651187345882-FFHO1G72P5QGH4L9E2WQ/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - Richard Bell - Make it stand out</image:title>
      <image:caption>» » Hear more about Richard Bell’s work in the Maori Means Human: Richard Bell episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-shinro-ohtake</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/90b48c9f-0c22-4fa5-bf33-e66341c192ba/SO_PhotoByShoko.jpg</image:loc>
      <image:title>Artist - Shinro Ohtake - Make it stand out</image:title>
      <image:caption>Shinro Ohtake. Photo: Shoko. Shinro Ohtake is one of Japan’ s leading contemporary artists. Studies of materiality, form, and chance processes, his works encompass drawings, collages, paintings and large-scale assemblage pieces, as well as architectural projects and the experimental noise bands JUKE/19 (1978-82) and Puzzle Punks. The artist's experimental approach to art making is best encapsulated by his heavily collaged scrapbooks. Drawn from the debris of everyday life, they use found material to explore the impact of contemporary visual culture on the way experience is shaped, recorded and remembered. Referring to his travels, dreams, and personal experience, the scrapbooks befit Ohtake's preoccupation with cultural ephemera as a form of self-documentation. In his work, using collected materials to form a personal narrative, the layers of the collage act as maps of memory and time. In addition to dOCUMENTA (13), directed by Carolyn Christov-Bakargiev, and the 55th Venice Biennale, directed by Massimiliano Gioni, Ohtake has participated in major international exhibitions including Gwangju Biennale 2010; Setouchi Triennale 2013, 2016,and 2019; Yokohama Triennale 2014; and the Asia Pacific Triennial of Contemporary Art 2018. Ohtake is preparing a large-scale retrospective for a national museum in Tokyo in 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644503828481-69LX0XPNJXXH1CAAQWTJ/Untitled-1.png</image:loc>
      <image:title>Artist - Shinro Ohtake - Make it stand out</image:title>
      <image:caption>Shinro Ohtake, Hawaii Blue, 1999, 2022, 24-page zine, 40.64 x 28.58 cm. Limited-edition reprint for Hawai‘i Triennial 2022. Courtesy of the artist and Take Ninagawa, Tokyo. © Shinro Ohtake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/90b48c9f-0c22-4fa5-bf33-e66341c192ba/SO_PhotoByShoko.jpg</image:loc>
      <image:title>Artist - Shinro Ohtake - Make it stand out</image:title>
      <image:caption>Shinro Ohtake. Photo: Shoko. Shinro Ohtake is one of Japan’ s leading contemporary artists. Studies of materiality, form, and chance processes, his works encompass drawings, collages, paintings and large-scale assemblage pieces, as well as architectural projects and the experimental noise bands JUKE/19 (1978-82) and Puzzle Punks. The artist's experimental approach to art making is best encapsulated by his heavily collaged scrapbooks. Drawn from the debris of everyday life, they use found material to explore the impact of contemporary visual culture on the way experience is shaped, recorded and remembered. Referring to his travels, dreams, and personal experience, the scrapbooks befit Ohtake's preoccupation with cultural ephemera as a form of self-documentation. In his work, using collected materials to form a personal narrative, the layers of the collage act as maps of memory and time. In addition to dOCUMENTA (13), directed by Carolyn Christov-Bakargiev, and the 55th Venice Biennale, directed by Massimiliano Gioni, Ohtake has participated in major international exhibitions including Gwangju Biennale 2010; Setouchi Triennale 2013, 2016,and 2019; Yokohama Triennale 2014; and the Asia Pacific Triennial of Contemporary Art 2018. Ohtake is preparing a large-scale retrospective for a national museum in Tokyo in 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644503828481-69LX0XPNJXXH1CAAQWTJ/Untitled-1.png</image:loc>
      <image:title>Artist - Shinro Ohtake - Make it stand out</image:title>
      <image:caption>Shinro Ohtake, Hawaii Blue, 1999, 2022, 24-page zine, 40.64 x 28.58 cm. Limited-edition reprint for Hawai‘i Triennial 2022. Courtesy of the artist and Take Ninagawa, Tokyo. © Shinro Ohtake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Shinro Ohtake - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-sung-hwan-kim</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/028537b1-fcca-4262-8d70-0b6a14d40374/A_Portrait+Image_SHKIM.jpg</image:loc>
      <image:title>Artist - Sung Hwan Kim - Make it stand out</image:title>
      <image:caption>Sung Hwan Kim. Courtesy of the artist. Sung Hwan Kim uses film and video, drawing, architecture, and historical and marginal literature as well as his own writing, which often become a part of installation, performance, radio play, or book. Using cinematic language, Kim's work incorporates intimate views of the spatial patterns in architecture and psychological traces of the relationship in it. Kim has most recently exhibited his work at Asia Art Center, Gwangju, Korea (2021); National Museum of Modern and Contemporary Art, Gwacheon, Korea (2019); the 57th Venice Biennale Arte (2017); and Berwick Film and Media Arts Festival, Berwick, UK (2017). His works have been shown in international biennales and film festivals, such as the Gwangju Biennale, Performa, Manifesta, Berlin Biennale, Rotterdam International Film Festival, and Rencontres Internationales Paris/Berlin. He was a fellow at the Rijksakademie van Beeldende Kunsten (2004/2005) and a recipient of Berliner Künstlerprogramm des DAAD (2015). His publications include Talk or Sing (distributed by ArtSonje); Ki-da Rilke (distributed by Sternberg Press); and When Things Are Done Again (distributed by Tranzitdisplay). David Michael DiGregorio, born in 1979, is a composer and musician based in New York, who writes music for film and video, solo concert, and performance works in chamber-style settings and for the larger stage. His background includes extensive work on classical and improvised technique on the piano, work with various vocal techniques, performance with a gospel choir, electro-acoustic composition, and experimental pop construction. He has collaborated since 2006 with Sung Hwan Kim, initially through development of the in the room series. Highlighted work in musical collaboration with Kim: music for the Venice-Biennale-commissioned film Love before Bond, 2017; composition and performance in the operatic experiment 피나는 노력으로 한 [A Woman Whose Head Came Out Before Her Name] (2015), commissioned for the Asian-Arts-Theatre inaugural festival, Gwangju; music for the Tate-Modern-commissioned 2012 film Temper Clay. This collaboration has also manifested in the recording of various music albums including one from in the room (2010) (Bayerischer-Rundfunk-2 broadcast commission and Intermedium Records); and In Korean Wilds and Villages, 2009, produced by Andi Toma (Sonig Records). DiGregorio also has collaborated with artist Jewyo Rhii, choreographer Martín Lanz Landázuri, musician Byungjun Kwon, singer Elizabeth Jane Dudley Baker, and has arranged original music for Ari Benjamin Meyers’ Kunsthalle for Music Ensemble (Witte de With, Rotterdam, 2018); and has performed solo concerts at Pirelli HangarBicocca, Milan; Ilmin Museum, Seoul; New Museum, New York; Insa Art Space, Seoul; De Nieuwe Kraakgeluiden and STEIM, Amsterdam. http://dogr.org; ig: @dogr_music</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654600271737-92S9NWA2QJPU5HKHZ0Y3/HT22_Final+Install_Sung+Hwan+Kim_Credit+Honolulu+Museum+of+Art_22_sm.jpg</image:loc>
      <image:title>Artist - Sung Hwan Kim - Make it stand out</image:title>
      <image:caption>[CLOCKWISE, FROM TOP LEFT] Sung Hwan Kim (in musical collaboration with David Michael DiGregorio), Hair is a piece of head 머리는 머리의 부분, 2021, video (color, stereo sound), 23 mins; Sung Hwan Kim, O ka hua o ke kōlea aia i Kahiki The egg of the plover is laid in a foreign land, 2022, pencil, acrylic paint, water-based poster paint, oil-based poster paint, tracing paper, Bristol paper, mounting board, transparent film, aluminum tape, hinging tape, document repair tape, double-sided tape, acetate tape, and glue; tip of a spherical form (ear), 2021, aluminum and steel; tip of a spherical form (cupped fingers), 2021, aluminum and steel; second seat for one person, 2021/2022, painted plywood, silver leaf, aluminum; Honolulu Museum of Art, HT22. Courtesy of the artists and Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654600188261-IUALM6JRRAH1VVWS9FT0/HT22_Final+Install_Sung+Hwan+Kim_Credit+Honolulu+Museum+of+Art_4_sm.jpg</image:loc>
      <image:title>Artist - Sung Hwan Kim</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654600260452-CEXIB8Q5B23DRE34G5VC/HT22_Final+Install_Sung+Hwan+Kim_Credit+Honolulu+Museum+of+Art_17.jpg</image:loc>
      <image:title>Artist - Sung Hwan Kim</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/028537b1-fcca-4262-8d70-0b6a14d40374/A_Portrait+Image_SHKIM.jpg</image:loc>
      <image:title>Artist - Sung Hwan Kim - Make it stand out</image:title>
      <image:caption>Sung Hwan Kim. Courtesy of the artist. Sung Hwan Kim uses film and video, drawing, architecture, and historical and marginal literature as well as his own writing, which often become a part of installation, performance, radio play, or book. Using cinematic language, Kim's work incorporates intimate views of the spatial patterns in architecture and psychological traces of the relationship in it. Kim has most recently exhibited his work at Asia Art Center, Gwangju, Korea (2021); National Museum of Modern and Contemporary Art, Gwacheon, Korea (2019); the 57th Venice Biennale Arte (2017); and Berwick Film and Media Arts Festival, Berwick, UK (2017). His works have been shown in international biennales and film festivals, such as the Gwangju Biennale, Performa, Manifesta, Berlin Biennale, Rotterdam International Film Festival, and Rencontres Internationales Paris/Berlin. He was a fellow at the Rijksakademie van Beeldende Kunsten (2004/2005) and a recipient of Berliner Künstlerprogramm des DAAD (2015). His publications include Talk or Sing (distributed by ArtSonje); Ki-da Rilke (distributed by Sternberg Press); and When Things Are Done Again (distributed by Tranzitdisplay). David Michael DiGregorio, born in 1979, is a composer and musician based in New York, who writes music for film and video, solo concert, and performance works in chamber-style settings and for the larger stage. His background includes extensive work on classical and improvised technique on the piano, work with various vocal techniques, performance with a gospel choir, electro-acoustic composition, and experimental pop construction. He has collaborated since 2006 with Sung Hwan Kim, initially through development of the in the room series. Highlighted work in musical collaboration with Kim: music for the Venice-Biennale-commissioned film Love before Bond, 2017; composition and performance in the operatic experiment 피나는 노력으로 한 [A Woman Whose Head Came Out Before Her Name] (2015), commissioned for the Asian-Arts-Theatre inaugural festival, Gwangju; music for the Tate-Modern-commissioned 2012 film Temper Clay. This collaboration has also manifested in the recording of various music albums including one from in the room (2010) (Bayerischer-Rundfunk-2 broadcast commission and Intermedium Records); and In Korean Wilds and Villages, 2009, produced by Andi Toma (Sonig Records). DiGregorio also has collaborated with artist Jewyo Rhii, choreographer Martín Lanz Landázuri, musician Byungjun Kwon, singer Elizabeth Jane Dudley Baker, and has arranged original music for Ari Benjamin Meyers’ Kunsthalle for Music Ensemble (Witte de With, Rotterdam, 2018); and has performed solo concerts at Pirelli HangarBicocca, Milan; Ilmin Museum, Seoul; New Museum, New York; Insa Art Space, Seoul; De Nieuwe Kraakgeluiden and STEIM, Amsterdam. http://dogr.org; ig: @dogr_music</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Sung Hwan Kim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654600271737-92S9NWA2QJPU5HKHZ0Y3/HT22_Final+Install_Sung+Hwan+Kim_Credit+Honolulu+Museum+of+Art_22_sm.jpg</image:loc>
      <image:title>Artist - Sung Hwan Kim - Make it stand out</image:title>
      <image:caption>[CLOCKWISE, FROM TOP LEFT] Sung Hwan Kim (in musical collaboration with David Michael DiGregorio), Hair is a piece of head 머리는 머리의 부분, 2021, video (color, stereo sound), 23 mins; Sung Hwan Kim, O ka hua o ke kōlea aia i Kahiki The egg of the plover is laid in a foreign land, 2022, pencil, acrylic paint, water-based poster paint, oil-based poster paint, tracing paper, Bristol paper, mounting board, transparent film, aluminum tape, hinging tape, document repair tape, double-sided tape, acetate tape, and glue; tip of a spherical form (ear), 2021, aluminum and steel; tip of a spherical form (cupped fingers), 2021, aluminum and steel; second seat for one person, 2021/2022, painted plywood, silver leaf, aluminum; Honolulu Museum of Art, HT22. Courtesy of the artists and Honolulu Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-theaster-gates</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/698200ed-4c31-471a-9553-c48e638ac0ed/Headshot+2.png</image:loc>
      <image:title>Artist - Theaster Gates - Make it stand out</image:title>
      <image:caption>Theaster Gates. Photo: John R. Boehm Theaster Gates lives and works in Chicago. Gates creates works that engage with space theory and land development, sculpture and performance. Drawing on his interest and training in urban planning and preservation, Gates redeems spaces that have been left behind. Known for his recirculation of art-­­ world capital, Gates creates work that focuses on the possibility of the “life within things.” His word contends with the notion of Black space as a formal exercise –one defined by collective desire, artistic agency, and the tactics of a pragmatist. Gates has exhibited and performed at Tate Liverpool, UK (2020); Haus der Kunst, Munich (2020); Walker Art Centre, Minneapolis (2019); Palais de Tokyo Paris, France (2019) and many more. Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644501228656-7Q5NXD9K3IO63X199R68/Theaster+Gates+A+Clay+Sermon+2021+%28high+res%29+1.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644501228392-C0IBW0BSV7OH270GME9Q/Theaster+Gates+A+Clay+Sermon+2021+%28high+res%29+2.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644501229685-DJH9CH8HAHUAW1I5D4O7/Theaster+Gates+A+Clay+Sermon+2021+%28high+res%29+3.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644501230385-5HBE92N1H2DT01KCQT77/Theaster+Gates+A+Clay+Sermon+2021+%28high+res%29+6.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654604571697-8SRQBLOV0108SZWBRUEC/HT22_Final%2BInstall_Theaster%2BGates_Credit%2BHonolulu%2BMuseum%2Bof%2BArt_1-2_sm.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654604483579-O4HTOXBSG72FLLOFU7SS/HT22_Final+Install_Theaster+Gates_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_66772.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654604469643-KGJGJ560C050JC4E5WV9/HT22_Final+Install_Theaster+Gates_Credit+Honolulu+Museum+of+Art_3_sm.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654604495094-K49ADZLIFVJEHL74JUAR/HT22_Final+Install_Theaster+Gates_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_6808_sm.jpg</image:loc>
      <image:title>Artist - Theaster Gates</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Theaster Gates - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/698200ed-4c31-471a-9553-c48e638ac0ed/Headshot+2.png</image:loc>
      <image:title>Artist - Theaster Gates - Make it stand out</image:title>
      <image:caption>Theaster Gates. Photo: John R. Boehm Theaster Gates lives and works in Chicago. Gates creates works that engage with space theory and land development, sculpture and performance. Drawing on his interest and training in urban planning and preservation, Gates redeems spaces that have been left behind. Known for his recirculation of art-­­ world capital, Gates creates work that focuses on the possibility of the “life within things.” His word contends with the notion of Black space as a formal exercise –one defined by collective desire, artistic agency, and the tactics of a pragmatist. Gates has exhibited and performed at Tate Liverpool, UK (2020); Haus der Kunst, Munich (2020); Walker Art Centre, Minneapolis (2019); Palais de Tokyo Paris, France (2019) and many more. Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-toqa</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651187192696-V26TU8FK743JW76T61A0/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>» » Hear more about TOQA’s work in the Tropical Fish Colors are the New Black episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1d718243-0b34-4ba7-ab76-f8fb97d518b9/TOQA+Portrait+Image+%28Toqa%2C+Wifestyle.+2019.+Photograph+series+in+collaboration+with+Cenon+at+Mav%29.jpeg</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>Toqa, Wifestyle, 2019. Photograph series in collaboration with Cenon at Mav. Toqa seeks to expand the visual vocabulary of the island identity through sustainable high fashion. Their Sport Resort aesthetic, a futuristic embodiment of contemporary tropical art in fashion, is formed through an appreciation for community &amp; collaboration as a source of genuine tropical production. The basic ethos of Toqa’s output is grounded in conversation. It is a response to the restrictive notion of tropicality: sharing an inclusive vision of the places &amp; people they experience, minimizing environmental impact &amp; promoting alternative methods of cultural production. Toqa embraces levity &amp; humor, informed as much by the apparatus of Disney World as it is the white cube. It is in the universal address and all inclusive nature of the theme park that they locate their interests in tourism and travel. Their practice is vested in performance, photo, video &amp; always, completed by virtue of audience interaction. Isabel Sicat (b. 1993, New York City, USA) and Aiala (b. 1995, Honolulu, USA), from Manila &amp; Honolulu respectively, met at Brown University &amp; RISD. After, they returned to the tropics to begin Toqa, debuting SEASON ONE at the 2018 Manila Biennale.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/937812de-5900-4d82-9aa3-1396fd5be2db/Untitled-1.png</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>[TOP, FROM LEFT] Installation views: Toqa, Midnight Smoothie, 2021–22 and Gift Shop, 2021–22, Foster Botanical Garden, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee. [ABOVE LEFT, CLOCKWISE] Toqa, Midnight Smoothie, 2021–22, Cheyenne Kanani &amp; Coral Ellison by Jason Chu; Isabel Sicat by Cenon at Mav; Colleen Kimura by Jason Chu; Aiala by Cenon at Mav. Courtesy of the artists. © Toqa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/937812de-5900-4d82-9aa3-1396fd5be2db/Untitled-1.png</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>[TOP, FROM LEFT] Installation views: Toqa, Midnight Smoothie, 2021–22 and Gift Shop, 2021–22, Foster Botanical Garden, HT22, Honolulu. Courtesy of the artists and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee. [ABOVE LEFT, CLOCKWISE] Toqa, Midnight Smoothie, 2021–22, Cheyenne Kanani &amp; Coral Ellison by Jason Chu; Isabel Sicat by Cenon at Mav; Colleen Kimura by Jason Chu; Aiala by Cenon at Mav. Courtesy of the artists. © Toqa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1d718243-0b34-4ba7-ab76-f8fb97d518b9/TOQA+Portrait+Image+%28Toqa%2C+Wifestyle.+2019.+Photograph+series+in+collaboration+with+Cenon+at+Mav%29.jpeg</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>Toqa, Wifestyle, 2019. Photograph series in collaboration with Cenon at Mav. Toqa seeks to expand the visual vocabulary of the island identity through sustainable high fashion. Their Sport Resort aesthetic, a futuristic embodiment of contemporary tropical art in fashion, is formed through an appreciation for community &amp; collaboration as a source of genuine tropical production. The basic ethos of Toqa’s output is grounded in conversation. It is a response to the restrictive notion of tropicality: sharing an inclusive vision of the places &amp; people they experience, minimizing environmental impact &amp; promoting alternative methods of cultural production. Toqa embraces levity &amp; humor, informed as much by the apparatus of Disney World as it is the white cube. It is in the universal address and all inclusive nature of the theme park that they locate their interests in tourism and travel. Their practice is vested in performance, photo, video &amp; always, completed by virtue of audience interaction. Isabel Sicat (b. 1993, New York City, USA) and Aiala (b. 1995, Honolulu, USA), from Manila &amp; Honolulu respectively, met at Brown University &amp; RISD. After, they returned to the tropics to begin Toqa, debuting SEASON ONE at the 2018 Manila Biennale.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1651187192696-V26TU8FK743JW76T61A0/LISTEN+to+podcast-02-01.png</image:loc>
      <image:title>Artist - TOQA - Make it stand out</image:title>
      <image:caption>» » Hear more about TOQA’s work in the Tropical Fish Colors are the New Black episode of fresh pacific, a podcast with award-winning journalist Noe Tanigawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654606457290-9MMNS8PDBWDR4U16BZUH/HT22_Final+Install_Toqa_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3717_sm.jpg</image:loc>
      <image:title>Artist - TOQA</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654606463943-S9JPP9JICU5BY3M2G2KN/HT22_Final+Install_Toqa_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_3790_sm.jpg</image:loc>
      <image:title>Artist - TOQA</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654606487774-M1Y8OR1XB14MAF1OIHXU/HT22_Final+Install_Toqa_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1414_sm.jpg</image:loc>
      <image:title>Artist - TOQA</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654606489572-BOODUX33JE2489QHOOG2/HT22_Final+Install_Toqa_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1425_sm.jpg</image:loc>
      <image:title>Artist - TOQA</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-tropic-editions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355668024-L6ZS3VPRDMAWZH5JPD85/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_49_sm.jpg</image:loc>
      <image:title>Artist - Tropic Editions - Make it stand out</image:title>
      <image:caption>Installation views: Tropic Editions, CAFE, 2022, Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artist. Photo: Vincent Bercasio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/9902808e-7b37-423e-a882-4bd7b44d5a22/Emi-portrait.jpg</image:loc>
      <image:title>Artist - Tropic Editions - Make it stand out</image:title>
      <image:caption>Marika Emi. Courtesy of the artist. Tropic Editions is a nonprofit publishing press located in Honolulu, Hawaii. Launched in 2018 by Marika Emi, the press produces artists' books, zines, and related projects that forge connections throughout the tropics, with a curatorial emphasis on experimentation, critique, and collaboration. The imprint’s namesake, Tropic Zine, is a publication and organizing collective that connects artists, writers, and creatives across the tropical diaspora through thematic volumes. Alongside the annual issue, Tropic produces auxiliary artworks, performances, exhibitions, and print editions. Recent collaborations include a roving billboard projection as part of For Freedoms (2020), a reading library and ongoing protest sign workshops at Aupuni Space, and a month-long residency with TRADES A.i.R. for an artist contributor visiting from the Philippines. Tropic Editions represents the creative practice of Marika Emi, an artist, designer, organizer and educator. Born and raised on Oʻahu, Emi serves as co-director of Aupuni Space, an independent gallery and arts venue in Kakaʻako, Honolulu, Hawaiʻi. Previously, Emi was a part of art collective PARADISE COVE alongside Drew Broderick and Bradley Capello, Lithopixel Refactory Collective, and the Wonder Action Network and Garrison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355500277-0AM5Q9U1TL18MV8D0DRO/02-17-22-tropic-cafe-installation-hisam-17._sm.jpg</image:loc>
      <image:title>Artist - Tropic Editions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355374592-X4FOV14Q8JAF6BIFQGCO/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_10_sm.jpg</image:loc>
      <image:title>Artist - Tropic Editions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355376359-LP2WTRAUH57K68YF1T3L/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_24_sm.jpg</image:loc>
      <image:title>Artist - Tropic Editions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355409074-1W384SUBQ895SHLX2LDM/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_68_sm.jpg</image:loc>
      <image:title>Artist - Tropic Editions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355940913-QLAA7LUW1WZDSYBYAHN3/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_35.jpg</image:loc>
      <image:title>Artist - Tropic Editions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Tropic Editions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652355668024-L6ZS3VPRDMAWZH5JPD85/HT22_Final+Install_Tropic+Editions_Credit+Hawai%E2%80%98i+Contemporary+by+Vincent+Bercasi_49_sm.jpg</image:loc>
      <image:title>Artist - Tropic Editions - Make it stand out</image:title>
      <image:caption>Installation views: Tropic Editions, CAFE, 2022, Hawai‘i State Art Museum, HT22, Honolulu. Courtesy of the artist. Photo: Vincent Bercasio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/9902808e-7b37-423e-a882-4bd7b44d5a22/Emi-portrait.jpg</image:loc>
      <image:title>Artist - Tropic Editions - Make it stand out</image:title>
      <image:caption>Marika Emi. Courtesy of the artist. Tropic Editions is a nonprofit publishing press located in Honolulu, Hawaii. Launched in 2018 by Marika Emi, the press produces artists' books, zines, and related projects that forge connections throughout the tropics, with a curatorial emphasis on experimentation, critique, and collaboration. The imprint’s namesake, Tropic Zine, is a publication and organizing collective that connects artists, writers, and creatives across the tropical diaspora through thematic volumes. Alongside the annual issue, Tropic produces auxiliary artworks, performances, exhibitions, and print editions. Recent collaborations include a roving billboard projection as part of For Freedoms (2020), a reading library and ongoing protest sign workshops at Aupuni Space, and a month-long residency with TRADES A.i.R. for an artist contributor visiting from the Philippines. Tropic Editions represents the creative practice of Marika Emi, an artist, designer, organizer and educator. Born and raised on Oʻahu, Emi serves as co-director of Aupuni Space, an independent gallery and arts venue in Kakaʻako, Honolulu, Hawaiʻi. Previously, Emi was a part of art collective PARADISE COVE alongside Drew Broderick and Bradley Capello, Lithopixel Refactory Collective, and the Wonder Action Network and Garrison.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-tsuyoshi-hisakado</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/18d571c7-6713-4a6c-a3a6-ee066a761817/IMG_3837.png</image:loc>
      <image:title>Artist - Tsuyoshi Hisakado - Make it stand out</image:title>
      <image:caption>Tsuyoshi Hisakado. Photo: Yuichiro Tamura. Tsuyoshi Hisakado’s practice as an artist involves collecting samples of various phenomena and histories, and then employing elements of sound, light, and sculptural objects in order to create theatrical spaces that reunite individual memories and narratives. Hisakado's practice focuses on the seemingly mundane aspects of everyday life. He assembles evidence of history and phenomena that are unique to specific places, creating installations that combine sound, light, and sculpture. Hisakado was elected the East Asian Cultural Exchange Envoy and has been awarded the 'Mercedes-Benz Art Scope 2018-2020', the Audience Award at the 'NISSAN ART AWARD 2015', and the Grand Prize of the 'VOCA 2016 The Vision of Contemporary Art'. Major exhibitions in recent years include the solo exhibition Tsuyoshi Hisakado— Practice of Spiral (Toyota Municipal Museum of Art, Aichi, 2020), Mercedes-Benz Art Scope 2018-2020 (Hara Museum, Tokyo, 2020), Aichi Triennale 2016, and MAM Project 025: Apichatpong Weerasethakul + Tsuyoshi Hisakado (Mori Art Museum, 2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Tsuyoshi Hisakado - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654752353238-O85PRQFCJY5O4DIF91ST/TsuyoshiHisakado_Pause_HT22+Image1_RoyalHawaiianCenter_Photo+Courtesy+of+Hawaii+Contemporary%2C+photography+by+TsuyoshiHisakado.jpeg</image:loc>
      <image:title>Artist - Tsuyoshi Hisakado</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654752353241-2AXTE84J9ASDE2G1JHTL/TsuyoshiHisakado_Pause_HT22+Image2_RoyalHawaiianCenter_Photo+Courtesy+of+Hawaii+Contemporary%2C+photography+by+TsuyoshiHisakado.jpeg</image:loc>
      <image:title>Artist - Tsuyoshi Hisakado</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654752353845-BIK274DI2V1PQNE2YNKW/TsuyoshiHisakado_Pause_HT22+Image3_RoyalHawaiianCenter_Photo+Courtesy+of+Hawaii+Contemporary%2C+photography+by+TsuyoshiHisakado.jpeg</image:loc>
      <image:title>Artist - Tsuyoshi Hisakado</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/18d571c7-6713-4a6c-a3a6-ee066a761817/IMG_3837.png</image:loc>
      <image:title>Artist - Tsuyoshi Hisakado - Make it stand out</image:title>
      <image:caption>Tsuyoshi Hisakado. Photo: Yuichiro Tamura. Tsuyoshi Hisakado’s practice as an artist involves collecting samples of various phenomena and histories, and then employing elements of sound, light, and sculptural objects in order to create theatrical spaces that reunite individual memories and narratives. Hisakado's practice focuses on the seemingly mundane aspects of everyday life. He assembles evidence of history and phenomena that are unique to specific places, creating installations that combine sound, light, and sculpture. Hisakado was elected the East Asian Cultural Exchange Envoy and has been awarded the 'Mercedes-Benz Art Scope 2018-2020', the Audience Award at the 'NISSAN ART AWARD 2015', and the Grand Prize of the 'VOCA 2016 The Vision of Contemporary Art'. Major exhibitions in recent years include the solo exhibition Tsuyoshi Hisakado— Practice of Spiral (Toyota Municipal Museum of Art, Aichi, 2020), Mercedes-Benz Art Scope 2018-2020 (Hara Museum, Tokyo, 2020), Aichi Triennale 2016, and MAM Project 025: Apichatpong Weerasethakul + Tsuyoshi Hisakado (Mori Art Museum, 2018).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-yuree-kensaku</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/99bc40e7-6f13-4447-9072-2e506353b296/YureeKensakuPortrait.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku - Make it stand out</image:title>
      <image:caption>Yuree Kensaku. Courtesy of the artist. Yuree Kensaku is a multidisciplinary artist whose works are known for their electrifying colours, rich sense of humour, and candy coated cartoon characters with a dark twist. She is internationally known in the contemporary art scene. Wildly entertaining at first glance, Yuree’s works persistently present bold, critical commentary on society, as well as intimate introspection on her personal life as a female artist. Yuree’s works has featured in numerous solo and group exhibitions both regionally and internationally including The Adventure of Momotaro Girl, in the Yokohama Museum of Art (2007); Imaginarium: Over the Ocean, Under the Sea, Singapore Art Museum at 8Q, 2016 and several others. Her works are included in permanent collections of Mori Art Museum, Singapore Art Museum,Yokohama Museum of Art, and MAIIAM Contemporary Art Museum, as well as many high profile private collections. Yuree Kensaku has been featured in articles for the Art Asia Pacific, the Art Asia Pacific and the Art in America. She lives and works in Bangkok.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654755290364-TUXSSLQ8AZAB7DGNL40F/HT22_Final+Install_Yuree+Kensaku_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6917_sm.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku - Make it stand out</image:title>
      <image:caption>Installation views: Yuree Kensaku, Atmosfear, 2015–16, acrylic and mixed media on canvas, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist, Hawai‘i Contemporary, and Honolulu Museum of Art. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Yuree Kensaku - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654755290364-TUXSSLQ8AZAB7DGNL40F/HT22_Final+Install_Yuree+Kensaku_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_6917_sm.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku - Make it stand out</image:title>
      <image:caption>Installation views: Yuree Kensaku, Atmosfear, 2015–16, acrylic and mixed media on canvas, Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist, Hawai‘i Contemporary, and Honolulu Museum of Art. Photo: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654755172322-CN8OHTIEP8EZX3BTAM9P/HT22_Final+Install_Yuree+Kensaku_Credit+Honolulu+Museum+of+Art_10_sm.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654755179909-RNZR1CRLFYYYUDJEHF2X/HT22_Final+Install_Yuree+Kensaku_Credit+Honolulu+Museum+of+Art_43_sm.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654755171879-GZX9T0V0WD4JRSXLSNX3/HT22_Final+Install_Yuree+Kensaku_Credit+Honolulu+Museum+of+Art_15_sm.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/99bc40e7-6f13-4447-9072-2e506353b296/YureeKensakuPortrait.jpg</image:loc>
      <image:title>Artist - Yuree Kensaku - Make it stand out</image:title>
      <image:caption>Yuree Kensaku. Courtesy of the artist. Yuree Kensaku is a multidisciplinary artist whose works are known for their electrifying colours, rich sense of humour, and candy coated cartoon characters with a dark twist. She is internationally known in the contemporary art scene. Wildly entertaining at first glance, Yuree’s works persistently present bold, critical commentary on society, as well as intimate introspection on her personal life as a female artist. Yuree’s works has featured in numerous solo and group exhibitions both regionally and internationally including The Adventure of Momotaro Girl, in the Yokohama Museum of Art (2007); Imaginarium: Over the Ocean, Under the Sea, Singapore Art Museum at 8Q, 2016 and several others. Her works are included in permanent collections of Mori Art Museum, Singapore Art Museum,Yokohama Museum of Art, and MAIIAM Contemporary Art Museum, as well as many high profile private collections. Yuree Kensaku has been featured in articles for the Art Asia Pacific, the Art Asia Pacific and the Art in America. She lives and works in Bangkok.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-zheng-bo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/19c21728-5976-4637-ab9e-a58a1c72677b/portrait+2.jpg</image:loc>
      <image:title>Artist - Zheng Bo - Make it stand out</image:title>
      <image:caption>Zheng Bo. Courtesy of the artist and Edouard Malingue Gallery. Zheng Bo was born in 1974 and grew up in Beijing. At the heart of Zheng’s practice are the notions of relationality and equality. While “critical art” risks diluting its subject matter by interlacing political motivations, Zheng succeeds in revealing cultural nuances where power relations are most profoundly manifested. Rather than a political proposal, Zheng’s new public art exudes above all a pragmatism that reclaims aesthetics from the narrow confines it is often reduced to. Zheng Bo has worked with a number of museums and art spaces in Asia and Europe, most recently Asia Art Archive (Hong Kong), UCCA Dune Art Museum (Qinhuangdao), Villa Vassilieff (Paris), Ming Contemporary Art Museum (Shanghai), Sifang Art Museum (Nanjing), and Hong Kong Museum of Art. Zheng Bo has had solo exhibitions at the Institute of Contemporary Arts at NYU Shanghai in Shanghai, Kyoto City University of Arts Gallery in Kyoto, Parco Arte Vivente in Torino and TheCube Project Space, Taipei. He taught at China Academy of Art from 2010 to 2013, and currently teaches at the School of Creative Media, City University of Hong Kong, where he leads the Wanwu Practice Group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654756623664-AR9XPKIVC633B2HEG922/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1795_crop.jpg</image:loc>
      <image:title>Artist - Zheng Bo - Make it stand out</image:title>
      <image:caption>Installation views: Zheng Bo, Pteridophilia I–V, 2016–21, 4k video, color, sound, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654756698709-9YK6N8UJMOS35Z5HLPOT/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1803_crop.jpg</image:loc>
      <image:title>Artist - Zheng Bo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654756676922-EV7NMK0TWIBQLX49VKQ6/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1782_crop.jpg</image:loc>
      <image:title>Artist - Zheng Bo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654756934221-50T04AWPS5QCZX7XSN8G/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1775_crop.jpg</image:loc>
      <image:title>Artist - Zheng Bo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654756698416-AMFRURLM35T3C1GJ37DV/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1788_crop.jpg</image:loc>
      <image:title>Artist - Zheng Bo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654756623664-AR9XPKIVC633B2HEG922/HT22_Final+Install_Zheng+Bo_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1795_crop.jpg</image:loc>
      <image:title>Artist - Zheng Bo - Make it stand out</image:title>
      <image:caption>Installation views: Zheng Bo, Pteridophilia I–V, 2016–21, 4k video, color, sound, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Zheng Bo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/19c21728-5976-4637-ab9e-a58a1c72677b/portrait+2.jpg</image:loc>
      <image:title>Artist - Zheng Bo - Make it stand out</image:title>
      <image:caption>Zheng Bo. Courtesy of the artist and Edouard Malingue Gallery. Zheng Bo was born in 1974 and grew up in Beijing. At the heart of Zheng’s practice are the notions of relationality and equality. While “critical art” risks diluting its subject matter by interlacing political motivations, Zheng succeeds in revealing cultural nuances where power relations are most profoundly manifested. Rather than a political proposal, Zheng’s new public art exudes above all a pragmatism that reclaims aesthetics from the narrow confines it is often reduced to. Zheng Bo has worked with a number of museums and art spaces in Asia and Europe, most recently Asia Art Archive (Hong Kong), UCCA Dune Art Museum (Qinhuangdao), Villa Vassilieff (Paris), Ming Contemporary Art Museum (Shanghai), Sifang Art Museum (Nanjing), and Hong Kong Museum of Art. Zheng Bo has had solo exhibitions at the Institute of Contemporary Arts at NYU Shanghai in Shanghai, Kyoto City University of Arts Gallery in Kyoto, Parco Arte Vivente in Torino and TheCube Project Space, Taipei. He taught at China Academy of Art from 2010 to 2013, and currently teaches at the School of Creative Media, City University of Hong Kong, where he leads the Wanwu Practice Group.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-ai-iwane</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652429610584-VQC1T3Q2KPM265D7R1QL/KIPUKA_02_Shosuke+Nihei%2C+Kailua+Camp-sm.jpg</image:loc>
      <image:title>Artist - Ai Iwane - Make it stand out</image:title>
      <image:caption>Ai Iwane, KĪPUKA: Shosuke Nihei, Kailua Camp, 2016, pigment print, 111.8 x 164.7 cm. Courtesy of the artist. © Ai Iwane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91bb2326-fa5c-426e-8848-b5bab4248f83/iwane.jpeg</image:loc>
      <image:title>Artist - Ai Iwane - Make it stand out</image:title>
      <image:caption>Ai Iwane. Courtesy of the artist. Ai Iwane was born in Tokyo, Japan in 1975 and relocated to the United States in 1991. In 1996, she became an independent photographer after working as an assistant back in Japan. Since 2006, Iwane has focused on the Japanese community’s culture in Hawaii and Fukushima from the perspective of immigration and put research into her works. Her first monograph KIPUKA was published by Seigensha Art Publishing in 2018, which was awarded The 44th Kimura Ihei Photography Award (2019). Iwane has participated in both group and solo exhibitions. Some group exhibitions include the Dali International Photography Exhibition (2019) and the 2020 Fukushima Biennial. Her latest involvement in solo exhibitions was the Komaki Manabi Sozokan and the tette Gallery in 2020. Her latest work, “A NEW RIVER,” which was photographed in April and May of 2020 amid the Covid-19 pandemic, was recently collected in full by the Tokyo Photographic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652429826908-4TNVVZXM95OO7SI4445Z/HT22_Final+Install_Ai+Iwane_Credit+Honolulu+Museum+of+Art_27_sm.jpg</image:loc>
      <image:title>Artist - Ai Iwane</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652429710550-26Q32LFPVM9FU650E5NU/20220419-HOMA-AiIwane7011_sm.jpg</image:loc>
      <image:title>Artist - Ai Iwane</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652429821782-C925N6FUSHIUW4QMZ7FO/HT22_Final+Install_Ai+Iwane_Credit+Honolulu+Museum+of+Art_27.jpg</image:loc>
      <image:title>Artist - Ai Iwane</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652429791974-46RRU8UQ0MTU6FNICUUA/HT22_Final+Install_Ai+Iwane_Credit+Honolulu+Museum+of+Art_27.jpg</image:loc>
      <image:title>Artist - Ai Iwane</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Ai Iwane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652429610584-VQC1T3Q2KPM265D7R1QL/KIPUKA_02_Shosuke+Nihei%2C+Kailua+Camp-sm.jpg</image:loc>
      <image:title>Artist - Ai Iwane - Make it stand out</image:title>
      <image:caption>Ai Iwane, KĪPUKA: Shosuke Nihei, Kailua Camp, 2016, pigment print, 111.8 x 164.7 cm. Courtesy of the artist. © Ai Iwane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91bb2326-fa5c-426e-8848-b5bab4248f83/iwane.jpeg</image:loc>
      <image:title>Artist - Ai Iwane - Make it stand out</image:title>
      <image:caption>Ai Iwane. Courtesy of the artist. Ai Iwane was born in Tokyo, Japan in 1975 and relocated to the United States in 1991. In 1996, she became an independent photographer after working as an assistant back in Japan. Since 2006, Iwane has focused on the Japanese community’s culture in Hawaii and Fukushima from the perspective of immigration and put research into her works. Her first monograph KIPUKA was published by Seigensha Art Publishing in 2018, which was awarded The 44th Kimura Ihei Photography Award (2019). Iwane has participated in both group and solo exhibitions. Some group exhibitions include the Dali International Photography Exhibition (2019) and the 2020 Fukushima Biennial. Her latest involvement in solo exhibitions was the Komaki Manabi Sozokan and the tette Gallery in 2020. Her latest work, “A NEW RIVER,” which was photographed in April and May of 2020 amid the Covid-19 pandemic, was recently collected in full by the Tokyo Photographic Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/ht22-artists</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491699280-H3KOFTDIHSYW29ASTO2C/Portrait+-+Ed+Greevy+-+circa+1968+by+Rick+Regan+in+Moiliili.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ed greevy and haunani-kay trask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644488032599-DUB5ER53VMIFNLBRVFMM/TheMermaids%28HazmatJojo%29.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>karrabing film collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644492667400-GWEZ2YQ5P59VZ31EMG9F/SO_PhotoByShoko.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>shinro ohtake</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491966325-HMEX7WNCOQYH32W4KIZY/Yuree+Kensaku+Portrait.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>yuree kensaku</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644494985040-LG2PLYRCHAQKBSGA24RL/Screen+Shot+2022-02-10+at+12.26.12+AM.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>Lawrence seward</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644488516868-NVEQ0V3O84K2X1IX1ICC/Headshot%2Bby%2BKrist%2BKatherine%2BBell.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ahilaplapa rands</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644492584013-WP3QEDS2W8I7DBLVO3P9/Me_photo+by+Goto+Takehiro.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>目[mé]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644494363361-M7ZRRBADPHMYLZFMGXGN/unnamed.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>sun xun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493264052-9V0RRH2K7QTOLPW0QCYT/HPC_Thesis_from+Kosasa_PedagogicalSights_Colonialism_PacificArt+copy.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>Herman pi‘ikea clark</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493505901-A70SEL5D076WDUNEPDN6/Miao+Ying+-+5-2.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>miao ying</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493948903-JXLT8DUP146VB1YP6UYS/Screen+Shot+2022-02-10+at+12.26.12+AM.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>lawrence seward</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644490584157-VHWPV3VGV0NSN4T8W1Y8/Jamaica_photobyElizabethSoto_2.jpeg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>jamaica heolimeleikalani osorio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644488949754-57L4H5RGXNDJ67TUE83L/Gaku+Tsutaja+Portrait.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>gaku tsutaja</image:caption>
    </image:image>
    <image:image>
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      <image:title>HT22 Artists</image:title>
      <image:caption>Lawrence seward</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491360555-1DIM0A7D9E1YZRZ93UHD/Jennifer_Steinkamp_Nan_Coulter.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>jennifer steinkamp</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493885813-ZJ512XC90QC3NJV3BHQA/BB2+copy.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>beatriz santiago muñoz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644494039353-54MRBTQ7HZH0QYU51M7R/Robles_Stein_Image_1.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>double a projects</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644488032599-DUB5ER53VMIFNLBRVFMM/TheMermaids%28HazmatJojo%29.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>karrabing film collective</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491861730-OXWB7I29FY36JT67E7D7/01_Ai+Iwane.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ai iwane</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644489391820-JLZ6JR1I9GXGH0VOKLGV/2012+%28photo+credit+Ai+Weiwei+Studio%29.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ai weiwei</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644492163070-4PCSGZYPR50KKBESZQTD/%E9%AD%8F%E5%85%B5%E6%8B%8D%E6%91%84+photo+by+Wei+Bing.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>liu xiaodong</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644492378255-7SOB84VHO3SKZXAR5AE1/Motu+Faafafine+photo-collage+on+paper+2019.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>dan taulapapa mcmullin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491531193-KFRNS9NAYK2XUVBRI6KU/Theaster-Gates.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>theaster gates</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644540236014-2ECZIBU6TID56T3AKYGK/xu+bing_portrait_cropped.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>xu bing</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644492667400-GWEZ2YQ5P59VZ31EMG9F/SO_PhotoByShoko.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>shinro ohtake</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644490482606-1JFLETG3KWDKTE32BVAV/01_PORTRAIT-Joan-Lander_bw.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>Nā maka o ka ‘āina</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644488228663-EJCZSNSOQYKMKL7JUBHS/Izumi+Kato_Portrait.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>izumi kato</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493091376-GSAYS5WAA8QEZ9RSLLVJ/ChikakoYamashiro_TY_01c.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>chikako yamashiro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493505901-A70SEL5D076WDUNEPDN6/Miao+Ying+-+5-2.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>miao ying</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491188852-U8JB6OZ6JD0GN1664L8A/Richard+Bell_Portrait.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>richard bell</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491699280-H3KOFTDIHSYW29ASTO2C/Portrait+-+Ed+Greevy+-+circa+1968+by+Rick+Regan+in+Moiliili.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ed greevy and haunani-kay trask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644490584157-VHWPV3VGV0NSN4T8W1Y8/Jamaica_photobyElizabethSoto_2.jpeg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>jamaica heolimeleikalani osorio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644488516868-NVEQ0V3O84K2X1IX1ICC/Headshot%2Bby%2BKrist%2BKatherine%2BBell.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ahilaplapa rands</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644493676164-5SL4U5H0FHD0R84FEQV9/Bloody+Mary+Song+of+the+South+Seas+collage+poster.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>ming wong</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491052791-266SRPFNEREN924O6ZTM/Screen+Shot+2022-02-10+at+12.26.12+AM.png</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>lawrence seward</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644494657738-PKBR84E0P0AAMLW0NA99/portrait+2.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>zheng bo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644490231927-TOQK22RU3BEXJUBWTNRI/Richard+Bell_Portrait.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>richard bell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644491795085-UM1ZMBUHJXV6FBYIFAK0/Masanori+Handa_Portrait_sm.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>masanori handa</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644494439847-26ET89T274C24FSWS6BV/IMG_1632%23.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>momoyo torimitsu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644490105797-IWAM86V5YXPXG37OW4E1/Pages+from+Possible-Exhibit-Prints_Page_2.jpg</image:loc>
      <image:title>HT22 Artists</image:title>
      <image:caption>‘ai pōhaku press</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-herman-piikea-clark</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652857883195-JH53TNEF1VJLYIQSTQ82/HT22_Final+Install_Herman+Pi%CA%BBikea+Clark_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1943.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark - Make it stand out</image:title>
      <image:caption>Installation views: Herman Piʻikea Clark, Poʻo ʻOle , 2021, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644537624265-3GR4W2NV2L4ZIYOVMRV5/hpclark.jpg.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark - Make it stand out</image:title>
      <image:caption>Herman Piʻikea Clark. Courtesy of the artist. Herman Pi’ikea Clark was born and raised in Honolulu, Herman Pi’ikea Clark is a Keiki o ka ‘Aina from a family with deep ancestral roots across Hawaii. A graduate of Punahou School, Herman completed a Master of Fine Arts in Pacific Design from the University of Hawaii and a Doctorate of Indigenous Education and Art from Massey University in New Zealand. Over the last twenty-five years, he has gained international recognition as an artist, designer, and professor of indigenous art and education. Clark combines broad experience as a university professor, a business partner, innovation institute director, designer/artist and indigenous educator to inspire the development of new ideas, concepts, products and approaches that grow the capacity, potential and performance of leaders and executive teams. His artworks and design commissions can be found in both private and public collections in Hawaii, the US mainland, and the Pacific region.is an international authority in the fields of culture, creativity, design thinking, innovation, cross-cultural communication and indigenous knowledge. In 2003, he and his wife established ‘Pili,’ a Design studio focusing on Pacific identity. His commissioned projects include works for architectural, graphic, textile and interior design.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652857883195-JH53TNEF1VJLYIQSTQ82/HT22_Final+Install_Herman+Pi%CA%BBikea+Clark_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1943.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark - Make it stand out</image:title>
      <image:caption>Installation views: Herman Piʻikea Clark, Poʻo ʻOle , 2021, Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644537624265-3GR4W2NV2L4ZIYOVMRV5/hpclark.jpg.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark - Make it stand out</image:title>
      <image:caption>Herman Piʻikea Clark. Courtesy of the artist. Herman Pi’ikea Clark was born and raised in Honolulu, Herman Pi’ikea Clark is a Keiki o ka ‘Aina from a family with deep ancestral roots across Hawaii. A graduate of Punahou School, Herman completed a Master of Fine Arts in Pacific Design from the University of Hawaii and a Doctorate of Indigenous Education and Art from Massey University in New Zealand. Over the last twenty-five years, he has gained international recognition as an artist, designer, and professor of indigenous art and education. Clark combines broad experience as a university professor, a business partner, innovation institute director, designer/artist and indigenous educator to inspire the development of new ideas, concepts, products and approaches that grow the capacity, potential and performance of leaders and executive teams. His artworks and design commissions can be found in both private and public collections in Hawaii, the US mainland, and the Pacific region.is an international authority in the fields of culture, creativity, design thinking, innovation, cross-cultural communication and indigenous knowledge. In 2003, he and his wife established ‘Pili,’ a Design studio focusing on Pacific identity. His commissioned projects include works for architectural, graphic, textile and interior design.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652857695976-9URZUT90X0GD5BUOHH8H/HT22_Final+Install_Herman+Pi%CA%BBikea+Clark_Credit+Hawai%27i+Contemporary+by+Lila+Lee_1730.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652857718112-T8DQ2D31MA8I5FA7FP54/HT22_Final+Install_Herman+Pi%CA%BBikea+Clark_Courtesy+Hawai%E2%80%98i+Contemporary+Photo+Christopher+Rohrer_7194.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652857776309-WXULXHCPMCZP0LWVRNE3/HT22_Final+Install_Herman+Pi%CA%BBikea+Clark_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1947.jpg</image:loc>
      <image:title>Artist - Herman Pi'ikea Clark</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-michael-joo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653020761263-SEBBBHMX9ARBXYI6T7OH/HT22-Bishop5688_sm.jpg</image:loc>
      <image:title>Artist - Michael Joo - Make it stand out</image:title>
      <image:caption>Installation views: Michael Joo with Alchemyverse (Yixuan Shao and Bicheng Liang), Cosmogenic Conduction: Fossil Bed, 2022, sandstone fossil “sea lily” slab sonofied with 12 voices via bone-conducting transmitters, Victorian-era mahogany bed modified with ipe wood, text excerpt from The Kumulipo: An Hawaiian Creation Myth, as translated by Queen Lili‘uokalani (recited by Josh Tengan, December 2021); Cosmogenic Conduction: Proxy, 2022, coral fragments collected at Sand Island Beach (O‘ahu) sonofied with bone-conducting transmitters, brass, steel, plexiglass, base, text excerpt from The Kumulipo; Cosmogenic Conduction: Phantoms, 2022, fragmented Pritchardia sonofied with bone-conducting transmitters, vitrine bases; Cosmogenic Conduction: Harmonic (zero dB), 2022, field recordings from Halema‘uma‘u crater, salvaged concrete slabs, text extracted from “Giant of the Pacific” Mauna Loa Reconnaissance 2003 (Dougherty, Moniz-Nakamura, 2004), Life in Hawaii (Titus Coan, 1882), photo of Haleakalā silversword (Argyroxiphium sandwicense subs. macrocephalum) by NPS (www.nps.gov/hale/learn/nature/ silversword.htm); Cosmogenic Conduction: Aragonite Transmitter, 2022, savaged concrete columns, hydrophone recordings from the MEGA Lab Cam livestream at Keāhole Point (February 07, 2022, 20:16:03–21:00:13), Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Miwako Tezuka and Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e890cdda-59b4-4b51-9023-54608bf4d1d1/M_Joo_Portrait-1+copy.JPG</image:loc>
      <image:title>Artist - Michael Joo - Make it stand out</image:title>
      <image:caption>Michael Joo. Courtesy of the artist. Michael Joo’s artworks investigate concepts of identity and knowledge in a hybrid, contemporary world. Joo’s artworks often blend and collide seemingly disparate elements such as science and religion, fact versus fiction, and high and low culture. Human intervention in nature and the forms generated by these intersections is a recurring backdrop for his work. Using a range of materials and media, and with an emphasis on process, Joo juxtaposes humanity’s various states of knowledge and culture, addressing the fluid nature of identity itself, and prompting us to question how and why we perceive the world as we do.  In performance/video works, he has swam through a ton of MSG, waited in the wild for elk to lick salt off of his body, and walked against the flow of crude oil along the Trans Alaskan Pipeline. Joo’s works are held in numerous public collections around the world, including the Brooklyn Museum, the Denver Art Museum, Frances Young Tang Teaching Museum and Art Gallery, Guggenheim Museum, Harvard Art Museums, Savannah College of Art and Design, the Israel Museum, Moderna Museet Stockholm, UCLA Hammer Museum, Walker Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e890cdda-59b4-4b51-9023-54608bf4d1d1/M_Joo_Portrait-1+copy.JPG</image:loc>
      <image:title>Artist - Michael Joo - Make it stand out</image:title>
      <image:caption>Michael Joo. Courtesy of the artist. Michael Joo’s artworks investigate concepts of identity and knowledge in a hybrid, contemporary world. Joo’s artworks often blend and collide seemingly disparate elements such as science and religion, fact versus fiction, and high and low culture. Human intervention in nature and the forms generated by these intersections is a recurring backdrop for his work. Using a range of materials and media, and with an emphasis on process, Joo juxtaposes humanity’s various states of knowledge and culture, addressing the fluid nature of identity itself, and prompting us to question how and why we perceive the world as we do.  In performance/video works, he has swam through a ton of MSG, waited in the wild for elk to lick salt off of his body, and walked against the flow of crude oil along the Trans Alaskan Pipeline. Joo’s works are held in numerous public collections around the world, including the Brooklyn Museum, the Denver Art Museum, Frances Young Tang Teaching Museum and Art Gallery, Guggenheim Museum, Harvard Art Museums, Savannah College of Art and Design, the Israel Museum, Moderna Museet Stockholm, UCLA Hammer Museum, Walker Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653020761263-SEBBBHMX9ARBXYI6T7OH/HT22-Bishop5688_sm.jpg</image:loc>
      <image:title>Artist - Michael Joo - Make it stand out</image:title>
      <image:caption>Installation views: Michael Joo with Alchemyverse (Yixuan Shao and Bicheng Liang), Cosmogenic Conduction: Fossil Bed, 2022, sandstone fossil “sea lily” slab sonofied with 12 voices via bone-conducting transmitters, Victorian-era mahogany bed modified with ipe wood, text excerpt from The Kumulipo: An Hawaiian Creation Myth, as translated by Queen Lili‘uokalani (recited by Josh Tengan, December 2021); Cosmogenic Conduction: Proxy, 2022, coral fragments collected at Sand Island Beach (O‘ahu) sonofied with bone-conducting transmitters, brass, steel, plexiglass, base, text excerpt from The Kumulipo; Cosmogenic Conduction: Phantoms, 2022, fragmented Pritchardia sonofied with bone-conducting transmitters, vitrine bases; Cosmogenic Conduction: Harmonic (zero dB), 2022, field recordings from Halema‘uma‘u crater, salvaged concrete slabs, text extracted from “Giant of the Pacific” Mauna Loa Reconnaissance 2003 (Dougherty, Moniz-Nakamura, 2004), Life in Hawaii (Titus Coan, 1882), photo of Haleakalā silversword (Argyroxiphium sandwicense subs. macrocephalum) by NPS (www.nps.gov/hale/learn/nature/ silversword.htm); Cosmogenic Conduction: Aragonite Transmitter, 2022, savaged concrete columns, hydrophone recordings from the MEGA Lab Cam livestream at Keāhole Point (February 07, 2022, 20:16:03–21:00:13), Bishop Museum, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Miwako Tezuka and Christopher Rohrer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Michael Joo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653020704377-VD4T8UJM8LRCKHWE9YOK/HT22_BTS_Michael+Joo+x+Alchemyverse_Credit+Hawai%27i+Contemporary+by+Miwako+Tezuka_001.jpg</image:loc>
      <image:title>Artist - Michael Joo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653020367855-4DEKO05SUBQVCY0HBQGN/HT22-Bishop5731_sm.jpg</image:loc>
      <image:title>Artist - Michael Joo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653020355731-L7KG267899ZU7ABETAME/HT22-Bishop5714_sm.jpg</image:loc>
      <image:title>Artist - Michael Joo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1653020371282-58JMZNA1GCO4OYTDM8G7/HT22-Bishop5738_sm.jpg</image:loc>
      <image:title>Artist - Michael Joo</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-lawrence-seward</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652956233483-XZDBCEU7TW9ADXXEHTAY/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5921.jpg</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Installation views: Lawrence Seward, Seward Sun, 2021, Hawai‘i State Art Museum, Bishop Museum, Royal Hawaiian Center, and Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/107b1ed8-d014-46ef-a60b-bbe6ccf922a5/NDI+Beach_cmyk.png</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Lawrence Seward, New Dawn Island, 2021, digital rendering. Courtesy of the artist. © Lawrence Seward.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644497137148-85LSKSVI9P45NMNND584/Screen+Shot+2022-02-10+at+2.44.58+AM.png</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Image from Seward Sun, 2022, newspaper and mixed media, 20 pages, edition of 5,000. Courtesy of the artist. Lawrence Seward born and raised in Hawai’i, has shown his artworks internationally but mainly in New York City where he lived for seventeen years.has been making and showing art professionally since 1990. He was represented by and exhibited at the Andrew Kreps Gallery (New York City) for 13 years. His international exhibitions include MOMA/PS1, the Aldrich Museum, Gallery Edward Mitterand, Richard Heller Gallery. Seward is in the collections of Dikeou, Emily Fischer Landau, the Whitney Museum of American Art, Dakis Joannou, and the Honolulu Museum of Art. His work has been reviewed by the New York Times, The New Yorker, Dwell Magazine, Frieze magazine, and the Honolulu Star-Advertiser. Seward is currently living and working in Honolulu but is very interested in drawing attention to the contemporary art scene in Hawaii. Prior to teaching at the University of Hawaii he has taught at the Pace University and is co-owner of an art related business All Art LLC. He was recently in a four person exhibition in Honolulu with Ashley Bickerton, Paul Pfeiffer and Garnett Puitt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652930478014-3PF3T6EP004Z9KGL7UXG/HT22_Final+Install_Lawrence+Seward_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5955.jpg</image:loc>
      <image:title>Artist - Lawrence Seward</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652930482595-T4IDLTBP1X754V5A4AAY/HT22_Final+Install_Lawrence+Seward_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5769.jpg</image:loc>
      <image:title>Artist - Lawrence Seward</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652930529733-FL8HGKH2U6MG56AO6OUG/HT22_Final+Install_Lawrence+Seward_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1754.jpg</image:loc>
      <image:title>Artist - Lawrence Seward</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652930551050-4RR6814UPU6JRO1BVA59/HT22_Final+Install_Lawrence+Seward_Credit+Honolulu+Museum+of+Art_33.jpg</image:loc>
      <image:title>Artist - Lawrence Seward</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652956233483-XZDBCEU7TW9ADXXEHTAY/HT22_Final+Install_%CA%BBAi+Po%CC%84haku+Press_Credit+Hawai%E2%80%98i+Contemporary+by+Chris+Rohrer_5921.jpg</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Installation views: Lawrence Seward, Seward Sun, 2021, Hawai‘i State Art Museum, Bishop Museum, Royal Hawaiian Center, and Honolulu Museum of Art, HT22, Honolulu. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/107b1ed8-d014-46ef-a60b-bbe6ccf922a5/NDI+Beach_cmyk.png</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Lawrence Seward, New Dawn Island, 2021, digital rendering. Courtesy of the artist. © Lawrence Seward.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644497137148-85LSKSVI9P45NMNND584/Screen+Shot+2022-02-10+at+2.44.58+AM.png</image:loc>
      <image:title>Artist - Lawrence Seward - Make it stand out</image:title>
      <image:caption>Image from Seward Sun, 2022, newspaper and mixed media, 20 pages, edition of 5,000. Courtesy of the artist. Lawrence Seward born and raised in Hawai’i, has shown his artworks internationally but mainly in New York City where he lived for seventeen years.has been making and showing art professionally since 1990. He was represented by and exhibited at the Andrew Kreps Gallery (New York City) for 13 years. His international exhibitions include MOMA/PS1, the Aldrich Museum, Gallery Edward Mitterand, Richard Heller Gallery. Seward is in the collections of Dikeou, Emily Fischer Landau, the Whitney Museum of American Art, Dakis Joannou, and the Honolulu Museum of Art. His work has been reviewed by the New York Times, The New Yorker, Dwell Magazine, Frieze magazine, and the Honolulu Star-Advertiser. Seward is currently living and working in Honolulu but is very interested in drawing attention to the contemporary art scene in Hawaii. Prior to teaching at the University of Hawaii he has taught at the Pace University and is co-owner of an art related business All Art LLC. He was recently in a four person exhibition in Honolulu with Ashley Bickerton, Paul Pfeiffer and Garnett Puitt.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-sun-xun</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644768121049-ZJIZVMC9IM518KJUYVSN/Sun+Xun_portrait.jpg</image:loc>
      <image:title>Artist - Sun Xun - Make it stand out</image:title>
      <image:caption>Sun Xun. Courtesy of the artist. Sun Xun was born in 1980 in Fuxin, China and studied printmaking at the China Academy of Fine Arts, Hangzhou (2001–05). His interest in traditional art forms, such as ink painting and woodcut prints, is reflected in the deft craftsmanship that characterizes his animated films, which often consist of energetically composed, hand-drawn single frames that can number up to five thousand. Sun Xun’s works often highlight the absurd incongruities between authorised histories and personal recollections, and are particularly concerned with how history can be manipulated, interrogating the differences between official narratives presented by public agencies, politicians and the media — and more marginalised accounts that stem from ordinary people’s experiences. In 2006, he founded Pi Animation, where he and a handful of employees use high powered computer to create his films. The artist has been included in exhibitions at the Guggenheim Museum in New York, the Hammer Museum in Los Angeles, and the Minsheng Art Museum in Shanghai. Sun lives and works in Beijing, China.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654603077883-IWJJHGOEAXF6DNCXXH4M/HT22_Final+Install_Sun+Xun_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1954_crop.jpg</image:loc>
      <image:title>Artist - Sun Xun - Make it stand out</image:title>
      <image:caption>[TOP LEFT] Sun Xun, 古老的远方拔开现实的迷雾 The Ancient Distance Uncover the Mystery of Reality and 迷一样的历史隐藏在我们看不见的事物之中（之一）The Mysterious History Lies in What We Can’t See No.1 , 2021, ink, Universalfarbe all-purpose paint and acrylic on newspaper; Mythological Time (stills), 2016, HD animation with color and sound, 12 mins, 44 secs; 迷一样的历史隐藏在我们看不见的事物之中（之二）The Mysterious History Lies in What We Can’t See No.2, 2021, ink, Universalfarbe all-purpose paint and acrylic on newspaper; Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Sun Xun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654602844524-44XJXSBKX556WY1XXSJR/20220420-RHSC-SunXun7233_sm.jpg</image:loc>
      <image:title>Artist - Sun Xun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654602880232-WCC73KODTJ8FI4FO3KUS/20220420-RHSC-SunXun7235_sm.jpg</image:loc>
      <image:title>Artist - Sun Xun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654602894823-4BLDXCQ3RDS3MUQFWKMK/20220420-RHSC-SunXun7227_sm.jpg</image:loc>
      <image:title>Artist - Sun Xun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654602878904-ER2BAUDC5JGDJS0ECA8V/20220420-RHSC-SunXun7237._sm.jpg</image:loc>
      <image:title>Artist - Sun Xun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654603077883-IWJJHGOEAXF6DNCXXH4M/HT22_Final+Install_Sun+Xun_Credit+Hawai%E2%80%98i+Contemporary+by+Lila+Lee_1954_crop.jpg</image:loc>
      <image:title>Artist - Sun Xun - Make it stand out</image:title>
      <image:caption>[TOP LEFT] Sun Xun, 古老的远方拔开现实的迷雾 The Ancient Distance Uncover the Mystery of Reality and 迷一样的历史隐藏在我们看不见的事物之中（之一）The Mysterious History Lies in What We Can’t See No.1 , 2021, ink, Universalfarbe all-purpose paint and acrylic on newspaper; Mythological Time (stills), 2016, HD animation with color and sound, 12 mins, 44 secs; 迷一样的历史隐藏在我们看不见的事物之中（之二）The Mysterious History Lies in What We Can’t See No.2, 2021, ink, Universalfarbe all-purpose paint and acrylic on newspaper; Royal Hawaiian Center, HT22, Waikīkī. Courtesy of the artist and Hawai‘i Contemporary. Photos: Christopher Rohrer and Lila Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644768121049-ZJIZVMC9IM518KJUYVSN/Sun+Xun_portrait.jpg</image:loc>
      <image:title>Artist - Sun Xun - Make it stand out</image:title>
      <image:caption>Sun Xun. Courtesy of the artist. Sun Xun was born in 1980 in Fuxin, China and studied printmaking at the China Academy of Fine Arts, Hangzhou (2001–05). His interest in traditional art forms, such as ink painting and woodcut prints, is reflected in the deft craftsmanship that characterizes his animated films, which often consist of energetically composed, hand-drawn single frames that can number up to five thousand. Sun Xun’s works often highlight the absurd incongruities between authorised histories and personal recollections, and are particularly concerned with how history can be manipulated, interrogating the differences between official narratives presented by public agencies, politicians and the media — and more marginalised accounts that stem from ordinary people’s experiences. In 2006, he founded Pi Animation, where he and a handful of employees use high powered computer to create his films. The artist has been included in exhibitions at the Guggenheim Museum in New York, the Hammer Museum in Los Angeles, and the Minsheng Art Museum in Shanghai. Sun lives and works in Beijing, China.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-xu-bing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644540306845-RL7C24A2RZ2ZSHSZ8NZC/xu+bing_portrait_cropped.jpg</image:loc>
      <image:title>Artist - Xu Bing - Make it stand out</image:title>
      <image:caption>Xu Bing, Courtesy of the artist. Xu Bing was born in Chongqing, China, in 1955. He earned his B.A. degree from the printmaking department at the Central Academy of Fine Arts in Beijing (CAFA) in 1981, while earning his MFA in 1987. He moved to the United States in 1990. He moved back to China in 2007. From 2008 to 2014, Xu Bing served as the vice president of CAFA, where he is now a professor and the director of the Academic Committee. He currently lives and works in Beijing and New York. In 1990–91, Xu had his first exhibition in the United States at the University of Wisconsin–Madison's Elvehjem Museum of Art (now Chazen Museum of Art) including his installations A Book from the Sky and Ghosts Pounding the Wall. In 2003 he exhibited at the then new Chinese Arts centre in Manchester, and in 2004 he won the inaugural "Artes Mundi" prize in Wales for Where does the dust collect itself?, an installation using dust he collected in New York City on the day after the destruction of the World Trade Center. He won also a half year of free work and study at the American Academy in Berlin 2004.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654753363195-TP7J0506CB6ZRU9JS8B1/HT22_Xu-Bing_Background-Story-Lu-Mountain.jpg</image:loc>
      <image:title>Artist - Xu Bing - Make it stand out</image:title>
      <image:caption>Installation views: Xu Bing, Background Story: Mount Lu, 2015, plywood light box display containing LED lights, frosted glass, corn husks, linen string, rice paper, plastic bags, and dried leaves, Honolulu Museum of Art, HT22, Honolulu. Courtesy of Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1654753363195-TP7J0506CB6ZRU9JS8B1/HT22_Xu-Bing_Background-Story-Lu-Mountain.jpg</image:loc>
      <image:title>Artist - Xu Bing - Make it stand out</image:title>
      <image:caption>Installation views: Xu Bing, Background Story: Mount Lu, 2015, plywood light box display containing LED lights, frosted glass, corn husks, linen string, rice paper, plastic bags, and dried leaves, Honolulu Museum of Art, HT22, Honolulu. Courtesy of Honolulu Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Xu Bing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1644540306845-RL7C24A2RZ2ZSHSZ8NZC/xu+bing_portrait_cropped.jpg</image:loc>
      <image:title>Artist - Xu Bing - Make it stand out</image:title>
      <image:caption>Xu Bing, Courtesy of the artist. Xu Bing was born in Chongqing, China, in 1955. He earned his B.A. degree from the printmaking department at the Central Academy of Fine Arts in Beijing (CAFA) in 1981, while earning his MFA in 1987. He moved to the United States in 1990. He moved back to China in 2007. From 2008 to 2014, Xu Bing served as the vice president of CAFA, where he is now a professor and the director of the Academic Committee. He currently lives and works in Beijing and New York. In 1990–91, Xu had his first exhibition in the United States at the University of Wisconsin–Madison's Elvehjem Museum of Art (now Chazen Museum of Art) including his installations A Book from the Sky and Ghosts Pounding the Wall. In 2003 he exhibited at the then new Chinese Arts centre in Manchester, and in 2004 he won the inaugural "Artes Mundi" prize in Wales for Where does the dust collect itself?, an installation using dust he collected in New York City on the day after the destruction of the World Trade Center. He won also a half year of free work and study at the American Academy in Berlin 2004.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artist-jamaica-heolimeleikalani-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1641871948157-YBWJX00ICKDKYRHKQV5C/HT22_artist+header.png</image:loc>
      <image:title>Artist - Jamaica Heolimeleikalani (audio)) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/in-the-news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1652351950725-UOHG84LJS7K6MK8OY3C6/MidWeek-HT22.png</image:loc>
      <image:title>In the News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>In the News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://hawaiicontemporary.org/ht22-catalogue</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655507600626-3FUZKGMSCOLMTYATU9IT/HT22-Paciic+Century-6.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Book Details English 2022. 284 pp. 126 illus., 111 color, 15 b/w hardcover 8.25 x 11.25 in ISBN 978-3-7757-5214-5 UH Press (North America) Hatje Cantz (rest of the world)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655512562745-AUE9OW5ONIJUY7RCKVU4/HT22_catalogue_Pacific-Century-01.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655507249637-48PNRV1AXJCCPY0JRJ39/HT22-Paciic+Century-1_crop.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655519277596-760LV56NW55V9I7ECLMS/DSC_6755.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2e3e5546-8111-4ece-8d4b-b064d30e6bdb/HT22_horizontal-02-01.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655507249637-48PNRV1AXJCCPY0JRJ39/HT22-Paciic+Century-1_crop.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1645228628684-CTJ0ROGF8I9A1YWCV823/DSC_8363.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655507600626-3FUZKGMSCOLMTYATU9IT/HT22-Paciic+Century-6.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Book Details English 2022. 284 pp. 126 illus., 111 color, 15 b/w hardcover 8.25 x 11.25 in ISBN 978-3-7757-5214-5 UH Press (North America) Hatje Cantz (rest of the world)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1655512562745-AUE9OW5ONIJUY7RCKVU4/HT22_catalogue_Pacific-Century-01.jpg</image:loc>
      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>HT22 Catalogue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/golden-hibiscus-award-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1597566460895-XAKHCEJ7FHK7H5XGVS8Y/Bernice+Akamine%2C+Kalo%2C+2016-present_1.jpg</image:loc>
      <image:title>Golden Hibiscus Award 2019 - Make it stand out</image:title>
      <image:caption>Golden Hibiscus Award honorable mention 2019: Bernice Akamine, KALO Honolulu Biennial 2019 HB19, Ali’iolani Hale. Courtesy Honolulu Biennial Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1597566460895-XAKHCEJ7FHK7H5XGVS8Y/Bernice+Akamine%2C+Kalo%2C+2016-present_1.jpg</image:loc>
      <image:title>Golden Hibiscus Award 2019 - Make it stand out</image:title>
      <image:caption>Golden Hibiscus Award honorable mention 2019: Bernice Akamine, KALO Honolulu Biennial 2019 HB19, Ali’iolani Hale. Courtesy Honolulu Biennial Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/10fac563-d53d-4241-9a56-ac5b5592ab6b/leland.png</image:loc>
      <image:title>Golden Hibiscus Award 2019 - Make it stand out</image:title>
      <image:caption>Golden Hibiscus Award winner in 2019: Leland Miyano, Huakaʻi / A Wake, 2019 Installation view at Foster Botanical Garden. HB19.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1643768662178-E7P33L50O8KQ8W690ZI8/black.jpg</image:loc>
      <image:title>Golden Hibiscus Award 2019</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artxchange</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ae756384-7933-4625-b3d4-aca4df11ad17/Logos_partners_artXchange2.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/638b9aed-5814-415c-958a-4baec06b5663/web_navai-03.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Royal Hawaiian Center • C302 2201 Kalākaua Ave • Bldg C, 3rd Floor An exhibition of work by local high school students for sale, Young Contemporaries is a professional development program for Hawai‘i’s young artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/fd459494-5daa-45c5-944e-73882c8298c4/web_navai-04.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Royal Hawaiian Center • Waikīkī An in-person, ticketed event featuring an immersive dining and contemporary art experience. Proceeds benefit Hawai‘i Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d8bc94af-5652-4262-8209-aa960f18351f/web_navai-02.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Royal Hawaiian Center • C302 2201 Kalākaua Ave • Bldg C, 3rd Floor Public viewing of the artworks in the online auction, along with complementary public programs, including a closing celebration. All are FREE and open to the public.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ea7c45ed-f8a7-4d2a-880e-4b0c7a2539a8/web_navai-01.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>An online auction of artworks from more than 50 artists from Hawai‘i, the Pacific, and beyond. Featuring a range of works — from large installations, to paintings, to small works on paper. – AUCTION CLOSED –</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/27524757-1c7a-4f93-96f8-7169848146cc/Art+X+Change+-+Logo+-+green.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/8366c105-103f-4225-adf7-00687553b44d/HC+-+banner2.jpg</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/fd459494-5daa-45c5-944e-73882c8298c4/web_navai-04.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Royal Hawaiian Center • Waikīkī An in-person, ticketed event featuring an immersive dining and contemporary art experience. Proceeds benefit Hawai‘i Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ae756384-7933-4625-b3d4-aca4df11ad17/Logos_partners_artXchange2.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/27524757-1c7a-4f93-96f8-7169848146cc/Art+X+Change+-+Logo+-+green.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/638b9aed-5814-415c-958a-4baec06b5663/web_navai-03.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Royal Hawaiian Center • C302 2201 Kalākaua Ave • Bldg C, 3rd Floor An exhibition of work by local high school students for sale, Young Contemporaries is a professional development program for Hawai‘i’s young artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d8bc94af-5652-4262-8209-aa960f18351f/web_navai-02.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Royal Hawaiian Center • C302 2201 Kalākaua Ave • Bldg C, 3rd Floor Public viewing of the artworks in the online auction, along with complementary public programs, including a closing celebration. All are FREE and open to the public.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1679164778035-E7DOQP7AS8H397S7P7BO/Yamazaki_For_Lack_of_Better_Words.jpg</image:loc>
      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687918479467-JB2XB9C4GX9C1UXL6BU1/The+Art+Exchange-103.jpg</image:loc>
      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:title>artXchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687918587019-Q9YY1KYHEFT7I3MW19UM/The+Art+Exchange-255.jpg</image:loc>
      <image:title>artXchange</image:title>
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    <image:image>
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      <image:title>artXchange</image:title>
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    <image:image>
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      <image:title>artXchange</image:title>
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    <image:image>
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      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
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      <image:title>artXchange</image:title>
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    <image:image>
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      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687919563537-VSF3WC19CW3VUT8YZL84/The+Art+Exchange-146.jpg</image:loc>
      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687919572931-XGT2TWWR1C5H1F6RYQ7R/The+Art+Exchange-359.jpg</image:loc>
      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687919586822-MYJNM8RZM8Q055QU8D9W/The+Art+Exchange-389.jpg</image:loc>
      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687918640926-KJS5A2NLDOK4GD1F847I/The+Art+Exchange-288.jpg</image:loc>
      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/1687918641455-XHIZ4FKMQ1K9NR9PZ309/The+Art+Exchange-313.jpg</image:loc>
      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
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      <image:title>artXchange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/8366c105-103f-4225-adf7-00687553b44d/HC+-+banner2.jpg</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ea7c45ed-f8a7-4d2a-880e-4b0c7a2539a8/web_navai-01.png</image:loc>
      <image:title>artXchange - Make it stand out</image:title>
      <image:caption>An online auction of artworks from more than 50 artists from Hawai‘i, the Pacific, and beyond. Featuring a range of works — from large installations, to paintings, to small works on paper. – AUCTION CLOSED –</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/artxchange-faqs</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/27524757-1c7a-4f93-96f8-7169848146cc/Art+X+Change+-+Logo+-+green.png</image:loc>
      <image:title>FAQs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/27524757-1c7a-4f93-96f8-7169848146cc/Art+X+Change+-+Logo+-+green.png</image:loc>
      <image:title>FAQs - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-2023</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/f1893ee9-5735-463b-a2cc-97ce77ad0d88/greg_kim-009r-2.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Gregory Kim  Attorney Vantage Counsel LLC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/defdc799-30fa-4e28-8bb6-37bdfb9a5e69/Tyler+Cann_Staff+Photography_Oct_22-05_CROP-med.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Tyler Cann Senior Curator of Modern and Contemporary Art Honolulu Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c57a86e8-c34d-4184-9b3e-326cd174c03d/manu+aluli+meyer+uhwo.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Dr. Manulani Aluli Meyer Konohiki – Kūlana o Kapolei UH West O‘ahu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e4b67771-78c0-4419-b80e-f84719dd9731/icon.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d533749e-b215-4be6-ad77-11afa612a0c5/Headshot_Emma.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Emma Broderick  Executive Director Pu‘uhonua Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2198a18e-3bc3-4906-b169-ccbe0373cc3f/blank.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Marion Cadora  Curator of Collections Mayor’s Office of Culture and the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ab031bc9-a80d-45a5-ae51-c1d8eee111fc/DFC_Headshottempo.jpeg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Donnie Cervantes  Director, Aupuni Space Pu‘uhonua Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/88ebaa0b-0db1-4de8-ad57-7ad8e2be89ce/seth_buckley-043-3.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Seth T. Buckley  Attorney and Entrepreneur The Liko Collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/24340a78-7818-459d-8f3c-165bf28490d3/Elison_Mina_headshot.JPG</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Mina Elison Curator Donkey Mill Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c57a86e8-c34d-4184-9b3e-326cd174c03d/manu+aluli+meyer+uhwo.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Dr. Manulani Aluli Meyer Konohiki – Kūlana o Kapolei UH West O‘ahu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/88ebaa0b-0db1-4de8-ad57-7ad8e2be89ce/seth_buckley-043-3.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Seth T. Buckley  Attorney and Entrepreneur The Liko Collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/24340a78-7818-459d-8f3c-165bf28490d3/Elison_Mina_headshot.JPG</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Mina Elison Curator Donkey Mill Art Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ab031bc9-a80d-45a5-ae51-c1d8eee111fc/DFC_Headshottempo.jpeg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Donnie Cervantes  Director, Aupuni Space Pu‘uhonua Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/defdc799-30fa-4e28-8bb6-37bdfb9a5e69/Tyler+Cann_Staff+Photography_Oct_22-05_CROP-med.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Tyler Cann Senior Curator of Modern and Contemporary Art Honolulu Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/e4b67771-78c0-4419-b80e-f84719dd9731/icon.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/f1893ee9-5735-463b-a2cc-97ce77ad0d88/greg_kim-009r-2.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Gregory Kim  Attorney Vantage Counsel LLC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d533749e-b215-4be6-ad77-11afa612a0c5/Headshot_Emma.jpg</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Emma Broderick  Executive Director Pu‘uhonua Society</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2198a18e-3bc3-4906-b169-ccbe0373cc3f/blank.png</image:loc>
      <image:title>Professional Development Program for Artists - Make it stand out</image:title>
      <image:caption>Marion Cadora  Curator of Collections Mayor’s Office of Culture and the Arts</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-m-elison</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/24340a78-7818-459d-8f3c-165bf28490d3/Elison_Mina_headshot.JPG</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Elison - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Elison - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Elison - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/24340a78-7818-459d-8f3c-165bf28490d3/Elison_Mina_headshot.JPG</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Elison - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-t-cann</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2198a18e-3bc3-4906-b169-ccbe0373cc3f/blank.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - T Cann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - T Cann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - T Cann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2198a18e-3bc3-4906-b169-ccbe0373cc3f/blank.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - T Cann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-s-buckley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/88ebaa0b-0db1-4de8-ad57-7ad8e2be89ce/seth_buckley-043-3.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - S Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/88ebaa0b-0db1-4de8-ad57-7ad8e2be89ce/seth_buckley-043-3.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - S Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - S Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - S Buckley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-g-kim</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/f1893ee9-5735-463b-a2cc-97ce77ad0d88/greg_kim-009r-2.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - G Kim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - G Kim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - G Kim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/f1893ee9-5735-463b-a2cc-97ce77ad0d88/greg_kim-009r-2.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - G Kim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-e-broderick</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d533749e-b215-4be6-ad77-11afa612a0c5/Headshot_Emma.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - E Broderick - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/d533749e-b215-4be6-ad77-11afa612a0c5/Headshot_Emma.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - E Broderick - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - E Broderick - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - E Broderick - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-d-cervantes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ab031bc9-a80d-45a5-ae51-c1d8eee111fc/DFC_Headshottempo.jpeg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - D Cervantes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - D Cervantes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - D Cervantes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/ab031bc9-a80d-45a5-ae51-c1d8eee111fc/DFC_Headshottempo.jpeg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - D Cervantes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-m-cadora</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2198a18e-3bc3-4906-b169-ccbe0373cc3f/blank.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Cadora - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/91785c21-a3d3-432b-a381-f5edd138922b/Title_rt.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Cadora - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Cadora - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/2198a18e-3bc3-4906-b169-ccbe0373cc3f/blank.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Cadora - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://hawaiicontemporary.org/pro-dev-program-fall-2023-m-aluli-meyer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/c57a86e8-c34d-4184-9b3e-326cd174c03d/manu+aluli+meyer+uhwo.jpg</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Aluli Meyer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59e143f712abd9a332920f01/73ecee59-889d-47da-af67-b6589586de39/banner.png</image:loc>
      <image:title>Pro Dev Program — Fall 2023 - M Aluli Meyer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Pro Dev Program — Fall 2023 - T Cann - Make it stand out</image:title>
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